Girls who like Boys who like Boys – Ethnography of ... - Yuuyami.com

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efore. In terms of writing she echoes Dinah’s concerns about characterizations and existing fanons: The reason I don’t write Harry Potter or Popslash, aside from friends if they ask me to, is because both of them are fandoms that I feel like my characterizations would be influenced by what’s there. I feel like my characters would only be knock-offs of fandom characterizations already out there. As far as popslash goes, I eventually caved in and started liking the music, but originally I was only into the fics…so I don’t know enough about the people to write anything that’s in character. Barb is an online lurker as well, and her main fandoms are Harry Potter, and the TV shows The Sentinel (1996), Stargate(1997), Angel (1999), and Buffy. She started off in Sentinel in 1999, and was reading in this fandom exclusively for almost six months. Shortly before she left for a bicycle trip to Europe around that time, she discovered The Highlander (1992) and branched out into that TV-show’s fandom. In doing so she was following a set of fanfic authors who had started off with Sentinel fanfiction, but then started to expand their fandoms, “because if you have a good author who writes really good fiction in one fandom, you will read her new stories even if they are in other fandoms.” Barb finds the stories she reads mainly on several LiveJournals which she, in her words, “stalks” (i.e. she has not put them on her friends’ list), as well as from specific author’s websites. She doesn’t frequent main fan archives because the overwhelming percentage of the fiction archived there is bad in her eyes. She also uses so-called rec pages, in other words human filtration or fic recommendation pages. Frequently she will therefore read the 86
authors she likes, and then utilize their rec pages. She uses official websites if she is still trying to understand basic points of the source text canon, but does get bored by it soon. “I figure I can pick up the canon as I go along, and also the fanon the same way.” I was discussing Eiko’s reasons for lurking, or rather for not delurking, with Barb the other day, and she found that she sometimes had that feeling of uselessness at large as well. It did not seem to be her main incentive for being a lurker, and so I asked her why she never came out to be active online, in the same way that she is active with me and all of her friends offline. She explained that she wasn’t quite sure, which may be very well part of the problem, and that she had always been a lurker. She took some time to reflect, and then hazarded that there were probably a couple of reasons for why she was a lurker. One reason she mentioned was simple shyness, which didn’t significantly diminish for her online, and so to email some author without a reason is out of the question for her. The second reason was an external factor, which indirectly contributed as well to involve Barb in online fandom: at a certain point during high school Barb had Lyme Disease, which made it very difficult for her to talk or interact with others. She explained that there were some people in high school that she could have interacted with if she had not had Lyme Disease, and having it, in a way, changed her fannish evolution in that a lot of what she was doing was lurking online rather than interacting with offline fans. Talking about this time, she mentioned her 87
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Girls who like Boys who like Boys -
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Table of Contents I. Introduction..
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more stories, and sharing funny tid
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yet understandable enough, to intro
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justifiable, and believable. 1 It i
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well as the act of worship (activel
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This leads Maygra 2 , a prominent f
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the fandoms are well-known. Slash-
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equality and beyond social stereoty
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uses his authorial position to loos
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fandoms, and are 2) people outside
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that writing in and for Anthropolog
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in ethnographic narrative, which ha
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very analytically thereafter. Jenki
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web. In a way the nature of convers
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affected not simply by the object o
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This is emphasized by how they view
Page 35 and 36: participation: In order to limit se
Page 37 and 38: order to find an earlier post, one
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Page 41 and 42: linked, text with the connections o
Page 43 and 44: consumers: Consumers only passively
Page 45 and 46: fandoms, and an active member in ot
Page 47 and 48: proud of her ability to slash every
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Page 51 and 52: Harry Potter fandom, since I find t
Page 53 and 54: We were talking recently about our
Page 55 and 56: they had no sense and the plotlines
Page 57 and 58: the 5 th Harry Potter book. In any
Page 59 and 60: discussed in the following sections
Page 61 and 62: These OOC chats in Yuri’s game ar
Page 63 and 64: nor as an act for the game specific
Page 65 and 66: discussion of both themes in the ne
Page 67 and 68: of HP fandom, two significantly. Fi
Page 69 and 70: will be portrayed as OOC, and a sto
Page 71 and 72: enough, let's go!” Canon is, with
Page 73 and 74: use several different ideas of plag
Page 75 and 76: keeps very busy. Once back at home
Page 77 and 78: make it have a plot, but it didn’
Page 79 and 80: just acknowledge that the character
Page 81 and 82: Though many would answer that “mo
Page 83 and 84: For both of these fandoms Eiko freq
Page 85: and even fewer fans will publish wh
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Page 91 and 92: of identity as fan, much as an acad
Page 93 and 94: aggression (and, depending on the d
Page 95 and 96: found friends through her activitie
Page 97 and 98: formation. In the same sense that t
Page 99 and 100: meaning, no climax.” What is inte
Page 101 and 102: It’s not something that’s immed
Page 103 and 104: nonetheless. However generally, she
Page 105 and 106: mood” when she will want to read
Page 107 and 108: characters, I was afraid that once
Page 109 and 110: other groups “censoring” or “
Page 111 and 112: III. Exploration A. Psychology and
Page 113 and 114: emotionally speaking, I wavered bet
Page 115 and 116: it at all, but simply as a regular
Page 117 and 118: SY: Like a self-insertion? Red: No
Page 119 and 120: “eeeeuw!” But that was before I
Page 121 and 122: have that initial reaction to slash
Page 123 and 124: which Barb has remarked on in the p
Page 125 and 126: slash fanfic did for Red and me, it
Page 127 and 128: historical members of the shinsengu
Page 129 and 130: Rusty to cease, as these dialogues
Page 131 and 132: connections with others will only s
Page 133 and 134: period as well as engaged in constr
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“not much of a fan” is greatly
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egarding this topic) friends. Howev
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advanced the point that a fan lurki
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and pairings in our shared fandoms
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“Internet fandom” is what essen
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C. Mindset How can I map out this m
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IV. Interplay of modes - or conclus
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e used toward understanding multipl
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V. Appendices A. Appendix A: Fandom
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SG-1 Tokyo Babylon Weiss Kreuz Wolf
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ANC angst angstfic anime anime musi
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difference between good and bad fic
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C&C canon casual fan, casual CBFFAs
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criticism constructive feedback con
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drabble are based on pre-existing s
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activities. Science fiction fandom
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or to the actual act of turning a m
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GWLBWLB H sugar and spice. We are n
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LEO, L.E.O. lemon lemonade lime lis
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meta-MST MEverse MFEO, M.F.E.O. mir
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Regardless, if a fan calls you a mu
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ose OT OT OT3 otaku The filk equiva
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Continuum PWP RACC RACMX Ratboy rat
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SCA, SCAs schmoop self-infliction s
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"degeneration" of smarm into near-s
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them all, let alone finish them! Na
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al Couple Unnamed Faction Unusual S
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VI. Bibliography Works Consulted Pr
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1997 “Culture in the Plural”. M
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