Girls who like Boys who like Boys – Ethnography of ... - Yuuyami.com

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consistently according to their character traits, OOC is not “bad” in this game’s case (and the fact that the game is obviously AU only aids this notion; the events in the game differing from those in the books give excuse to different personality traits). In other words, one could say that the protagonists of Nocturne Alley are kept consistently “in character” within their created OOC-ness. The second concept of OOC, which is used in Yuri’s game, is as much part of the game as the playing itself – it can be characterized as OOC interactions: The OOC community and the OOC chats are as much part of the fun as the in-character-interactions. Sometimes, when I am online on Instant Messenger, Yuri will send me little pieces of the OOC conversations she’s having in a chat room, and they are very funny. If I tried to explain how funny it is, I would probably say that these conversations are expressions of “hyper fangirl-mode,” exuberant and excited in the interactions, though the fans in questions might not identify as the stereotypical teenage “fangirl” at all: It is still a mode in which exchanges run along specific terms. OOC, in this sense, is different, as it does not refer to a deviation from the characters in the source text but rather functions as a mode: juxtaposed to being IC (implying the act of playing) OOC is used in Yuri’s game to connotate being outside of the game. It has nothing to do with the playing of the game, except for its occasional use to discuss game politics and plotlines. It has, however, everything to do with connecting to others beyond the mere game, as will be 58
discussed in the following sections. I am using an excerpt from one of the OOC chat-rooms to exemplify several points: Lisa’s Player: they [another HP-RPG] don't shag though.. ooc at least.. Draco’s Player: The fools. :O Ron’s Player: Do they go OOC? :O Lisa’s Player: Though the IC [i.e. in-character] shagging.. Lisa’s Player: Yes. Ron’s Player: Do they have Quidditch? Draco’s Player: Wow, IC shagging? Ron’s Player: And knickers? Draco’s Player: XD Ron’s Player: And FIREBOLTS? Lisa’s Player:: IC Shagging. Draco’s Player: Everyone has knickers, Ron! Draco’s Player: Except you! Draco’s Player: *steals Ron's knickers* Lisa’s Player: Harry shagged Terry ic. o_O Ron’s Player: Yes, but not everyone steals knickers. Ron’s Player: *had no knickers to begin with* XD […] Harry’s Player: who did i shag? Harry’s Player: ic? Ron’s Player: You shagged me. Ron’s Player: And we had Craco. […] Draco’s Player: No no, Harry. There's an LJ game where I play Harry. Draco’s Player: And everyone there is just going 'Whee, let's shag!'... except Harry. Harry’s Player: *dies* Draco’s Player: Harry's like... 'Fuck you lot. I'm going to fight Voldemort. >_>' Harry’s Player: lol Ron’s Player: xD Harry’s Player: ... Harry’s Player: no comment. Draco’s Player: And they're in this big orgy, like 'OKAY, HARRY!' Draco’s Player: 'HAVE FUN!' Draco’s Player: 'Pass me the lube.' Draco’s Player: '...'Kay.' In this chat excerpt, the emoticons abound: “XD” shows a laughing face, “:O” indicates open-mouthed disbelief/astonishment, and “o_O” 59
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Girls who like Boys who like Boys -
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Table of Contents I. Introduction..
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more stories, and sharing funny tid
Page 7 and 8: yet understandable enough, to intro
Page 9 and 10: justifiable, and believable. 1 It i
Page 11 and 12: well as the act of worship (activel
Page 13 and 14: This leads Maygra 2 , a prominent f
Page 15 and 16: the fandoms are well-known. Slash-
Page 17 and 18: equality and beyond social stereoty
Page 19 and 20: uses his authorial position to loos
Page 21 and 22: fandoms, and are 2) people outside
Page 23 and 24: that writing in and for Anthropolog
Page 25 and 26: in ethnographic narrative, which ha
Page 27 and 28: very analytically thereafter. Jenki
Page 29 and 30: web. In a way the nature of convers
Page 31 and 32: affected not simply by the object o
Page 33 and 34: This is emphasized by how they view
Page 35 and 36: participation: In order to limit se
Page 37 and 38: order to find an earlier post, one
Page 39 and 40: academic audience might find such a
Page 41 and 42: linked, text with the connections o
Page 43 and 44: consumers: Consumers only passively
Page 45 and 46: fandoms, and an active member in ot
Page 47 and 48: proud of her ability to slash every
Page 49 and 50: accompanying it online, would be to
Page 51 and 52: Harry Potter fandom, since I find t
Page 53 and 54: We were talking recently about our
Page 55 and 56: they had no sense and the plotlines
Page 57: the 5 th Harry Potter book. In any
Page 61 and 62: These OOC chats in Yuri’s game ar
Page 63 and 64: nor as an act for the game specific
Page 65 and 66: discussion of both themes in the ne
Page 67 and 68: of HP fandom, two significantly. Fi
Page 69 and 70: will be portrayed as OOC, and a sto
Page 71 and 72: enough, let's go!” Canon is, with
Page 73 and 74: use several different ideas of plag
Page 75 and 76: keeps very busy. Once back at home
Page 77 and 78: make it have a plot, but it didn’
Page 79 and 80: just acknowledge that the character
Page 81 and 82: Though many would answer that “mo
Page 83 and 84: For both of these fandoms Eiko freq
Page 85 and 86: and even fewer fans will publish wh
Page 87 and 88: authors she likes, and then utilize
Page 89 and 90: who does not participate with other
Page 91 and 92: of identity as fan, much as an acad
Page 93 and 94: aggression (and, depending on the d
Page 95 and 96: found friends through her activitie
Page 97 and 98: formation. In the same sense that t
Page 99 and 100: meaning, no climax.” What is inte
Page 101 and 102: It’s not something that’s immed
Page 103 and 104: nonetheless. However generally, she
Page 105 and 106: mood” when she will want to read
Page 107 and 108: characters, I was afraid that once
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other groups “censoring” or “
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III. Exploration A. Psychology and
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emotionally speaking, I wavered bet
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it at all, but simply as a regular
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SY: Like a self-insertion? Red: No
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“eeeeuw!” But that was before I
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have that initial reaction to slash
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which Barb has remarked on in the p
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slash fanfic did for Red and me, it
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historical members of the shinsengu
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Rusty to cease, as these dialogues
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connections with others will only s
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period as well as engaged in constr
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than the real-life connections to o
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“not much of a fan” is greatly
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egarding this topic) friends. Howev
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advanced the point that a fan lurki
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and pairings in our shared fandoms
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“Internet fandom” is what essen
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C. Mindset How can I map out this m
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IV. Interplay of modes - or conclus
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e used toward understanding multipl
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V. Appendices A. Appendix A: Fandom
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SG-1 Tokyo Babylon Weiss Kreuz Wolf
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ANC angst angstfic anime anime musi
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difference between good and bad fic
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C&C canon casual fan, casual CBFFAs
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criticism constructive feedback con
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drabble are based on pre-existing s
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activities. Science fiction fandom
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or to the actual act of turning a m
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GWLBWLB H sugar and spice. We are n
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LEO, L.E.O. lemon lemonade lime lis
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meta-MST MEverse MFEO, M.F.E.O. mir
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Regardless, if a fan calls you a mu
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ose OT OT OT3 otaku The filk equiva
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Continuum PWP RACC RACMX Ratboy rat
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SCA, SCAs schmoop self-infliction s
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"degeneration" of smarm into near-s
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them all, let alone finish them! Na
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al Couple Unnamed Faction Unusual S
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VI. Bibliography Works Consulted Pr
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1997 “Culture in the Plural”. M
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