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Cox, George - Aryan Mythology Vol 2.pdf

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248 MYTHOLOGY OF THE ARYAN NATIONS.<br />

BOOK grotesque and uncouth details of the myth, which tell us of<br />

>. ^—' his goat's feet and horns, his noisy laughter and capricious<br />

action, the idea of wind is pre-eminent. It is the notion not<br />

so much of the soft and lulling strains of Hermes in his<br />

gentler mood, or of the irresistible power of the harp of<br />

Orpheus, as of the purifying breezes which blow gently or<br />

strong, for a long or a little while, waking the echoes now<br />

here now there, in defiance of all plan or system, and with a<br />

wantonness which baffles all human powers of calculation.<br />

To this idea the Homeric hymn adheres with a singular<br />

fidelity, as it tells us how he wanders sometimes on the<br />

mountain summits, sometimes plunging into the thickets of<br />

the glen, sometimes by the stream side or up the towering<br />

crags, or singing among the reeds at eventide. So swift is<br />

his pace that the birds of the air cannot pass him by. With<br />

him play the water-maidens, and the patter of the nymphs'<br />

feet is heard as they join in his song by the side of the dark<br />

fountain. 1 Like Hermes again and Sarameya, he is the<br />

child of the dawn and the morning, and it is his wont to lie<br />

down at noontide in a slumber from which he takes it ill if<br />

he be rudely roused. 2 Of his parentage we have many stories,<br />

but the same notion underlies them all. Sometimes, as in<br />

the Homeric Hymn, he is the son of Hermes and of the<br />

nymph Dryops, sometimes of Hermes and Penelope, some-<br />

times of Penelope and Odysseus ; but Penelope is the bride<br />

of the toiling sun, who is parted from her whether at morning<br />

or eventide, and to be her son is to be the child of Sarama.<br />

Nor is the idea changed if he be spoken of as the son of<br />

heaven and earth (Ouranos and Gaia), or of air and water<br />

(Aither and a Nereid).<br />

Pan, the Pan then is strictly the purifying breeze, the Sanskrit<br />

purifying pavana, 3 a name which reappears in the Latin Favonius,<br />

and perhaps also in Faunus ; and his real character, as the<br />

god of the gentler winds, is brought out most prominently<br />

in the story of his love for Pitys, and of the jealousy of the<br />

blustering Boreas, who hurled the maiden from a rock and<br />

changed her into a pine-tree. The myth explains itself.<br />

In Professor Max Muller's words, ' We need but walk with<br />

1 Hymn to Pan, 7-20.<br />

2 Theok. vii. 107.<br />

8 Max Miiller, Chips, ii. 159.

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