Theories of the Information Society, Third Edition - Cryptome
Theories of the Information Society, Third Edition - Cryptome
Theories of the Information Society, Third Edition - Cryptome
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INFORMATION AND DEMOCRACY<br />
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which usually leads critics to be sceptical <strong>of</strong> public sphere <strong>the</strong>ory. The idea that<br />
broadcasting can be funded by <strong>the</strong> state while independent <strong>of</strong> <strong>the</strong> state appears<br />
incredible to many, especially to those alert to political interference in broadcasting.<br />
The same objectors are <strong>the</strong>n easily drawn towards support for privately<br />
financed media since, it is argued, it is government which must be most assiduously<br />
examined by a vigilant media in <strong>the</strong> current period and it is to independent<br />
news organisations that we need to look to undertake this task.<br />
James Curran (1991), responding to this line <strong>of</strong> reasoning, demonstrates that<br />
this ‘watchdog’ role has been better met by public service broadcasting than by<br />
<strong>the</strong> private press. While Curran agrees that some degree <strong>of</strong> autonomy has been<br />
relinquished by British broadcasting owing to repeated attack from government,<br />
empirical analysis demonstrates that ‘it continued to expose government to more<br />
sustained, critical scrutiny than <strong>the</strong> predominantly right-wing national press’<br />
(p. 89). He instances a television documentary (Death on <strong>the</strong> Rock), broadcast in<br />
1988, which alleged that <strong>the</strong> British army had unlawfully killed three IRA<br />
members in Gibraltar. While government was incensed, and while much <strong>of</strong> <strong>the</strong><br />
press worked to undermine <strong>the</strong> credibility <strong>of</strong> <strong>the</strong> programme, <strong>the</strong> public service<br />
broadcasters stood firm, evidencing that ‘[s]tate-linked watchdogs can bark, while<br />
private watchdogs sleep’ (p. 90).<br />
This example shows that public service broadcasting still survives in Britain<br />
and that news, current affairs and documentary programme makers are especially<br />
committed to it. To <strong>the</strong> extent that <strong>the</strong> ethos continues, so, too, can we<br />
argue that broadcasting retains a public sphere character. Never<strong>the</strong>less, it is also<br />
clear that <strong>the</strong> prerequisites <strong>of</strong> public service broadcasting are being removed:<br />
governments <strong>of</strong>ten intervene in programme matters, new forms <strong>of</strong> delivery are<br />
introducing a destabilising competition into broadcasting by undermining traditional<br />
rationales for public subsidy, and, above all, <strong>the</strong> changing economic climate<br />
is leading to a shift away from public to privately funded support. It appears that<br />
previous forms <strong>of</strong> public service broadcasting are no longer sustainable, though<br />
this does not mean that television must be unresistingly abandoned to <strong>the</strong> market<br />
(Curran, 2002).<br />
In <strong>the</strong>se changing circumstances <strong>the</strong> crucial issue is whe<strong>the</strong>r <strong>the</strong> quality <strong>of</strong><br />
information provided by broadcasting is declining and whe<strong>the</strong>r it is likely to<br />
continue to do so. For market enthusiasts ‘narrowcasting’ promises much more<br />
and much more accurately targeted information going to differentiated and pluralistic<br />
customers. To thinkers influenced by Habermas, while <strong>the</strong>re is no doubt that<br />
<strong>the</strong>re is much more quantity <strong>of</strong> information generated on television and radio<br />
stations (cable, satellite, round-<strong>the</strong>-clock programming, many more channels,<br />
video, etc.), it has not – and it will not – lead to greater quality <strong>of</strong> information or<br />
to genuine choices to listeners and viewers. This is because <strong>the</strong> market generates<br />
trivia, or concentrates power in <strong>the</strong> hands <strong>of</strong> media moguls, or segments audiences<br />
by bank account such that quality information is limited to <strong>the</strong> better-<strong>of</strong>f<br />
sections <strong>of</strong> society. It seems clear that <strong>the</strong> BBC will not disappear, at least not<br />
in <strong>the</strong> foreseeable future. Its esteem and rootedness in British history are too<br />
formidable for that. However, what we are likely to witness is continued pressures<br />
towards marketisation from without and internal pressures from within to move<br />
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