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Educational Research - the Ethics and Aesthetics of Statistics

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9 The Persuasive Power <strong>of</strong> Figures <strong>and</strong> <strong>the</strong> Aes<strong>the</strong>tics <strong>of</strong> <strong>the</strong> Dirty Backyards 135<br />

structural conception as a process <strong>of</strong> reification. In order to internalise <strong>the</strong> concept<br />

meaning, <strong>the</strong> student becomes acquainted with it by computing in single steps.<br />

These steps connect to each o<strong>the</strong>r in <strong>the</strong> next phase <strong>of</strong> condensation. Reification<br />

is <strong>the</strong> ability to see <strong>the</strong> concept as a whole. It is a static state where ‘<strong>the</strong> concept<br />

becomes semantically unified by this abstract <strong>and</strong> purely imaginary construct’<br />

(Sfard, 1991, p. 20).<br />

It is not only possible to compare <strong>the</strong> composition <strong>of</strong> a poem <strong>and</strong> an oral research<br />

presentation, <strong>the</strong> graphical format also reveals analogous shapes. You could read,<br />

sing or dance an empirical data set, <strong>and</strong> read, interpret or present a poem as an<br />

empirical result. This is shown in <strong>the</strong> figures below.<br />

Datensatz A<br />

Datensatz B<br />

8 8 8 3 2<br />

2 1<br />

9 5 4 4 3 3<br />

4 3 3 2 1<br />

3 Extremes<br />

1<br />

2<br />

3<br />

4<br />

1 1 1 2 2 3 4 5 7 7<br />

2 2 4<br />

3 3 3 4 5 8 8<br />

1 2 9 9 9 9<br />

2 Extremes<br />

Stem width: 10<br />

Each leaf: 1 case(s)<br />

(Source: http://marktforschung.wikia.com/wiki/Stem-<strong>and</strong>-Leaf)<br />

4 Oo bee bee bee bee bee 3 Oo zee zee zee zee zee 3<br />

4 1 4 4 8 8 1 4 4 8 8<br />

Oo enn ze 1 enn ze 1 Oo . . .<br />

1 8 8 4 8 8 4 1<br />

(leise, gleichmä ig)<br />

Source: www.kurt-schwitters.org/n,750017,2050046,1.html<br />

Is this a part <strong>of</strong> statistical output? Like a stem-leaf diagram? No, it is also poetry;<br />

<strong>the</strong> latter example is Kurt Schwitters’ ‘Ursonate in Urlauten’.<br />

Here we see that poets use words in new combinations <strong>and</strong> graphical ways to<br />

express <strong>and</strong> illustrate <strong>the</strong>ir impressions. Empirical researchers take combinations<br />

<strong>of</strong> words <strong>and</strong> figures to express <strong>and</strong> illustrate <strong>the</strong>ir underst<strong>and</strong>ing <strong>of</strong> our world <strong>and</strong><br />

social relationships. However, to make analogy is not to say that <strong>the</strong>se two things<br />

are <strong>the</strong> same, which raises <strong>the</strong> question: <strong>and</strong> <strong>the</strong> truth?

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