Educational Research - the Ethics and Aesthetics of Statistics
Educational Research - the Ethics and Aesthetics of Statistics
Educational Research - the Ethics and Aesthetics of Statistics
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
9 The Persuasive Power <strong>of</strong> Figures <strong>and</strong> <strong>the</strong> Aes<strong>the</strong>tics <strong>of</strong> <strong>the</strong> Dirty Backyards 135<br />
structural conception as a process <strong>of</strong> reification. In order to internalise <strong>the</strong> concept<br />
meaning, <strong>the</strong> student becomes acquainted with it by computing in single steps.<br />
These steps connect to each o<strong>the</strong>r in <strong>the</strong> next phase <strong>of</strong> condensation. Reification<br />
is <strong>the</strong> ability to see <strong>the</strong> concept as a whole. It is a static state where ‘<strong>the</strong> concept<br />
becomes semantically unified by this abstract <strong>and</strong> purely imaginary construct’<br />
(Sfard, 1991, p. 20).<br />
It is not only possible to compare <strong>the</strong> composition <strong>of</strong> a poem <strong>and</strong> an oral research<br />
presentation, <strong>the</strong> graphical format also reveals analogous shapes. You could read,<br />
sing or dance an empirical data set, <strong>and</strong> read, interpret or present a poem as an<br />
empirical result. This is shown in <strong>the</strong> figures below.<br />
Datensatz A<br />
Datensatz B<br />
8 8 8 3 2<br />
2 1<br />
9 5 4 4 3 3<br />
4 3 3 2 1<br />
3 Extremes<br />
1<br />
2<br />
3<br />
4<br />
1 1 1 2 2 3 4 5 7 7<br />
2 2 4<br />
3 3 3 4 5 8 8<br />
1 2 9 9 9 9<br />
2 Extremes<br />
Stem width: 10<br />
Each leaf: 1 case(s)<br />
(Source: http://marktforschung.wikia.com/wiki/Stem-<strong>and</strong>-Leaf)<br />
4 Oo bee bee bee bee bee 3 Oo zee zee zee zee zee 3<br />
4 1 4 4 8 8 1 4 4 8 8<br />
Oo enn ze 1 enn ze 1 Oo . . .<br />
1 8 8 4 8 8 4 1<br />
(leise, gleichmä ig)<br />
Source: www.kurt-schwitters.org/n,750017,2050046,1.html<br />
Is this a part <strong>of</strong> statistical output? Like a stem-leaf diagram? No, it is also poetry;<br />
<strong>the</strong> latter example is Kurt Schwitters’ ‘Ursonate in Urlauten’.<br />
Here we see that poets use words in new combinations <strong>and</strong> graphical ways to<br />
express <strong>and</strong> illustrate <strong>the</strong>ir impressions. Empirical researchers take combinations<br />
<strong>of</strong> words <strong>and</strong> figures to express <strong>and</strong> illustrate <strong>the</strong>ir underst<strong>and</strong>ing <strong>of</strong> our world <strong>and</strong><br />
social relationships. However, to make analogy is not to say that <strong>the</strong>se two things<br />
are <strong>the</strong> same, which raises <strong>the</strong> question: <strong>and</strong> <strong>the</strong> truth?