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THE UNIVERSE OF INFORMATION.pdf - ideals

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periodicals, and the multiplicity of similar (usually) fugitive literary<br />

material in which the advances and the latest state of knowledge<br />

are conveyed. It is a current, ever-expanding repertory of knowledge,<br />

without any of the drawbacks of the encyclopaedia in book form,<br />

which is obsolete in many particulars on the day of publication.<br />

The International Library is confined to the Twentieth Century. The<br />

founders do not suppose it to be possible for them to collect an international<br />

library on general lines for all times; but they do think<br />

that they can obtain a representative collection for the Twentieth<br />

Century of every country; and this is their present endeavour.<br />

The repertory of bibliography, the international encyclopaedia and<br />

library form the core of the institution, and ultimately the core of<br />

the International University, which, as M. La Fontaine remarked to<br />

me, «has been our goal from the beginning*. The University came<br />

into being in 1920, when 200 students attended summer courses in<br />

international subjects under the guidance of twenty professors; this<br />

year similar courses have been held when the numbers were doubled<br />

in both cases. We have, therefore, another experiment here of some<br />

significance founded, as a university should be, around a library and<br />

a centre of bibliography. 57<br />

Sayers was enthusiastic but others were a little more sceptical.<br />

L. Stanley Jast, Chief Librarian at Manchester, suggested<br />

Sayers' description had, in fact been coloured by his enthusiasm.<br />

«It is not — of course it is not, though it might be<br />

under happier circumstances — what I should consider to be<br />

a working approximation to its ideal.» Jast pointed out that<br />

in the Section for Great Britain in the Museum, half a dozen<br />

pictures had been taken from illustrated magazines mounted,<br />

hung on the walls and labelled «British Art». To his remonstrances,<br />

Otlet had replied «Our idea is that we should make<br />

a start». 58 William Warner Bishop, an eminent American<br />

librarian, had also called into Brussels in the Fall of 1921.<br />

«I was greatly disappointed*, he reported in reminiscences<br />

published some twenty-eight years later,<br />

at the showing of the Palais Mondial. The union bibliographies on<br />

cards were not even sorted three years after the war, and a general<br />

impression of inefficiency and confusion remained with me from which<br />

I have not recovered, although on subsequent visits I was more favorably<br />

impressed. 59<br />

Perhaps, the most judicious evaluation of the Palais Mondial<br />

at this time was made by Ernest Cushing Richardson in<br />

the following year. Having described the various elements of<br />

the Palais Mondial and Otlet and La Fontaine's rationalisations<br />

of and plans for them, he said<br />

These plans and their authors have been treated by many as grandiose,<br />

visionary and unpractical, and have been neglected by us, but the<br />

authors of the idea have pegged away for twenty-seven years and have<br />

produced for the world of which we are a part, a going concern, with<br />

all these features of real usefulness and a concrete property of organized<br />

results. It is true that most of these are not only incomplete but<br />

in large part only sketchy. On the other hand at almost every point<br />

the material, so far as it goes, is organized in such a way as to be<br />

a concrete and permanent contribution toward the respective propo-<br />

16* 243

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