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Theories of the Information Society, Third Edition - Cryptome

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THE INFORMATION SOCIETY?<br />

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There are complex reasons why this should be so, and <strong>the</strong>re remain to this<br />

day important pockets <strong>of</strong> resistance to <strong>the</strong>ir spread, but it appears to me that we<br />

have witnessed <strong>the</strong> massive intrusion <strong>of</strong> ‘business civilisation’ in recent years.<br />

This has been, it may be emphasised, both an intensive as well as an extensive<br />

affair. Intensive in so far as market practices have enormously intruded into areas<br />

<strong>of</strong> intimate life hi<strong>the</strong>rto relatively immune even in <strong>the</strong> West. One thinks here, for<br />

instance, <strong>of</strong> child-rearing (<strong>the</strong> plethora <strong>of</strong> diverting toys and television for <strong>the</strong><br />

young), <strong>of</strong> <strong>the</strong> provision <strong>of</strong> everyday foodstuffs (just about everyone nowadays is<br />

reliant on <strong>the</strong> supermarket for food, while not so long ago many families selfprovided,<br />

at least in large part, through gardens and allotments which allowed<br />

vegetables to be grown and useful animals to be reared) and <strong>of</strong> <strong>the</strong> decline <strong>of</strong><br />

self-providing activities such as dressmaking and knitting (Seabrook, 1982b).<br />

Extensively, <strong>of</strong> course, we may instance <strong>the</strong> spread <strong>of</strong> globalisation, a process<br />

that has colonised many areas that previously were self-supporting. The obvious,<br />

if underestimated, instance <strong>of</strong> this is <strong>the</strong> elimination <strong>of</strong> <strong>the</strong> peasantry from most<br />

quarters <strong>of</strong> <strong>the</strong> earth. This, by far <strong>the</strong> majority <strong>of</strong> <strong>the</strong> world’s population<br />

throughout recorded time, is now on <strong>the</strong> eve <strong>of</strong> destruction (Worsley, 1984). It<br />

has been calculated that in 1900 nine out <strong>of</strong> ten people in <strong>the</strong> world were peasants<br />

(Ponting, 1999, p. 13), but <strong>the</strong> great peasant societies <strong>of</strong> 1900 – China and<br />

Russia – can no longer be described in such terms, and <strong>the</strong> peasantry has virtually<br />

disappeared from Europe itself. And <strong>the</strong> reason is clear: <strong>the</strong> peasantry is<br />

antipa<strong>the</strong>tic to market civilisation. Peasants are largely self-supporting, <strong>the</strong>y are<br />

sceptical <strong>of</strong> technological innovation, resistant to wage labour and distanced from<br />

market organisation. As such, <strong>the</strong>ir ways <strong>of</strong> life have been diminished by what<br />

Kevin Robins and myself refer to as <strong>the</strong> ‘enclosure’ <strong>of</strong> <strong>the</strong> earth by business practices,<br />

by which we mean <strong>the</strong> incorporation <strong>of</strong> activities once outside into <strong>the</strong><br />

routines <strong>of</strong> <strong>the</strong> business realm (Robins and Webster, 1999).<br />

There can be little doubt about <strong>the</strong> incorporation <strong>of</strong> informational issues<br />

within ‘business civilisation’. Consider, in this respect, <strong>the</strong> spread <strong>of</strong> ‘brands’ in<br />

and beyond everyday life, or <strong>the</strong> heightened importance <strong>of</strong> ‘intellectual property’<br />

in matters ranging from scientific research to <strong>the</strong> merchandising <strong>of</strong> sports teams.<br />

Increased commodification is manifest in <strong>the</strong> information domain where moves<br />

to charge for permission to use any piece <strong>of</strong> recorded music, each frame from a<br />

movie or indeed any piece <strong>of</strong> ‘creative property’ threaten to inhibit what<br />

Lawrence Lessig (2004) calls today’s ‘remix culture’ that amalgamates pictures,<br />

music and words in a digital medium and is supplanting text-based forms <strong>of</strong><br />

expression that once were protected by ‘fair use’ rules that have no provenance<br />

when it comes to visual and sound products. Of course <strong>the</strong>re are countertendencies<br />

<strong>of</strong> decommodification, for instance in <strong>the</strong> spread <strong>of</strong> free government<br />

information, public service websites and digitalised collections <strong>of</strong> out-<strong>of</strong>-copyright<br />

literature. However, it is hard to interpret this as an effective countervailing<br />

tendency against <strong>the</strong> wave <strong>of</strong> corporate and legislative efforts to maximise returns<br />

to owners on investment in creative and knowledge property.<br />

Should <strong>the</strong>re be some who perceive, on reading <strong>the</strong> foregoing, nostalgia for<br />

times before <strong>the</strong> triumph <strong>of</strong> capitalism, let me stress a number <strong>of</strong> things. First<br />

<strong>of</strong> all, <strong>the</strong> penetration <strong>of</strong> market mechanisms does not, by any means, mean that<br />

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