Girls who like Boys who like Boys – Ethnography of ... - Yuuyami.com

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eing active. Online friends and acquaintances will generally respect these decisions, giving their best wishes and hopes that the person concerned may soon “return” to online fandom. How does this fan-mode pertain to other modes of identity within the individual? As pointed out, online fans become, after a certain period of exposure to it, part of a certain fandom-community, inasmuch as “fandom” no longer solely implies that medium of which they are a fan, but also expands its connotations towards certain spaces, a time committal, as well as those other fans, who share that fandom with one-self. It is pertinent then to explore the connections we as fans form with others, and what niche we find ourselves in. 2. Connections we make (online and offline) Writing this, I feel as if I am suspended in an intricate web of connections, which unfolds in front of me, connecting me to others, and these other fans to yet more individuals. I met Yuri through both, social events at college, as well as through the college’s science fiction, fantasy and Japanese anime club. It was these club’s events and movie screenings, which allowed us to connect to each other with a scheduled frequency. Both of us found yaoi independently of each other, but discovering that we had a mutual interest in this genre, as individuals as well as fans, allowed us to connect on yet another sub-level to a shared identity as anime-fans, students at a women’s college, and stressed undergraduates. Yuri had already been RP-ing for a long time 132
period as well as engaged in constructing websites online for her favorite characters and/or series, so-called “shrines.” She was connected to other fans on- as well as offline. Whereas, I lurked online, and interacted through club events with other fans offline, she was always very active in both realities. The most recent example for these online interactions has been discussed already: Yuri’s connection to members of her HP RPG, is based on a certain mix of “fictional identity” of Harry Potter, and Yuri’s personality. She interacts with some of her roleplay friends outside of the reality of the game, i.e. outside of IC or OOC chats, and has formed online friendships with them. I have only recently felt more open-minded about online-connections and friendships, adding a couple of LiveJournal users, whom I do not know offline, to my LiveJournal friends list and have been added to their lists in return. A friends list, though it may be called so, is really, essentially, a list of journals that one reads, a very long webpage listing the posts made by the journals one has added to their friends list. In the process of adding these users to my friends list, I have given myself access to their journal posts to be displayed on my friends page; I do not have to specifically search out their LiveJournals, but can see them on my list. Furthermore, I have given these users the access rights to those posts on my journal that I do not make openly public, and which are coded to be viewable by my friends list alone. In this way, I willingly form a further connection to others online. Though in the past, I utilized this tool to allow myself further online connection to offline friends, 133
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Girls who like Boys who like Boys -
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Table of Contents I. Introduction..
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more stories, and sharing funny tid
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yet understandable enough, to intro
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justifiable, and believable. 1 It i
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well as the act of worship (activel
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This leads Maygra 2 , a prominent f
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the fandoms are well-known. Slash-
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equality and beyond social stereoty
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uses his authorial position to loos
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fandoms, and are 2) people outside
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that writing in and for Anthropolog
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in ethnographic narrative, which ha
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very analytically thereafter. Jenki
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web. In a way the nature of convers
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affected not simply by the object o
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This is emphasized by how they view
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participation: In order to limit se
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order to find an earlier post, one
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academic audience might find such a
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linked, text with the connections o
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consumers: Consumers only passively
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fandoms, and an active member in ot
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proud of her ability to slash every
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accompanying it online, would be to
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Harry Potter fandom, since I find t
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We were talking recently about our
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they had no sense and the plotlines
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the 5 th Harry Potter book. In any
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discussed in the following sections
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These OOC chats in Yuri’s game ar
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nor as an act for the game specific
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discussion of both themes in the ne
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of HP fandom, two significantly. Fi
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will be portrayed as OOC, and a sto
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enough, let's go!” Canon is, with
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use several different ideas of plag
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keeps very busy. Once back at home
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make it have a plot, but it didn’
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just acknowledge that the character
Page 81 and 82: Though many would answer that “mo
Page 83 and 84: For both of these fandoms Eiko freq
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Page 87 and 88: authors she likes, and then utilize
Page 89 and 90: who does not participate with other
Page 91 and 92: of identity as fan, much as an acad
Page 93 and 94: aggression (and, depending on the d
Page 95 and 96: found friends through her activitie
Page 97 and 98: formation. In the same sense that t
Page 99 and 100: meaning, no climax.” What is inte
Page 101 and 102: It’s not something that’s immed
Page 103 and 104: nonetheless. However generally, she
Page 105 and 106: mood” when she will want to read
Page 107 and 108: characters, I was afraid that once
Page 109 and 110: other groups “censoring” or “
Page 111 and 112: III. Exploration A. Psychology and
Page 113 and 114: emotionally speaking, I wavered bet
Page 115 and 116: it at all, but simply as a regular
Page 117 and 118: SY: Like a self-insertion? Red: No
Page 119 and 120: “eeeeuw!” But that was before I
Page 121 and 122: have that initial reaction to slash
Page 123 and 124: which Barb has remarked on in the p
Page 125 and 126: slash fanfic did for Red and me, it
Page 127 and 128: historical members of the shinsengu
Page 129 and 130: Rusty to cease, as these dialogues
Page 131: connections with others will only s
Page 135 and 136: than the real-life connections to o
Page 137 and 138: “not much of a fan” is greatly
Page 139 and 140: egarding this topic) friends. Howev
Page 141 and 142: advanced the point that a fan lurki
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Page 145 and 146: “Internet fandom” is what essen
Page 147 and 148: C. Mindset How can I map out this m
Page 149 and 150: IV. Interplay of modes - or conclus
Page 151 and 152: e used toward understanding multipl
Page 153 and 154: V. Appendices A. Appendix A: Fandom
Page 155 and 156: SG-1 Tokyo Babylon Weiss Kreuz Wolf
Page 157 and 158: ANC angst angstfic anime anime musi
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Page 161 and 162: C&C canon casual fan, casual CBFFAs
Page 163 and 164: criticism constructive feedback con
Page 165 and 166: drabble are based on pre-existing s
Page 167 and 168: activities. Science fiction fandom
Page 169 and 170: or to the actual act of turning a m
Page 171 and 172: GWLBWLB H sugar and spice. We are n
Page 173 and 174: LEO, L.E.O. lemon lemonade lime lis
Page 175 and 176: meta-MST MEverse MFEO, M.F.E.O. mir
Page 177 and 178: Regardless, if a fan calls you a mu
Page 179 and 180: ose OT OT OT3 otaku The filk equiva
Page 181 and 182: Continuum PWP RACC RACMX Ratboy rat
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SCA, SCAs schmoop self-infliction s
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"degeneration" of smarm into near-s
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them all, let alone finish them! Na
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al Couple Unnamed Faction Unusual S
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VI. Bibliography Works Consulted Pr
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1997 “Culture in the Plural”. M
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I give permission for public access
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