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Cox, George - Aryan Mythology Vol 2.pdf

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TELEPHOS AND PARIS. 75<br />

enemy Idas. This service lie performs, and Auge differs CHAP,<br />

from Iokaste only in the steadiness with which she refuses ,' -<br />

to wed Telephos, although she knows not who he is. Tele-<br />

phos now determines to slay her, bnt Heraides reveals the<br />

mother to the child, and like Perseus, Telephos leads his<br />

mother back to her own land. In another version he be-<br />

comes the husband not of Auge, but of a daughter of Teu-<br />

thras, whose name Argiope shows that she is but Auge under<br />

another form. In this tradition he is king of Mysia when<br />

the Achaians come to Ilion to avenge the wx • rongs of Helen,<br />

and he resists them with all his power. In the ensuing<br />

strife he is smitten by Achilleus, and all efforts to heal the<br />

wound are vain. In his misery he betakes himself again to<br />

the oracle, and learns that only the man who has inflicted<br />

the wouud can heal it. In the end, Agamemnon prevails on<br />

Achilleus to undo his own work, and to falsify in the case<br />

of Telephos the proverb which made use of his name to<br />

describe an incurable wound. The means employed is the<br />

rust of the spear which had pierced him,—an explanation<br />

which turns on the equivocal meaning of the words ios, ion,<br />

as denoting rust, poison, an arrow, and the violet colour.<br />

As we read the story of Telephos we can scarcely fail to Twofold<br />

think of the story of the Trojan Paris, for like Telephos Paris ^Trojan<br />

is exposed as a babe on the mountain side, and like him he Paris.<br />

receives at the hands of Achilleus a wound which is either<br />

incurable or which Oinone either will not or cannot heal. It<br />

is true that the only portion of the myth of Paris introduced<br />

into our Iliad is that which relates to the stealing away of<br />

Helen, and to the time which she spent with him in Ilion<br />

but it is really unnecessary to adduce again the evidence<br />

which proves that the poets of the Iliad used only those<br />

myths or portions of myths which served their immediate<br />

purpose. Even in what they do tell us about him we discern<br />

that twofold aspect which the process of mythical disintegra-<br />

tion would lead us to look for. There is on the one side not the<br />

slightest doubt that he is the great malefactor who by taking<br />

Helen from Sparta brings the Achaian chiefs to the assault<br />

of Troy ; and as Helen is manifestly the Vedic Sarama, the<br />

beautiful light of the morning or the evening, Paris as con-<br />

:

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