Girls who like Boys who like Boys – Ethnography of ... - Yuuyami.com

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2001 “Adventures in Picture Reading: Bboy Zips3”. Electronic Document, http://www.aestheticism.com/visitors/manga/bboy_zips3/index.htm, last accessed October 3, 2003 Reyes, Luis 2001 “Summer of Love Part 2 – Yaoi: Akadot speaks with three fans about male on male erotic stories”. Electronic Document, http://www.akadot.com/article/article-yaoi1.html, last accessed October 3, 2003 Rhema, Maygra de 1999 “Being my own Hero: An Essay on the Why and Wherefore of slash”. Electronic Document, http://wordsmiths.net/Essays/behero.htm, last accessed October 3, 2003 2000a “When Bronze turns to Gold: Alchemical Observations from the West”. Electronic Document, http://www.wordsmiths.net/Essays/whenbronze.html, last accessed October 3, 2003 2000b “Why Isn’t Slash Yaoi and Why Is Yaoi Slash?” Electronic Document, http://www.wordsmiths.net/Essays/whyisnt.html, last accessed October 3, 2003 Secondary Sources: Bacon-Smith, Camille 1992 “Enterprising Women: Television Fandom and the Creation of a Popular Myth”. Philadelphia: University of Pennsylvania Press 2000 “Science Fiction Culture”. Philadelphia: University of Pennsylvania Press Baym, Nancy K. 1998 “Talking about Soaps: Communicative Practices in a Computer-Mediated Fan Culture”. In Theorizing Fandom: Fans, Subculture, and Identity.Cheryl Harris and Alison Alexander (eds.) Cresskill, NJ: Hampton Press 2000 “Tune In, Log On: Soaps, Fandom, and Online Community”. Thousand Oaks, CA, London & New Delhi: Sage Publications Behar, Ruth and Gordon, Deborah A. 1995 “Women writing Culture”. (eds.) Berkeley, Los Angeles & London, England: University of California Press Bourdieu, Pierre 1984 “Distinction : a social critique of the judgement of taste”. Cambridge: Harvard University Press 1998 “On television”. New York : New Press Certeau, Michel de 192
1997 “Culture in the Plural”. Minneapolis: University of Minneapolis Cicioni, Mirna 1998 “Male Pair-Bonds and Female Desire in Fan Slash Writing”. In Theorizing Fandom: Fans, Subculture, and Identity.Cheryl Harris and Alison Alexander (eds.) Cresskill, NJ: Hampton Press Chayko, Mary 2002 “Connecting: How We Form Social Bonds and Communities in the Internet Age”. Albany: State University of New York Press Fiske, John 1992 “The Cultural Economy of Fandom”. In “The Adoring Audience: Fan Culture and Popular Media”. Lewis, Lisa A. (ed.) New York, London: Routledge Green, Shoshanna, Jenkins, Cynthia, and Jenkins, Henry 1998 “Normal Female Interest in Men Bonking: The Terra Nostra Underground and Strange Bedfellows”. In Theorizing Fandom: Fans, Subculture, and Identity. Cheryl Harris and Alison Alexander (eds.) Cresskill, NJ: Hampton Press Grossberg, Lawrence 1992 “Is there a Fan in the House?: The Affective Sensibility of Fandom”. In “The Adoring Audience: Fan Culture and Popular Media”. Lewis, Lisa A. (ed.) New York, London: Routledge Hills, Matt 2001 with Jenkins, Henry: “Intensities interviews Henry Jenkins @Console-ing Passions”. University of Bristol, July 7th, 2001. http://www.cult-media.com . Electronic Document. Last accessed: February 2004 2002 “Fan Cultures”. London, New York: Routledge Jenkins, Henry 1992 “Textual Poachers: Television Fans and Participatory Culture”. New York: Routledge 2004 “Why Heather Can Write”. Electronic Document. http://web.mit.edu/lit/www/heathercanwrite.html Last accessed: 05/04/04 Lee, Kylie 2003 “Confronting Enterprise Slash Fan Fiction”. Extrapolation 44(1):69-83 Lewis, Lisa A. 1992 “The Adoring Audience: Fan Culture and Popular Media”. (ed.) New York, London: Routledge MacDonald, Andrea 1998 “Uncertain Utopia: Science Fiction Media Fandom & Computer Mediated Communication”. In Theorizing Fandom: Fans, Subculture, 193
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Girls who like Boys who like Boys -
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Table of Contents I. Introduction..
