Girls who like Boys who like Boys – Ethnography of ... - Yuuyami.com

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and Identity .Cheryl Harris and Alison Alexander (eds.) Cresskill, NJ: Hampton Press Penley, Constance 1991 “Brownian motion: women, tactics, and technology”. In Technoculture (3). Penley, C &Ross, A (eds.) Minneapolis: University of Minnesota Press. 1994 “Feminism, psychoanalysis, and the study of popular culture”. In Visual Culture: Images and Interpreations. Brysom, N., Holly, M. A. & Moxey, K. (eds.)Hanover, London: Wesleyan University Press. 1997 “NASA/Trek: Popular Science and Sex in America” US: Verso. Rosaldo, Renato 1989 “Culture & Truth: The Remaking of Social Analysis”. Boston: Beacon Press Sabucco, Veruska 2003 “Guided Fanfiction: Western “Readings” of Japanese Homosexual-Themed Texts”. In Mobile Cultures: New Media in Qeer Asia. Chris Berry, Fran Martin & Audrey Yue, eds. Pp. 70-86. Durham&London: Duke University Press Sartre, Jean-Paul 1958 “L’Existentialisme est un humanisme”. Paris: Editions Nagel Thorn, Matt 1993 “Unlikely Explorers: Alternative Narratives of Love, Sex, Gender, and Friendship in Japanese "Girls'" Comics”. Electronic Document, http://www.matt-thorn.com/sexual_ambiguity.html, last accessed: December 8, 2003 Walker, Jill 2003 “Performing Fictions: Interaction and Depiction”. Special Issue - DAC 2003 Conference Papers . Fine Art Forum 18:7(198-206) Wilson, Samuel M. and Peterson, Leighton C. 2002 “The Anthropology of Online Communities”. Annual Review of Anthropology 31(449-467) 194
I give permission for public access to my thesis and for any copying to be done at the discretion of the archives librarian and/or the College librarian. Sandra Youssef May 26, 2004 195
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Girls who like Boys who like Boys -
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Table of Contents I. Introduction..
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more stories, and sharing funny tid
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yet understandable enough, to intro
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justifiable, and believable. 1 It i
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well as the act of worship (activel
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This leads Maygra 2 , a prominent f
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the fandoms are well-known. Slash-
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equality and beyond social stereoty
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uses his authorial position to loos
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fandoms, and are 2) people outside
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that writing in and for Anthropolog
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in ethnographic narrative, which ha
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very analytically thereafter. Jenki
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web. In a way the nature of convers
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affected not simply by the object o
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This is emphasized by how they view
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participation: In order to limit se
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order to find an earlier post, one
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academic audience might find such a
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linked, text with the connections o
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consumers: Consumers only passively
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fandoms, and an active member in ot
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proud of her ability to slash every
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accompanying it online, would be to
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Harry Potter fandom, since I find t
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We were talking recently about our
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they had no sense and the plotlines
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the 5 th Harry Potter book. In any
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discussed in the following sections
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These OOC chats in Yuri’s game ar
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nor as an act for the game specific
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discussion of both themes in the ne
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of HP fandom, two significantly. Fi
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will be portrayed as OOC, and a sto
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enough, let's go!” Canon is, with
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use several different ideas of plag
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keeps very busy. Once back at home
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make it have a plot, but it didn’
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just acknowledge that the character
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Though many would answer that “mo
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For both of these fandoms Eiko freq
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and even fewer fans will publish wh
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authors she likes, and then utilize
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who does not participate with other
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of identity as fan, much as an acad
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aggression (and, depending on the d
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found friends through her activitie
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formation. In the same sense that t
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meaning, no climax.” What is inte
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It’s not something that’s immed
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nonetheless. However generally, she
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mood” when she will want to read
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characters, I was afraid that once
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other groups “censoring” or “
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III. Exploration A. Psychology and
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emotionally speaking, I wavered bet
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it at all, but simply as a regular
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SY: Like a self-insertion? Red: No
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“eeeeuw!” But that was before I
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have that initial reaction to slash
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which Barb has remarked on in the p
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slash fanfic did for Red and me, it
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historical members of the shinsengu
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Rusty to cease, as these dialogues
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connections with others will only s
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period as well as engaged in constr
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than the real-life connections to o
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“not much of a fan” is greatly
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egarding this topic) friends. Howev
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advanced the point that a fan lurki
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Page 145 and 146: “Internet fandom” is what essen
Page 147 and 148: C. Mindset How can I map out this m
Page 149 and 150: IV. Interplay of modes - or conclus
Page 151 and 152: e used toward understanding multipl
Page 153 and 154: V. Appendices A. Appendix A: Fandom
Page 155 and 156: SG-1 Tokyo Babylon Weiss Kreuz Wolf
Page 157 and 158: ANC angst angstfic anime anime musi
Page 159 and 160: difference between good and bad fic
Page 161 and 162: C&C canon casual fan, casual CBFFAs
Page 163 and 164: criticism constructive feedback con
Page 165 and 166: drabble are based on pre-existing s
Page 167 and 168: activities. Science fiction fandom
Page 169 and 170: or to the actual act of turning a m
Page 171 and 172: GWLBWLB H sugar and spice. We are n
Page 173 and 174: LEO, L.E.O. lemon lemonade lime lis
Page 175 and 176: meta-MST MEverse MFEO, M.F.E.O. mir
Page 177 and 178: Regardless, if a fan calls you a mu
Page 179 and 180: ose OT OT OT3 otaku The filk equiva
Page 181 and 182: Continuum PWP RACC RACMX Ratboy rat
Page 183 and 184: SCA, SCAs schmoop self-infliction s
Page 185 and 186: "degeneration" of smarm into near-s
Page 187 and 188: them all, let alone finish them! Na
Page 189 and 190: al Couple Unnamed Faction Unusual S
Page 191 and 192: VI. Bibliography Works Consulted Pr
Page 193: 1997 “Culture in the Plural”. M
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