Girls who like Boys who like Boys – Ethnography of ... - Yuuyami.com

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I guess for me, fandom means community. Sometimes (when it gets big/corrupted) it can become a negative thing- ->a hierarchal group of people with tendencies towards elitism. Fandom can also be bad because of the explosive tendencies of members in discordant fandoms (it's comparable to religious arguments). But I like fandoms, because even with the bad things, I like having the base of people with shared interests [….] Most of the time, I just enjoy the fruits of other's labors (as well as the original products). If there wasn't such a thing as fandom, though, I'm not sure that there would be these entertainment opportunities (b/c I associate fandoms with not just a group of people, but also of the products of the fans)-->fiction, art, shrines, etc. In this post, Yuri approaches many facets, details and issues of fandom: community, production, consumption, and tensions. She goes on to say that, to her, fandom is the lifeblood of the shows she watches/watched, the community and the fruits of its labor the thing that would tide her over until the next Harry Potter book, the next installment by this mangaka (or manga artist) or of that anime series. 2. Angst!Harry and Slut!Draco – or Roleplaying in a Harry Potter game Yuri has been playing RP games for a very long time, in all possible Internet-related ways: bulletin boards, emails, chats or AOL Instant Messenger, and on LiveJournal. She has quit all of her mail-based roleplaying games hosted on the Yahoo groups mailing list domain, because she was annoyed at the players who participated in these games. When I asked her whether they were too young (a complaint frequently brought up against “fangirls”), she replied that that was not necessarily the case, but more so that 54
they had no sense and the plotlines became more stupid, and additionally so with people changing all the time, i.e. quitting the game or coming newly to the game. Yuri’s newest game is a Harry Potter RPG, in which she plays Harry. It is her favorite so far, because it has more good players (i.e. players who keep the game and protagonists in character), is better organized (and has strict rules) and happens with a better frequency. The game is generally played on AOL Instant Messenger, but is based in LiveJournals: A main community journal is used to post logs or summaries of games between players, or general notices by Hogwarts’ staff and headmaster; messages (or “owls”) to other players are posted here as well, and sometimes the main community journal will be used for play (by using LiveJournal’s “comment” function to specific posts). Every player does have a journal for their character(s), and this is used, as a regular journal would be, for personal entries or specific messages to friends. The characters’ journals’ names as well as their screen names for Instant Messenger are chosen to be reflective of the character. The Harry Potter RPG is not a yaoi-game, but is yaoi-friendly: the Harry that Yuri plays is not decidedly gay or straight. There is also an OOC community journal, and often an OOC community chat. OOC means “out of character,” and is a phrase in which players may communicate beyond their character’s scope in general, and on a more personal basis in particular. Yuri describes the function of this OOC 55
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Girls who like Boys who like Boys -
Page 3 and 4: Table of Contents I. Introduction..
Page 5 and 6: more stories, and sharing funny tid
Page 7 and 8: yet understandable enough, to intro
Page 9 and 10: justifiable, and believable. 1 It i
Page 11 and 12: well as the act of worship (activel
Page 13 and 14: This leads Maygra 2 , a prominent f
Page 15 and 16: the fandoms are well-known. Slash-
Page 17 and 18: equality and beyond social stereoty
Page 19 and 20: uses his authorial position to loos
Page 21 and 22: fandoms, and are 2) people outside
Page 23 and 24: that writing in and for Anthropolog
Page 25 and 26: in ethnographic narrative, which ha
Page 27 and 28: very analytically thereafter. Jenki
Page 29 and 30: web. In a way the nature of convers
Page 31 and 32: affected not simply by the object o
Page 33 and 34: This is emphasized by how they view
Page 35 and 36: participation: In order to limit se
Page 37 and 38: order to find an earlier post, one
Page 39 and 40: academic audience might find such a
Page 41 and 42: linked, text with the connections o
Page 43 and 44: consumers: Consumers only passively
Page 45 and 46: fandoms, and an active member in ot
Page 47 and 48: proud of her ability to slash every
Page 49 and 50: accompanying it online, would be to
Page 51 and 52: Harry Potter fandom, since I find t
Page 53: We were talking recently about our
Page 57 and 58: the 5 th Harry Potter book. In any
Page 59 and 60: discussed in the following sections
Page 61 and 62: These OOC chats in Yuri’s game ar
Page 63 and 64: nor as an act for the game specific
Page 65 and 66: discussion of both themes in the ne
Page 67 and 68: of HP fandom, two significantly. Fi
Page 69 and 70: will be portrayed as OOC, and a sto
Page 71 and 72: enough, let's go!” Canon is, with
Page 73 and 74: use several different ideas of plag
Page 75 and 76: keeps very busy. Once back at home
Page 77 and 78: make it have a plot, but it didn’
Page 79 and 80: just acknowledge that the character
Page 81 and 82: Though many would answer that “mo
Page 83 and 84: For both of these fandoms Eiko freq
Page 85 and 86: and even fewer fans will publish wh
Page 87 and 88: authors she likes, and then utilize
Page 89 and 90: who does not participate with other
Page 91 and 92: of identity as fan, much as an acad
Page 93 and 94: aggression (and, depending on the d
Page 95 and 96: found friends through her activitie
Page 97 and 98: formation. In the same sense that t
Page 99 and 100: meaning, no climax.” What is inte
Page 101 and 102: It’s not something that’s immed
Page 103 and 104: nonetheless. However generally, she
Page 105 and 106:
mood” when she will want to read
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characters, I was afraid that once
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other groups “censoring” or “
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III. Exploration A. Psychology and
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emotionally speaking, I wavered bet
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it at all, but simply as a regular
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SY: Like a self-insertion? Red: No
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“eeeeuw!” But that was before I
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have that initial reaction to slash
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which Barb has remarked on in the p
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slash fanfic did for Red and me, it
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historical members of the shinsengu
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Rusty to cease, as these dialogues
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connections with others will only s
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period as well as engaged in constr
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than the real-life connections to o
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“not much of a fan” is greatly
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egarding this topic) friends. Howev
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advanced the point that a fan lurki
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and pairings in our shared fandoms
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“Internet fandom” is what essen
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C. Mindset How can I map out this m
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IV. Interplay of modes - or conclus
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e used toward understanding multipl
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V. Appendices A. Appendix A: Fandom
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SG-1 Tokyo Babylon Weiss Kreuz Wolf
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ANC angst angstfic anime anime musi
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difference between good and bad fic
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C&C canon casual fan, casual CBFFAs
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criticism constructive feedback con
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drabble are based on pre-existing s
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activities. Science fiction fandom
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or to the actual act of turning a m
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GWLBWLB H sugar and spice. We are n
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LEO, L.E.O. lemon lemonade lime lis
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meta-MST MEverse MFEO, M.F.E.O. mir
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Regardless, if a fan calls you a mu
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ose OT OT OT3 otaku The filk equiva
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Continuum PWP RACC RACMX Ratboy rat
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SCA, SCAs schmoop self-infliction s
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"degeneration" of smarm into near-s
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them all, let alone finish them! Na
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al Couple Unnamed Faction Unusual S
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VI. Bibliography Works Consulted Pr
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1997 “Culture in the Plural”. M
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I give permission for public access
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