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more stories, and sharing funny tid
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yet understandable enough, to intro
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justifiable, and believable. 1 It i
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well as the act of worship (activel
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This leads Maygra 2 , a prominent f
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the fandoms are well-known. Slash-
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equality and beyond social stereoty
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uses his authorial position to loos
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fandoms, and are 2) people outside
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that writing in and for Anthropolog
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in ethnographic narrative, which ha
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very analytically thereafter. Jenki
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web. In a way the nature of convers
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affected not simply by the object o
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This is emphasized by how they view
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participation: In order to limit se
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order to find an earlier post, one
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academic audience might find such a
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linked, text with the connections o
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consumers: Consumers only passively
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fandoms, and an active member in ot
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proud of her ability to slash every
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accompanying it online, would be to
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Harry Potter fandom, since I find t
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We were talking recently about our
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they had no sense and the plotlines
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the 5 th Harry Potter book. In any
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discussed in the following sections
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These OOC chats in Yuri’s game ar
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nor as an act for the game specific
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discussion of both themes in the ne
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of HP fandom, two significantly. Fi
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will be portrayed as OOC, and a sto
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enough, let's go!” Canon is, with
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use several different ideas of plag
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keeps very busy. Once back at home
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make it have a plot, but it didn’
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just acknowledge that the character
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Though many would answer that “mo
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For both of these fandoms Eiko freq
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and even fewer fans will publish wh
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authors she likes, and then utilize
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who does not participate with other
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of identity as fan, much as an acad
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aggression (and, depending on the d
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found friends through her activitie
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formation. In the same sense that t
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meaning, no climax.” What is inte
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It’s not something that’s immed
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nonetheless. However generally, she
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mood” when she will want to read
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characters, I was afraid that once
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other groups “censoring” or “
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III. Exploration A. Psychology and
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emotionally speaking, I wavered bet
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it at all, but simply as a regular
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SY: Like a self-insertion? Red: No
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“eeeeuw!” But that was before I
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have that initial reaction to slash
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which Barb has remarked on in the p
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slash fanfic did for Red and me, it
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historical members of the shinsengu
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Rusty to cease, as these dialogues
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connections with others will only s
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period as well as engaged in constr
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than the real-life connections to o
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“not much of a fan” is greatly
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egarding this topic) friends. Howev
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Page 145 and 146: “Internet fandom” is what essen
Page 147 and 148: C. Mindset How can I map out this m
Page 149 and 150: IV. Interplay of modes - or conclus
Page 151 and 152: e used toward understanding multipl
Page 153 and 154: V. Appendices A. Appendix A: Fandom
Page 155 and 156: SG-1 Tokyo Babylon Weiss Kreuz Wolf
Page 157 and 158: ANC angst angstfic anime anime musi
Page 159 and 160: difference between good and bad fic
Page 161 and 162: C&C canon casual fan, casual CBFFAs
Page 163 and 164: criticism constructive feedback con
Page 165 and 166: drabble are based on pre-existing s
Page 167 and 168: activities. Science fiction fandom
Page 169 and 170: or to the actual act of turning a m
Page 171 and 172: GWLBWLB H sugar and spice. We are n
Page 173 and 174: LEO, L.E.O. lemon lemonade lime lis
Page 175 and 176: meta-MST MEverse MFEO, M.F.E.O. mir
Page 177 and 178: Regardless, if a fan calls you a mu
Page 179 and 180: ose OT OT OT3 otaku The filk equiva
Page 181 and 182: Continuum PWP RACC RACMX Ratboy rat
Page 183 and 184: SCA, SCAs schmoop self-infliction s
Page 185 and 186: "degeneration" of smarm into near-s
Page 187 and 188: them all, let alone finish them! Na
Page 189 and 190: al Couple Unnamed Faction Unusual S
Page 191: VI. Bibliography Works Consulted Pr
Page 195: I give permission for public access
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