Theories of the Information Society, Third Edition - Cryptome
Theories of the Information Society, Third Edition - Cryptome
Theories of the Information Society, Third Edition - Cryptome
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INFORMATION AND DEMOCRACY<br />
as <strong>the</strong>y have done so, <strong>the</strong>ir key contribution as reliable disseminator <strong>of</strong> information<br />
about <strong>the</strong> public sphere is diminished. The media’s function changes as <strong>the</strong>y<br />
increasingly become arms <strong>of</strong> capitalist interest, shifting towards a role <strong>of</strong> publicopinion<br />
former and away from that <strong>of</strong> information provider.<br />
There are many dimensions <strong>of</strong> this transition, several <strong>of</strong> which were reviewed<br />
in Chapter 6, but <strong>the</strong> net result is that <strong>the</strong> public sphere appreciably declines as<br />
<strong>the</strong> press assumes advertising functions and increasingly expresses propagandistic<br />
positions even in its reportage. For a similar reason, that <strong>of</strong> increased<br />
commercialisation and corporate expansion, <strong>the</strong> realm <strong>of</strong> ‘letters’ degenerates<br />
into something concerned chiefly with ‘blockbusters’ and ‘best-selling’ entertainments,<br />
<strong>the</strong> purpose <strong>of</strong> which is to encourage ‘cultural consumption’ ra<strong>the</strong>r than<br />
stimulation <strong>of</strong> critical debate. In <strong>the</strong> publishing industry or, even more important,<br />
<strong>the</strong> television and newspaper business, a primary purpose today is <strong>the</strong> ‘feudal’<br />
one <strong>of</strong> <strong>the</strong> celebration <strong>of</strong> capitalist styles <strong>of</strong> life, whe<strong>the</strong>r through adulatory<br />
displays <strong>of</strong> <strong>the</strong> ‘stars’, partisan and partial news coverage, or subordination <strong>of</strong><br />
content to <strong>the</strong> dictates <strong>of</strong> advertisers calling for maximum size <strong>of</strong> audiences.<br />
While <strong>the</strong>se two features are expressive <strong>of</strong> <strong>the</strong> spread and streng<strong>the</strong>ning <strong>of</strong><br />
capitalism’s hold over social relationships, <strong>the</strong>re is something else which, from<br />
its early days in <strong>the</strong> eighteenth and nineteenth centuries, has fought to use <strong>the</strong><br />
state to bolster <strong>the</strong> public sphere. It has frequently swum against <strong>the</strong> current that<br />
has swept us towards a mature capitalist economy. One thinks here <strong>of</strong> groups<br />
which have made an important contribution to <strong>the</strong> creation and spread <strong>of</strong> a public<br />
service ethos in modern society. Habermas observes that from its early days<br />
<strong>the</strong> ‘bourgeois public sphere’ has provided space for people who occupy a position<br />
between <strong>the</strong> market and government, between, that is, <strong>the</strong> economy and <strong>the</strong><br />
polity. I refer here particularly to pr<strong>of</strong>essions such as academics, lawyers, doctors<br />
and some civil servants. It is arguable that, as capitalism consolidated its hold in<br />
<strong>the</strong> wider society and over <strong>the</strong> state itself, so did significant elements <strong>of</strong> <strong>the</strong>se<br />
(and o<strong>the</strong>r) pr<strong>of</strong>essions agitate, with some success, for state support to ensure<br />
that <strong>the</strong> public sphere was not overly damaged by capital’s domination.<br />
Habermas (1962) makes this point with broadcasting especially in mind,<br />
arguing that public broadcasting corporations were founded ‘because o<strong>the</strong>rwise<br />
<strong>the</strong>ir publicist function could not have been sufficiently protected from <strong>the</strong><br />
encroachment <strong>of</strong> <strong>the</strong>ir capitalistic one’ (p. 188). But <strong>the</strong> argument that such were<br />
<strong>the</strong> tendencies towards takeover by capitalist interests that state involvement was<br />
required to guarantee <strong>the</strong> informational infrastructure for a viable public sphere<br />
can be extended to explain <strong>the</strong> character <strong>of</strong> several key institutions, notably<br />
public libraries, government statistical services, museums and art galleries, and<br />
even higher education. Indeed, <strong>the</strong> public service ethos, conceived as an outlook<br />
which, in <strong>the</strong> informational realm at least, was committed to dispassionate and<br />
neutral presentation <strong>of</strong> information and knowledge to <strong>the</strong> widest possible public,<br />
irrespective <strong>of</strong> people’s abilities to pay, can be regarded as closely consonant<br />
with an orientation essential to <strong>the</strong> effective functioning <strong>of</strong> <strong>the</strong> public sphere. As<br />
such, it bears close scrutiny <strong>of</strong> its <strong>of</strong>ten tense relationships with <strong>the</strong> corporate<br />
capitalism which now predominates.<br />
Reading Jürgen Habermas on <strong>the</strong> history <strong>of</strong> <strong>the</strong> public sphere, it becomes<br />
impossible to avoid <strong>the</strong> conclusion that its future is precarious. Even in its heyday<br />
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