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THE UNIVERSE OF INFORMATION.pdf - ideals

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all subjects should be inventoried. For all that is written, there<br />

should be prepared a general, synthetic contents table. No<br />

matter how separate bibliographers might be in terms of distance,<br />

or how remote from each other in terms of subject, they<br />

could all contribute to the essential bibliographical unity, of<br />

whose existence Otlet was so firmly convinced, if they would<br />

only agree to the relatively simple requirement of publication<br />

of standardised bibliographical information on cards.<br />

The RBU was not to be construed as prejudicing the autonomy<br />

of what existed. It was not meant to be destructive in<br />

any way. For its coverage of the past it had to utilise everything<br />

presently available; for the present and the future, if<br />

it had the co-operation of bibliographers in the ways projected,<br />

it could slowly, naturally, evolve towards its goals. The knowledge<br />

that the universal repertory could be completed only<br />

upon immense labour was no argument, Otlet reasoned, for<br />

not undertaking the labour, nor was the awareness that it<br />

would, inevitably, contain mistakes. After all, error existed no<br />

less in the bibliographical work of others. Otlet was now, however,<br />

rather more cautious in giving a figure for the percentage<br />

error, suggesting it might be from 15 to 20 per cent.<br />

But one should, he observed in effect, emphasise the positive<br />

aspect of this error: at least 80 per cent of the repertory<br />

would contain invaluable information. It would be better to<br />

have access to this much than to none at all, to be even<br />

slightly misled by an error of fact, than to rest in complete<br />

ignorance of the fact. The repertory, he stressed, was not a<br />

work of art, but a tool. It should be compared with the factories<br />

and machines which had revolutionised contemporary<br />

industry. It was a form of organising scientific work better<br />

than it had been organised in the past — no more, no less.<br />

Some of the repertory's critics had feared that it would<br />

contain gaps; others had feared that in its eschewal of selectivity,<br />

it would contain too much. This touched again on the<br />

problem of specialisation and Otlet was quite clear about it —<br />

a bibliographer could not choose without appearing to be<br />

arbitrary. He had to list everything for he could not know<br />

how or why different persons at different times would approach<br />

the literature of a subject.<br />

Other critics Otlet characterised as bibliographical genealogists.<br />

They had devoted themselves to tracing the origins<br />

of the newly born work. This was commendable and potentially<br />

constructive «for nothing comes of nothing . . But it would<br />

be truly unjust to turn this historical preoccupation against<br />

the institution one is examining.» 39 Otlet mentioned the various<br />

proposals and schemes put forward in the past for a<br />

universal catalog or a great union catalog of public libraries,<br />

but argued that because such ventures had existed only<br />

66

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