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Educational Research - the Ethics and Aesthetics of Statistics

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12 Performativity, <strong>Statistics</strong> <strong>and</strong> Bloody Words 187<br />

Derrida explores ways in which <strong>the</strong> idea <strong>of</strong> pr<strong>of</strong>ession requires something tantamount to<br />

a pledge, to <strong>the</strong> freely accepted responsibility to pr<strong>of</strong>ess <strong>the</strong> truth. The pr<strong>of</strong>essor enacts<br />

this performative continually in her work: what she says is testimony to <strong>the</strong> truth; as<br />

work it is necessarily an orientation to a to-come. The academic work <strong>of</strong> pr<strong>of</strong>essing<br />

must <strong>the</strong>n be something more than <strong>the</strong> (purely constative) statement <strong>of</strong> how things are.<br />

(St<strong>and</strong>ish, 2001, p. 18)<br />

Here Derrida’s argument is subtle: pr<strong>of</strong>essing <strong>the</strong> truth is about orientating one’s<br />

audience towards something that nei<strong>the</strong>r pr<strong>of</strong>essor nor student (<strong>the</strong>se terms should<br />

perhaps be seen treated in a ra<strong>the</strong>r abstract way) can necessarily predict in which<br />

<strong>the</strong> constative (<strong>the</strong> truth) will always be performed as <strong>the</strong> to-come (an aspect <strong>of</strong><br />

<strong>the</strong> future) ra<strong>the</strong>r than a statement <strong>of</strong> that which is secure or originary. To take <strong>the</strong><br />

truth for granted is to ignore <strong>the</strong> performative aspects <strong>of</strong> language that are bound up<br />

with its iterability (language’s o<strong>the</strong>rness to itself). There is <strong>the</strong>refore both an active<br />

<strong>and</strong> passive dimension to pr<strong>of</strong>essing that is both backward <strong>and</strong> forward looking. We<br />

cannot speak from nowhere, but where we ‘are’ will undergo transformation – we<br />

are at home <strong>and</strong> not at home. The somewhere that we speak from must in some way<br />

reveal <strong>the</strong> mark <strong>of</strong> <strong>the</strong> past <strong>and</strong> <strong>the</strong> future.<br />

There is an ethical dimension to this orientation to <strong>the</strong> ‘to-come’ which goes<br />

beyond a simple celebration <strong>of</strong> openness. ‘Presence’ makes o<strong>the</strong>r ways <strong>of</strong> seeing<br />

invisible. To be open to what is ‘to come’ is ‘to do justice to <strong>the</strong> “o<strong>the</strong>r” <strong>of</strong> presence’.<br />

This shows that ‘<strong>the</strong> point <strong>of</strong> deconstruction is not negative or destructive<br />

but first <strong>and</strong> foremost affirmative ... It is an affirmation <strong>of</strong> what is excluded <strong>and</strong><br />

forgotten; an affirmation <strong>of</strong> what is o<strong>the</strong>r’ (Biesta,2009, p. 395). The emergence<br />

<strong>of</strong> this o<strong>the</strong>rness, what Derrida calls ‘<strong>the</strong> arrivant’ is unforeseeable <strong>and</strong> ‘impossible’:<br />

‘For Derrida “<strong>the</strong> impossible” is not what is impossible but what cannot be<br />

foreseen as a possibility’ (ibid). We are called on to show ‘hospitality’ towards<br />

<strong>the</strong> impossible o<strong>the</strong>r that waits at <strong>the</strong> door. If we ignore this, communication can<br />

only be viewed as a ‘strictly mechanical, a strictly calculable <strong>and</strong> predictable process’<br />

(Biesta, 2009, p. 399), which is exactly what performativity encourages us to<br />

see it as.<br />

12.7 Conclusion<br />

Some readers may feel that what has been left out <strong>of</strong> <strong>the</strong> account, as it is presented, is<br />

direct engagement with <strong>the</strong> ways in which statistics are generated. After all, statistics<br />

only create <strong>the</strong> ‘impression’ that <strong>the</strong>y operate in accordance with a false metaphysics<br />

<strong>of</strong> signification. What statistics st<strong>and</strong> in for or ‘signify’ is open to <strong>the</strong> rich iterable<br />

processes <strong>of</strong> language. Though carrying out research in to <strong>the</strong> mechanism <strong>of</strong> statistics<br />

creation is a worthwhile task, what I have tried to show is that <strong>the</strong> performative<br />

aes<strong>the</strong>tic force <strong>of</strong> statistics encourages us to refrain from looking below <strong>the</strong> surface<br />

– statistics are something we ‘show’. This is because what we encounter with<br />

statistics is a ‘surface’ in which depth is not always already inscribed. This is true<br />

<strong>of</strong> all numbers.

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