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Cox, George - Aryan Mythology Vol 2.pdf

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LATER ATTRIBUTES OF HERMES. 237<br />

As driving the clouds across the bine fields of heaven, he CHAP.<br />

V.<br />

would be the messenger of Apollon, and this office would<br />

soon be merged in that of the herald of Zeus and all the<br />

gods. As such again, he would be skilled in the use of<br />

words, and he would be employed in tasks where eloquence<br />

was needed. Thus he appears before Priam in the time of<br />

his ang*uish, not in his divine character, but as one of the<br />

servants of Achilleus, and, by the force of his words alone,<br />

persuades the old man to go and beg the body of Hektor. 1<br />

So too he wins the assent of Hades to the return of Persephone<br />

from the underworld. 2 Hermes thus became asso-<br />

ciated with all that calls for wisdom, tact, and skill in the<br />

intercourse between man and man, and thus he is exhibited<br />

at once as a cunning thief, and as the presiding god of<br />

wealth. 3<br />

It is possible, however, or likely, that in later<br />

times, the functions of Hermes were largely multiplied by a<br />

confusion between words, the fruitful source of secondary<br />

myths. If such words as £p/jLr)i>si'a and sp/jbrjvsvsiv, to interpret,<br />

are to be traced to the name Hermes, there are others, as<br />

spfia, a prop, sp/na/css, heaps of stones, sppuaTiQiv, to ballast a<br />

ship, which clearly can have nothing to do with it. Yet on<br />

the strength of these words Hermes becomes a god of<br />

boundaries, the guardian of gymnasia, and lastly the patron<br />

of gymnastic games ; and his statues were thus placed at<br />

the entrance of the Agora. 4 The cause of this confusion<br />

M. Breal finds in the word sp/nlSiov or sp/adSiov, commonly<br />

1<br />

2<br />

11. xxiv. 400.<br />

Hymn to Demeter, 335.<br />

for all who wish to determine the<br />

character of the god: and it is, to say<br />

3<br />

7T/\.outo5uti7s • iraAiyKairriXos. Orph.<br />

xxviii. The so called Orphic hymns, as<br />

we have seen, string together all the<br />

the least, extremely difficult to discern<br />

even the germ of this idea in the Iliad<br />

or Odyssey. The Latin god Mercurius<br />

epithets which the conceptions or in- is, it is true, simply a god of traffickers,<br />

ferences of poets and mythographers (merx, mercari) : but he possessed not<br />

had accumulated during a long series of<br />

ages. Among these the epithet Trismegistos,<br />

the<br />

a single attribute in common with the<br />

Hellenic Hermes ; and the Fetiales<br />

' ter maximus Hermes' of persistently refused to admit th^ir<br />

Ausonius, has degenerated into the identity, in spite of the fashion which<br />

supposed Saracenic idol Termagant,<br />

Grimm, I). M. 137.<br />

4 Hermes Agoraios. We are thus<br />

brought to the later developements which<br />

connected him in some degree with<br />

traffic and merchandise. Of this notion<br />

attached the Greek myths to Latin<br />

deities with which they had nothing to<br />

do. The Hellenic Hermes is a harper,<br />

a thief, a guide, or a messenger—but<br />

not a merchant. Whatever honours he<br />

may have apart from his inherent<br />

not a trace can be found in the so-called<br />

Homeric Hymn to Hermes, which must<br />

powers of song and mischief<br />

bestowed on him by Phoibos.<br />

are<br />

be regarded as of the first importance

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