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Natural Science in Archaeology

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8.6 Porcela<strong>in</strong> 193<br />

blue and white glazes used a mixture of cobalt pigment and lead oxide to produce<br />

the color (Wood et al. 2008). Cobalt alums from the western oases of Egypt<br />

were used <strong>in</strong> the second millennium BCE as a colorant to produce dark blue glazes<br />

(Shortland et al. 2006).<br />

In their <strong>in</strong>vestigation of glazed steatite from ancient Egypt dur<strong>in</strong>g the fourth<br />

to first millennium BCE, Tite and Bimson (1989) found two different glazes. The<br />

first was characterized by high copper and magnesium oxide and a high density of<br />

recrystallized forsterite (high Mg oliv<strong>in</strong>e). The second was characterized by lower<br />

copper and magnesium oxide and a low density of recrystallized forsterite. Laboratory<br />

replication of these glazes confirmed that the differences were the result of<br />

very different glaz<strong>in</strong>g methods rather than differences <strong>in</strong> the composition of the raw<br />

materials.<br />

From the sixth to fourth centuries BCE, attic black “glaze” was produced by a<br />

f<strong>in</strong>e suspension of an illitic clay applied to the surface. When the vase was fired <strong>in</strong><br />

an oxidiz<strong>in</strong>g-reduc<strong>in</strong>g-oxidiz<strong>in</strong>g cycle, a th<strong>in</strong> black layer of polycrystall<strong>in</strong>e black<br />

magnetite or wüstite (FeO) formed from iron oxide <strong>in</strong> the raw material (Maniatis<br />

et al. 1993). This technique does not meet the strict technical def<strong>in</strong>ition of “glaze,”<br />

although it is frequently referred to as such. It would be more correct to refer to the<br />

decorative surface as a clay sta<strong>in</strong> or “slip” design.<br />

The use of lead oxide glazes was common at Byzantium, especially dur<strong>in</strong>g the<br />

eighth and n<strong>in</strong>th centuries CE. The use of a white, t<strong>in</strong>-based glaze on red-bodied<br />

vessels was developed <strong>in</strong> Sicily about 1200 CE. Dur<strong>in</strong>g the thirteenth century, Spanish<br />

potters began to use a white t<strong>in</strong>-based glaze. To achieve a variety of lusters<br />

the potters of Andalusia used silver, sulfur, and ochre. Dur<strong>in</strong>g the Han Dynasty,<br />

stoneware vessels with feldspathic glazes (conta<strong>in</strong><strong>in</strong>g feldspar clays) were widespread.<br />

Dur<strong>in</strong>g the Song Dynasty, the Ch<strong>in</strong>ese <strong>in</strong>troduced a stoneware glaze with a<br />

high iron content that broke <strong>in</strong>to orange around the edges and rims. M<strong>in</strong>g Dynasty<br />

(1368–1644 CE) ceramists developed a th<strong>in</strong> copper oxide wash that turned bright<br />

red when fired <strong>in</strong> a reduc<strong>in</strong>g atmosphere.<br />

8.6 Porcela<strong>in</strong><br />

Porcela<strong>in</strong> is quite different from ord<strong>in</strong>ary pottery. It is made from pure kaol<strong>in</strong> mixed<br />

with a high feldspar-weather<strong>in</strong>g product (called petuntze) and vitrified at about<br />

1280°C. The feldspar provides both the alkali flux and additional silica for translucency.<br />

In its fired state porcela<strong>in</strong> is vitrified and translucent. Because of the very<br />

high temperature of fir<strong>in</strong>g, only three color<strong>in</strong>g oxides can be used with porcela<strong>in</strong>:<br />

iron oxide, copper oxide, and cobalt oxide.<br />

Production of true porcela<strong>in</strong> began <strong>in</strong> southern Ch<strong>in</strong>a dur<strong>in</strong>g the Eastern Han<br />

Period (25–221 CE) and began <strong>in</strong> northern Ch<strong>in</strong>a several hundred years later. The<br />

southern porcela<strong>in</strong> produced dur<strong>in</strong>g various periods always had a lower Al 2 O 3 content<br />

(< 20%) than northern porcela<strong>in</strong> (> 25%) due to raw material selection. The<br />

southern porcela<strong>in</strong> was made of petuntze, which is abundant <strong>in</strong> most southern

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