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Contents ix The Satanic Verses (Salman Rushdie) 189 “Breaking Totems and Taboos: Rushdie’s The Satanic Verses” by Rossitsa Artemis The Poetry of Anne Sexton 199 “The Poetic Heroism of Anne Sexton” by Diana Hume George, in Literature and Psychology (1987) The Prose Works of Jonathan Swift 217 “Biographical Introduction” by W.E.H. Lecky, in Swift’s Tale of a Tub and Other Early Works (1897) Tess of the D’Urbervilles (Thomas Hardy) 227 “Tess of the D’Urbervilles: The ‘Pure Woman’” by Geoffrey Wagner, in Five for Freedom: A Study of Feminist Fiction Ulysses ( James Joyce) 251 “Fetishizing the Bread of Everyday Life: The Taboo Gaze in ‘Nausicaa’” by Blake Hobby and Dustin Ryan Acknowledgments 259 Index 261
Page 2: Bloom's Literary Themes f Alienatio
Page 6 and 7: Bloom’s Literary Themes THE TABOO
Page 8 and 9: , Contents . Series Introduction by
Page 12 and 13: , Series Introduction by Harold Blo
Page 14: Series Introduction by Harold Bloom
Page 17 and 18: xvi Volume Introduction by Harold B
Page 19 and 20: 2 Thomas De Quincey Ma Chère Amie,
Page 21 and 22: 4 Thomas De Quincey phenomena, such
Page 23 and 24: 6 Thomas De Quincey with a curiosit
Page 25 and 26: 8 Thomas De Quincey itself in you s
Page 27 and 28: 10 Thomas De Quincey maladies of th
Page 29 and 30: 12 Thomas De Quincey philosophy on
Page 31 and 32: 14 Thomas De Quincey I have suffici
Page 33 and 34: 16 Thomas De Quincey a lover thinki
Page 35 and 36: 18 Thomas De Quincey all more colou
Page 37 and 38: 20 Thomas De Quincey that thus it g
Page 40 and 41: DRACULA (BRAM STOKER) ,. “Suddenl
Page 42 and 43: Dracula 25 Perhaps nowhere is the d
Page 44 and 45: Dracula 27 be “voluptuous,” yet
Page 46 and 47: Dracula 29 who want us (to eat us,
Page 48 and 49: Dracula 31 threatening and is ultim
Page 50 and 51: Dracula 33 seduction by them, he de
Page 52 and 53: Dracula 35 5. Bram Stoker, Dracula
Page 54 and 55: Howl (Allen Ginsberg) ,. “Transgr
Page 56 and 57: Howl 39 was tried for obscenity. Al
Page 58 and 59: Howl 41 of instrumental reason, Bla
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Howl 43 by name, but in “Howl,”
Page 62 and 63:
Howl 45 (Ezra Pound), mid-century p
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Howl 47 epitome of the freed libido
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Howl 49 the two adjectives, not wan
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52 William Shakespeare Freud’s
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54 William Shakespeare amounts to a
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56 William Shakespeare Freud’s ea
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58 William Shakespeare father being
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60 William Shakespeare in miniature
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62 William Shakespeare slew him’
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64 William Shakespeare sons before
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66 William Shakespeare foundation o
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68 William Shakespeare In searching
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70 William Shakespeare the remember
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72 William Shakespeare quotations f
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74 William Shakespeare WORKS CITED
Page 94 and 95:
LADY CHATTERLEY’S LOVER (D.H. LAW
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Lady Chatterley’s Lover 79 The ch
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Lady Chatterley’s Lover 81 Lawren
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Lady Chatterley’s Lover 83 sympat
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Lady Chatterley’s Lover 85 This w
Page 104 and 105:
Lady Chatterley’s Lover 87 That a
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Lady Chatterley’s Lover 89 one pr
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LOLITA (VLADIMIR NABOKOV) ,. “
Page 110 and 111:
Lolita 93 She was Lo, plain Lo, in
Page 112 and 113:
Lolita 95 wed together for the rest
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Lolita 97 of women, not Nabokov. Ce
Page 116 and 117:
LORD OF THE FLIES (WILLIAM GOLDING)
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Lord of the Flies 101 the more prim
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Lord of the Flies 103 They compare
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Lord of the Flies 105 The first hun
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Lord of the Flies 107 but also the
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Lord of the Flies 109 primitive men
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Lord of the Flies 111 “They’d b
Page 130 and 131:
“THE MILLER’S TALE” (GEOFFREY
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“The Miller’s Tale” 115 prese
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“The Miller’s Tale” 117 to th
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“The Miller’s Tale” 119 could
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“The Miller’s Tale” 121 by Ni
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“THE MOTHER” (GWENDOLYN BROOKS)
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“the mother” 125 review A Stree
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“the mother” 127 nice, not simp
