Girls who like Boys who like Boys – Ethnography of ... - Yuuyami.com

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Xena The Conqueror X-S yaoi Yed, yed yiffy yuri Zine, 'zine A popular alternate timeline inspired by the premise of the Hercules episode "Armageddon Now" -- where Hercules never existed and Xena never saved Gabrielle from slavers, going on instead to become the ruler of the known world. Gaby usually shows up to oppose Xena's tyranny. See also C- W/S and Warlord/Slave. Aka Growing Up X -- a popular multi-writer series created by Darqstar and concerning the life of one Sikudhani "Siku" Edna McCoy, a child adopted as an infant by Hank "Beast" McCoy and raised by the X-Men. Y Erotic tales or images of male/male (gay) encounters, usually for adults only -- the Japanese version of hardcore slash. Yaoi is an acronym for the Japanese phrase "Yama nashi, imi nashi, ochi nashi" ("Without climax, without meaning, without resolution"), though some fans joke that it stands for"Yamete! Oshiri ga itai!" ("Stop! My ass hurts!"). ;) The female equivalent is yuri. See also shonen ai, or read Yumemisama's full explanation of anime/manga adult story classifications. Playful yet respectiful abbreviation which denotes the editor of a fanzine ("Ye Editor"). Containing sexual content, usually gratuitous and a little silly or exaggerated. Derived from the sound a fox makes ("yiff!"), as people who claim the fox as their totem in furrydom are often fondly stereotyped as ditzy sluts. Indicates stories dealing with female/female (lesbian) pairings, usually intended for adults only -- the male equivalent is yaoi. See also Yumemisama's full explanation of anime/manga adult story classifications. Xena, Hercules comics anime/mang a sci-fi furry anime/mang a Z Short for "fanzine" which itself is a corruption of "magazine" -- a collection of fan-oriented information or fanfic printed in magazine form, usually sold for cost-of-printing. A dying breed, old fandom 'zines pre-date the Internet by at least about twenty years but are still in circulation; you can find 'zines offered via mail-order from websites and at conventions. 190
VI. Bibliography Works Consulted Primary Sources AC ~2000 “In Defense of Slash”. Electronic Document, http://writersu.s5.com/phil/slash.html, last accessed October 3, 2003 Clark, Melina 1999a “Duncan & Methos & Michael & Nikita”. Electronic Document, http://wordsmiths.net/Essays/hllfn.html, last accessed October 3, 2003 1999b “Slash: Another View”. Electronic Document, http://wordsmiths.net/Essays/slashessay.htm, last accessed October 3, 2003 Greer 2002 “The Uses of Fanfic: The Need to Narrate”. Electronic Document, http://www.aestheticism.com/visitors/editor/guests/fanfic_uses/index.h tm, last accessed October 3, 2003 Ecks, Michela 2001 “A History of Fan Fiction”. Electronic Document, http://writersu.s5.com/history/history01.html, last accessed October 3, 2003 Julad ~2000 “Women and Slash: Why, why, why?” Electronic Document, http://www.yearningvoid.net/julad/essay.html, last accessed MacGeorge ~1999 “MacGeorge’s Musings on the Nature of Slash”. Electronic Document, http://www.wordsmiths.net/Essays/slash.html, last accessed October 3, 2003 Nora 2000 “Holiday Shopping for the Yaoi Fan in Your Life: An Etiquette and How-To Guide for Non-Fans”. Electronic Document, http://www.aestheticism.com/visitors/editor/nora/giftshopping/index.ht m, last accessed October 3, 2003 2001 “The Great Yaoi (and everything else) Debate: Redux”. Electronic Document, http://www.aestheticism.com/visitors/editor/nora/gt_debate/index.htm, last accessed October 3, 2003 2002 “The Making of an Old (Yaoi) Fogey”. Electronic Document, http://www.aestheticism.com/visitors/editor/nora/fogey/index.htm, last accessed October 3, 2003 Nora and Jeanne 191
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Girls who like Boys who like Boys -
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Table of Contents I. Introduction..
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more stories, and sharing funny tid
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yet understandable enough, to intro
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justifiable, and believable. 1 It i
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well as the act of worship (activel
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This leads Maygra 2 , a prominent f
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the fandoms are well-known. Slash-
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equality and beyond social stereoty
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uses his authorial position to loos
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fandoms, and are 2) people outside
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that writing in and for Anthropolog
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in ethnographic narrative, which ha
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very analytically thereafter. Jenki
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web. In a way the nature of convers
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affected not simply by the object o
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This is emphasized by how they view
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participation: In order to limit se
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order to find an earlier post, one
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academic audience might find such a
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linked, text with the connections o
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consumers: Consumers only passively
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fandoms, and an active member in ot
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proud of her ability to slash every
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accompanying it online, would be to
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Harry Potter fandom, since I find t
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We were talking recently about our
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they had no sense and the plotlines
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the 5 th Harry Potter book. In any
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discussed in the following sections
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These OOC chats in Yuri’s game ar
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nor as an act for the game specific
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discussion of both themes in the ne
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of HP fandom, two significantly. Fi
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will be portrayed as OOC, and a sto
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enough, let's go!” Canon is, with
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use several different ideas of plag
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keeps very busy. Once back at home
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make it have a plot, but it didn’
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just acknowledge that the character
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Though many would answer that “mo
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For both of these fandoms Eiko freq
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and even fewer fans will publish wh
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authors she likes, and then utilize
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who does not participate with other
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of identity as fan, much as an acad
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aggression (and, depending on the d
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found friends through her activitie
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formation. In the same sense that t
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meaning, no climax.” What is inte
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It’s not something that’s immed
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nonetheless. However generally, she
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mood” when she will want to read
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characters, I was afraid that once
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other groups “censoring” or “
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III. Exploration A. Psychology and
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emotionally speaking, I wavered bet
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it at all, but simply as a regular
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SY: Like a self-insertion? Red: No
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“eeeeuw!” But that was before I
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have that initial reaction to slash
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which Barb has remarked on in the p
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slash fanfic did for Red and me, it
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historical members of the shinsengu
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Rusty to cease, as these dialogues
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connections with others will only s
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period as well as engaged in constr
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than the real-life connections to o
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“not much of a fan” is greatly
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Page 145 and 146: “Internet fandom” is what essen
Page 147 and 148: C. Mindset How can I map out this m
Page 149 and 150: IV. Interplay of modes - or conclus
Page 151 and 152: e used toward understanding multipl
Page 153 and 154: V. Appendices A. Appendix A: Fandom
Page 155 and 156: SG-1 Tokyo Babylon Weiss Kreuz Wolf
Page 157 and 158: ANC angst angstfic anime anime musi
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Page 161 and 162: C&C canon casual fan, casual CBFFAs
Page 163 and 164: criticism constructive feedback con
Page 165 and 166: drabble are based on pre-existing s
Page 167 and 168: activities. Science fiction fandom
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Page 171 and 172: GWLBWLB H sugar and spice. We are n
Page 173 and 174: LEO, L.E.O. lemon lemonade lime lis
Page 175 and 176: meta-MST MEverse MFEO, M.F.E.O. mir
Page 177 and 178: Regardless, if a fan calls you a mu
Page 179 and 180: ose OT OT OT3 otaku The filk equiva
Page 181 and 182: Continuum PWP RACC RACMX Ratboy rat
Page 183 and 184: SCA, SCAs schmoop self-infliction s
Page 185 and 186: "degeneration" of smarm into near-s
Page 187 and 188: them all, let alone finish them! Na
Page 189: al Couple Unnamed Faction Unusual S
Page 193 and 194: 1997 “Culture in the Plural”. M
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