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Girls who like Boys who like Boys – Ethnography of ... - Yuuyami.com

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yet understandable enough, to introduce an unfamiliar audience to the topic.<br />

Yet, such a single ethnographic moment does not exist. All <strong>of</strong> the scenes<br />

depicted above are, after all, not simply moments <strong>of</strong> ritual or hobby, but<br />

moreover are infused with a certain mode <strong>of</strong> identity. Beyond serving an<br />

introductory function, they urge you to immerse yourself into a world that will<br />

seem alien at best.<br />

B. Academia vs. Fandom: The agenda <strong>of</strong> this<br />

project<br />

Perhaps only a fan can appreciate the depth <strong>of</strong> feeling, the<br />

gratifications, the importance for coping with everyday life<br />

that fandom represents. Yet we are all fans <strong>of</strong> something.<br />

WE respect, admire, desire. We distinguish and form<br />

<strong>com</strong>mitments. By endeavoring to understand the fan<br />

impulse, we ultimately move towards a greater<br />

understanding <strong>of</strong> ourselves. (Lewis 1)<br />

This excerpt from Lisa Lewis’s introduction to The Adoring Audience<br />

(1992) is aimed at an academic audience. Speaking to us, as academics, she<br />

aptly outlines both, a fan’s fervid devotion, <strong>of</strong>ten ac<strong>com</strong>panied by our<br />

in<strong>com</strong>prehension, to her/his fandom as well as shared aspects <strong>of</strong> activity and<br />

identity between academia and fandom which may allow for a <strong>com</strong>parison <strong>of</strong><br />

the two contexts.<br />

As Matt Hills (2002) describes it, both on the academic as well as the<br />

fannish front the emphasis lies on the “good” imagined subjectivity. However,<br />

in the academic world this “good” imagined subjectivity is <strong>of</strong>ten qualified by<br />

the concept <strong>of</strong> “the rational self.” By “subjectivity” he does not mean the<br />

7

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