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“the mother” 129 claim to her i
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“the mother” 131 It’s worth n
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MOURNING BECOMES ELECTRA (EUGENE O
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Mourning Becomes Electra 135 a banq
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Mourning Becomes Electra 137 In thi
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Mourning Becomes Electra 139 Thus,
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Mourning Becomes Electra 141 their
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OEDIPUS TYRANNUS (SOPHOCLES) ,. “
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Oedipus Tyrannus 145 dialectical lo
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THE PICTURE OF DORIAN GRAY (OSCAR W
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The Picture of Dorian Gray 149 losi
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The Picture of Dorian Gray 151 is a
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The Picture of Dorian Gray 153 Dori
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The Picture of Dorian Gray 155 and
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THE POETRY AND PROSE OF SYLVIA PLAT
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The Poetry and Prose of Sylvia Plat
Page 178 and 179:
Page 180 and 181:
Page 182 and 183:
“A ROSE FOR EMILY” (WILLIAM FAU
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“A Rose for Emily” 167 that res
Page 186 and 187:
“A Rose for Emily” 169 but stil
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“A Rose for Emily” 171 with the
Page 190 and 191:
“A Rose for Emily” 173 men her
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“A Rose for Emily” 175 “in ou
Page 194 and 195:
SABBATH’S THEATER (PHILIP ROTH) ,
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Sabbath’s Theater 179 reeling in
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Sabbath’s Theater 181 establishin
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Sabbath’s Theater 183 To remain f
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Sabbath’s Theater 185 this identi
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Sabbath’s Theater 187 Omer-Sherma
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190 Salman Rushdie (2005), and The
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192 Salman Rushdie To put it as sim
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194 Salman Rushdie How does newness
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196 Salman Rushdie is to have power
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THE POETRY OF ANNE SEXTON ,. “The
Page 218 and 219:
The Poetry of Anne Sexton 201 expla
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The Poetry of Anne Sexton 203 ultim
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The Poetry of Anne Sexton 205 onese
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The Poetry of Anne Sexton 207 defen
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The Poetry of Anne Sexton 209 compl
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The Poetry of Anne Sexton 211 cance
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The Poetry of Anne Sexton 213 fathe
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The Poetry of Anne Sexton 215 10. A
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218 The Prose Works of Jonathan Swi
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Page 239 and 240:
Page 241 and 242:
Page 244 and 245:
TESS OF THE D’URBERVILLES (THOMAS
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Tess of the D’Urbervilles 229 had
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Tess of the D’Urbervilles 231 Fin
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Tess of the D’Urbervilles 233 mer
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Tess of the D’Urbervilles 235 the
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Tess of the D’Urbervilles 237 Par
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Tess of the D’Urbervilles 239 Did
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Tess of the D’Urbervilles 241 Suc
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Tess of the D’Urbervilles 243 Tes
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Tess of the D’Urbervilles 245 cas
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Tess of the D’Urbervilles 247 the
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Tess of the D’Urbervilles 249 5.
Page 268 and 269:
ULYSSES (JAMES JOYCE) ,. “Fetishi
Page 270 and 271:
Ulysses 253 wears a blue blouse, a
Page 272 and 273:
Ulysses 255 The summer evening had
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Ulysses 257 his masturbation. Of co
Page 276 and 277:
, Acknowledgments . Baudelaire, Cha
Page 278 and 279:
, Index . Characters in literary wo
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Index 263 Crossing the Water (Plath
Page 282 and 283:
Index 265 “Please Master,” 43
Page 284 and 285:
Index 267 Clifford Chatterley in, 8
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Index 269 self-absorbed narrator in
Page 288 and 289:
Index 271 Ransom, John Crowe, 45 Ra
Page 290 and 291:
Index 273 Julius Caesar, xv, 51-75
Page 292:
Index 275 “Song of Myself,” 37-
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