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From the evidence available, we conclude that the<br />

GSD is flawed in construction. Even though those<br />

flaws might have been expected to spuriously inflate<br />

measures of reliability and validity, the GSD does<br />

not have adequate psychometric properties for use<br />

in individual assessment, selection or prediction.<br />

However, the reliability of composite GSD measures<br />

has not been formally assessed and it is possible that<br />

these may prove to be more acceptable statistically.<br />

General<br />

Writing in 1979, Gregorc lists other aspects of style,<br />

including preferences for deduction or induction,<br />

for individual or group activity and for various<br />

environmental conditions. These he sees as more<br />

subject to developmental and environmental influences<br />

than the four channels which he describes as<br />

‘properties of the self, or soul’ (1979, 224). However,<br />

no evidence for this metaphysical claim is provided.<br />

We are not told how Gregorc developed the special<br />

abilities to determine the underlying causes (noumena)<br />

of behaviour (pheno) and the nature of the learner<br />

(logos) by means of his ‘phenomenological’ method.<br />

The concept of sequential, as opposed to simultaneous<br />

or holistic, processing is one that is long established<br />

in philosophy and psychology, and is analogous<br />

to sequential and parallel processing in computing.<br />

Here, Gregorc’s use of the term ‘random’ is value-laden<br />

and perhaps inappropriate, since it does not properly<br />

capture the power of intuition, imagination, divergent<br />

thinking and creativity. Although the cognitive and<br />

emotional mental activity and linkages behind intuitive,<br />

empathetic, ‘big picture’ or ‘out of the box’ thinking are<br />

often not fully explicit, they are by no means random.<br />

It is probable that the ‘ordering’ dimension in which<br />

Gregorc is interested does not apply uniformly across<br />

all aspects of experience, especially when emotions<br />

come into play or there are time or social constraints<br />

to cope with. Moreover, opposing ‘sequential’ to<br />

‘random’ can create a false dichotomy, since there are<br />

many situations in which thinking in terms of part-whole<br />

relationships requires a simultaneous focus on parts<br />

and wholes, steps and patterns. To seek to capture<br />

these dynamic complexities with personal reactions<br />

to between 10 and 20 words is clearly a vain ambition.<br />

Similar arguments apply to the perceptual dimension<br />

concrete-abstract. It is far from clear that these terms<br />

and the clusters of meaning which Gregorc associates<br />

with them represent a unitary dimension, or indeed<br />

much more than a personal set of word associations<br />

in the mind of their originator. Lack of clarity is apparent<br />

in Gregorc’s description of the ‘concrete random’<br />

channel as mediating the ‘concrete world of reality<br />

and abstract world of intuition’ (1982b, 39). He also<br />

describes the world of feeling and emotions as<br />

‘abstract’ and categorises thinking that is ‘inventive<br />

and futuristic’ and where the focus of attention is<br />

‘processes and ideals’ as ‘concrete’.<br />

Implications for pedagogy<br />

Gregorc’s model differs from Kolb’s (1999) in that<br />

it does not represent a <strong>learning</strong> cycle derived from<br />

a theory of experiential <strong>learning</strong>. However, Gregorc was<br />

at one time a teacher and teacher-educator and argues<br />

that knowledge of <strong>learning</strong> <strong>styles</strong> is especially important<br />

for teachers. As the following quotation (1984, 54)<br />

illustrates, he contends that strong correlations exist<br />

between the individual’s disposition, the media, and<br />

teaching strategies.<br />

Individuals with clear-cut dispositions toward concrete<br />

and sequential reality chose approaches such as ditto<br />

sheets, workbooks, computer-assisted instruction,<br />

and kits. Individuals with strong abstract and random<br />

dispositions opted for television, movies, and group<br />

discussion. Individuals with dominant abstract and<br />

sequential leanings preferred lectures, audio tapes,<br />

and extensive reading assignments. Those with<br />

concrete and random dispositions were drawn to<br />

independent study, games, and simulations. Individuals<br />

who demonstrated strength in multiple dispositions<br />

selected multiple forms of media and classroom<br />

approaches. It must be noted, however, that despite<br />

strong preferences, most individuals in the sample<br />

indicated a desire for a variety of approaches in order<br />

to avoid boredom.<br />

Gregorc believes that students suffer if there is a lack<br />

of alignment between their adaptive abilities (<strong>styles</strong>)<br />

and the demands placed on them by teaching methods<br />

and <strong>styles</strong>. Teachers who understand their own <strong>styles</strong><br />

and those of their learners can reduce the harm they<br />

may otherwise do and ‘develop a repertoire of authentic<br />

skills’ (Gregorc 2002). Gregorc argues against attempts<br />

to force teachers and learners to change their natural<br />

<strong>styles</strong>, believing that this does more harm than good<br />

and can alienate people or make them ill.

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