Educational Research - the Ethics and Aesthetics of Statistics
Educational Research - the Ethics and Aesthetics of Statistics
Educational Research - the Ethics and Aesthetics of Statistics
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10 The Good, <strong>the</strong> Beautiful <strong>and</strong> <strong>the</strong> Literate: Making <strong>Statistics</strong> Accessible for Action 149<br />
economic <strong>and</strong> social life according to rational principles. The scientific world-conception<br />
serves life, <strong>and</strong> life receives it. (Neurath & Cohen, 1973, pp. 317–318)<br />
It is quite striking that reference is made to ‘earliest times’; we hear <strong>the</strong> echo <strong>of</strong> a<br />
long lost past where man <strong>and</strong> <strong>the</strong> world surrounding him were united. It is <strong>the</strong> challenge<br />
for philosopher <strong>and</strong> scientist alike to restore this situation to its original form,<br />
‘according to rational principles’. Notably, Otto Neurath, one <strong>of</strong> <strong>the</strong> three authors,<br />
tried extremely hard to realise this plan through <strong>the</strong> development <strong>of</strong> a universal<br />
pictorial language.<br />
It is a strange phenomenon that <strong>the</strong> graphical language developed by Otto<br />
Neurath is hardly known. 4 The number <strong>of</strong> papers <strong>and</strong> books on <strong>the</strong> topic has to be<br />
considered marginal given <strong>the</strong> number <strong>of</strong> publications on <strong>the</strong> Wiener Kreis. There<br />
is a possible explanation for this: examples <strong>of</strong> ISOTYPE were known, but no (full)<br />
text <strong>of</strong> Neurath (providing an explanation <strong>of</strong> <strong>the</strong> whole enterprise) seems to exist.<br />
What was known, however, is that Neurath had written on <strong>the</strong> subject. 5 This was<br />
confirmed with <strong>the</strong> appearance <strong>of</strong> three manuscripts. Nemeth <strong>and</strong> Stadler (1996)<br />
include one <strong>of</strong> <strong>the</strong>se manuscripts, entitled Visual Education – Humanisation versus<br />
Popularisation in <strong>the</strong>ir book.<br />
At first sight <strong>the</strong>re seems to be nothing special about ISOTYPE. The idea that<br />
a graphical-visual language might better succeed in transmitting ideas, concepts,<br />
<strong>the</strong>ories <strong>and</strong> <strong>the</strong> like, is an old <strong>and</strong> venerable idea (whe<strong>the</strong>r correct or not). However,<br />
an important element in Neurath’s view is that one should avoid <strong>the</strong> temptation<br />
to look for an isomorphy between ordinary language <strong>and</strong> <strong>the</strong> visual language one<br />
if searching for. The easiest way to make this distinction clear is to contrast <strong>the</strong><br />
following two images. 6<br />
The meaning <strong>of</strong> <strong>the</strong> image on <strong>the</strong> left is clear: someone is walking through a door. 7<br />
We see <strong>the</strong> elements <strong>of</strong> <strong>the</strong> sentence in <strong>the</strong> picture – <strong>the</strong>re is a door, <strong>the</strong>re is a figure<br />
representing a person, etc. However, <strong>the</strong> picture on <strong>the</strong> right shows what happens if<br />
<strong>the</strong> structure <strong>of</strong> <strong>the</strong> sentence ‘A person walks through <strong>the</strong> door’ is isomorphically<br />
translated (up to <strong>and</strong> including a curious sign for ‘a’). In this case it is as if we have<br />
been given a riddle to solve. The puzzling aspect <strong>of</strong> this derives from <strong>the</strong> isomorphy<br />
<strong>the</strong> sameness <strong>of</strong> form, proving how difficult it is to see <strong>the</strong> same (abstract) form<br />
in two different representations. In contrast, <strong>the</strong> picture on <strong>the</strong> left almost ‘shows’<br />
its’ meaning. As such, <strong>the</strong> diagram <strong>of</strong>fers <strong>the</strong> possibility <strong>of</strong> seeing everything ‘at a<br />
glance’, allowing possible perspectives <strong>and</strong> transformation processes which are not<br />
necessarily linear or successive, but which can be seen in something resembling an<br />
‘aha’ experience.