Theories of the Information Society, Third Edition - Cryptome
Theories of the Information Society, Third Edition - Cryptome
Theories of the Information Society, Third Edition - Cryptome
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INFORMATION AND DEMOCRACY<br />
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best <strong>of</strong> British’, or that insurance companies ‘cater for each and every one <strong>of</strong> us’.<br />
We may not be quite so alert to <strong>the</strong> persuasion, but similar sorts <strong>of</strong> image are<br />
sought whenever companies lend support to children with disabilities, or to local<br />
choirs, or to <strong>the</strong>atrical tours. As a leading practitioner in this sector <strong>of</strong> advertising<br />
has confessed, <strong>the</strong> sole purpose <strong>of</strong> such persuasion is that companies will ‘be<br />
given <strong>the</strong> benefit <strong>of</strong> <strong>the</strong> doubt and <strong>the</strong> best assumed about it on any issue’<br />
(Muirhead, 1987, p. 86). Having moved to this level <strong>of</strong> advertising, we can readily<br />
understand how corporate attempts to manage consumption easily merge with<br />
corporate ambitions to manage wider aspects <strong>of</strong> <strong>the</strong> contemporary scene, up to<br />
and including political matters.<br />
What have been considered above are major dimensions <strong>of</strong> <strong>the</strong> corporate<br />
presence in <strong>the</strong> information domain. It seems to me to be quite impossible to<br />
measure precisely, but, observing <strong>the</strong> spread <strong>of</strong> advertising in its many forms, as<br />
well as <strong>the</strong> expansion <strong>of</strong> public relations and lobbying, we can be confident in<br />
saying that businesses’ interested information contributes enormously to <strong>the</strong><br />
general symbolic environment: directly in <strong>the</strong> advertisements which are projected<br />
on our television screen, indirectly in <strong>the</strong> influence advertising brings to bear on<br />
most media in <strong>the</strong> contemporary world; directly in <strong>the</strong> head <strong>of</strong> <strong>the</strong> CBI being<br />
asked for <strong>the</strong> perspective <strong>of</strong> ‘industry’ by <strong>the</strong> newspaper journalist, indirectly<br />
through ‘Enterprise Education’ materials supplied free to primary schools;<br />
directly when a company’s personnel director is interviewed on television, indirectly<br />
when <strong>the</strong> PR wing succours favour through ‘hospitality’. Precisely because<br />
this information is motivated, it risks denuding <strong>the</strong> public sphere whenever it<br />
enters into that arena and, more generally, it is a corrupting force in <strong>the</strong> wider<br />
information domain where its economic power gives it disproportionate advantage<br />
over less privileged groups.<br />
That said, <strong>the</strong>re are <strong>of</strong> course constraints placed on <strong>the</strong> corporate sector’s<br />
desire to shape information to suit its purposes. These stem from <strong>the</strong> fact that<br />
most information comes through <strong>the</strong> mass media, resulting in <strong>the</strong> problem <strong>of</strong><br />
business having to work through media practitioners who <strong>of</strong>ten have reasons<br />
(pr<strong>of</strong>essional news values) to be sceptical <strong>of</strong> business handouts and who can <strong>of</strong>ten<br />
be drawn to coverage <strong>of</strong> business for reasons which appeal to reporters while<br />
being distinctly unattractive to <strong>the</strong> business world.<br />
While this cannot be discounted as a factor which leads to <strong>the</strong> emergence<br />
<strong>of</strong> information about business that it would prefer was not revealed, a countertrend<br />
which leads to a general decline in high-quality information has been<br />
identified by Neil Postman (1986). Postman’s focal concern is television’s entertainment<br />
orientation that has extended throughout contemporary culture,<br />
bringing with it an ethos <strong>of</strong> immediacy, action, brevity, simplicity, dramatisation<br />
and superficiality. In Postman’s view <strong>the</strong>se entertainment values have permeated<br />
news coverage, education, politics and even religion: everywhere <strong>the</strong>y have<br />
displaced valuable information with what may be called ‘infotainment’. In this<br />
view television impoverishes <strong>the</strong> wider information environment because it<br />
accentuates <strong>the</strong> sensational and bizarre, centring on <strong>the</strong> easily digestible at <strong>the</strong><br />
expense <strong>of</strong> dispassionate and closely reasoned analyses. Because <strong>of</strong> this we shall<br />
learn little about <strong>the</strong> everyday functioning <strong>of</strong> transnational corporations, but are<br />
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