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Cox, George - Aryan Mythology Vol 2.pdf

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THE WRATH OF ACIIILLEUS. 16<br />

son has been fully atoned. But to this Agamemnon will CHAP<br />

IIL<br />

not yet stoop. His chieftains stand around him in unim- „<br />

paired strength, and the men whom they lead are eager for<br />

the conflict. It was obviously the point at which the poet<br />

might pass from the story of Achilleus to the exploits of<br />

other chieftains, and accordingly many books of the Iliad<br />

are taken up with narratives showing what those chiefs<br />

could and could not do without Achilleus. Whether these<br />

narratives formed part of the Iliad in its earliest form, is a<br />

point which has been examined elsewhere; but they are so<br />

arranged as to lead to the humiliating confession of Agamemnon<br />

that he has lost too many men to be able to con-<br />

tinue the struggle with any hope of success—a confession<br />

which only admits in other words that the conqneror of<br />

Ilion is not now in their assembly. The answer is obvious.<br />

Briseis must be restored, and Agamemnon must express his<br />

sorrow for all his evil words and evil deeds. If then any<br />

attempts were made to appease the wrath of Achilleus before<br />

the final reparation which he accepted, it follows that those<br />

attempts did not fulfil the conditions on which he insisted,<br />

and hence that the ninth of the books of the Iliad, as it now<br />

stands, could not possibly have formed part of the original<br />

Achilleis or Ilias. The apology which is here rejected is<br />

word for word the same as that which is afterwards held to<br />

suffice, and the reparation offered after the death of Patro-<br />

klos is in no way larger than that which had been offered<br />

before. The rejection of a less complete submission is, however,<br />

in thorough accordance with the spirit of the old myth,<br />

and the mediation of Phoinix serves well to exhibit Achilleus<br />

to himself in the mirror of the character of Meleagros. But<br />

taking the story as it now stands, we may well stand amazed<br />

at the unbounded savagery of the picture. There is not<br />

only no pausing on the part of Achilleus to reflect that<br />

Agamemnon has a heart to feel as well as himself, and that<br />

the loss of Chryseis might at least weigh something against<br />

that of the daughter of Brises, but there is not the slightest<br />

heed to the sufferings of his countrymen and the hopeless<br />

misery of the protracted struggle. The one redeeming fea-<br />

ture is his truthfulness, if this can be held to redeem a cha-

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