Bloom's Literary Themes - ymerleksi - home

More documents

Recommendations

Info

The Poetry of Anne Sexton 215 10. Alicia Ostriker, Writing Like A Woman (Ann Arbor: University of Michigan Press, 1983), p. 5. 11. Diane Middlebrook, “Housewife into Poet: The Apprenticeship of Anne Sexton,” New England Quarterly, 56, No. 4 (December 1983), pp. 483–503. 12. Middlebrook, p. 496. 13. Middlebrook, p. 494. 14. Bettelheim, p. 30.
Page 2:
Bloom's Literary Themes f Alienatio
Page 6 and 7:
Bloom’s Literary Themes THE TABOO
Page 8 and 9:
, Contents . Series Introduction by
Page 10:
Contents ix The Satanic Verses (Sal
Page 13 and 14:
xii Series Introduction by Harold B
Page 16 and 17:
, Volume Introduction by Harold Blo
Page 18 and 19:
Confessions of an English Opium Eat
Page 20 and 21:
Page 22 and 23:
Page 24 and 25:
Page 26 and 27:
Page 28 and 29:
Page 30 and 31:
Page 32 and 33:
Page 34 and 35:
Page 36 and 37:
Page 38:
Page 41 and 42:
24 Bram Stoker published perceive D
Page 43 and 44:
26 Bram Stoker Arthur placed the po
Page 45 and 46:
28 Bram Stoker Van Helsing to Lucy
Page 47 and 48:
30 Bram Stoker how spontaneous and
Page 49 and 50:
32 Bram Stoker they are avoiding se
Page 51 and 52:
34 Bram Stoker of castration to all
Page 53 and 54:
36 Bram Stoker 15. Richardson, p. 4
Page 55 and 56:
38 Allen Ginsberg exuberant tone, l
Page 57 and 58:
40 Allen Ginsberg Most people who c
Page 59 and 60:
42 Allen Ginsberg “negro streets
Page 61 and 62:
44 Allen Ginsberg Loafe with me on
Page 63 and 64:
46 Allen Ginsberg Following the cha
Page 65 and 66:
48 Allen Ginsberg in music and lite
Page 68 and 69:
JULIUS CAESAR (WILLIAM SHAKESPEARE)
Page 70 and 71:
Julius Caesar 53 suggest how his ex
Page 72 and 73:
Julius Caesar 55 not, Cassius; yet
Page 74 and 75:
Julius Caesar 57 Caesar: Thou, too,
Page 76 and 77:
Julius Caesar 59 attach crucial imp
Page 78 and 79:
Julius Caesar 61 called up in our m
Page 80 and 81:
Julius Caesar 63 III Peter Gay note
Page 82 and 83:
Julius Caesar 65 labour” (96). On
Page 84 and 85:
Julius Caesar 67 effect suggestive
Page 86 and 87:
Julius Caesar 69 “the phenomenon
Page 88 and 89:
Julius Caesar 71 NOTES 1. In Moses
Page 90 and 91:
Julius Caesar 73 17. I am suggestin
Page 92:
Julius Caesar 75 Lacan, Jacques. É
Page 95 and 96:
78 D.H. Lawrence In letters written
Page 97 and 98:
80 D.H. Lawrence as the only means
Page 99 and 100:
82 D.H. Lawrence what is left of th
Page 101 and 102:
84 D.H. Lawrence Chapter XVI of Lad
Page 103 and 104:
86 D.H. Lawrence the oppressive Sir
Page 105 and 106:
88 D.H. Lawrence grew increasingly
Page 107 and 108:
90 D.H. Lawrence Ford, Kermode, Cla
Page 109 and 110:
92 Vladimir Nabokov upon subject ma
Page 111 and 112:
94 Vladimir Nabokov and discrete wh
Page 113 and 114:
96 Vladimir Nabokov imagination. Wh
Page 115 and 116:
98 Vladimir Nabokov that the point
Page 117 and 118:
100 William Golding show how an aut
Page 119 and 120:
102 William Golding wavers between
Page 121 and 122:
104 William Golding was the protect
Page 123 and 124:
106 William Golding Already he has
Page 125 and 126:
108 William Golding or intuition of
Page 127 and 128:
110 William Golding Jack keeps his
Page 129 and 130:
112 William Golding 3. Ibid. 4. Joh
Page 131 and 132:
114 Geoffrey Chaucer Chaucer himsel
Page 133 and 134:
116 Geoffrey Chaucer is indeed a
Page 135 and 136:
118 Geoffrey Chaucer [B&G 510]. The
Page 137 and 138:
120 Geoffrey Chaucer fashionable dr
Page 139 and 140:
122 Geoffrey Chaucer the three male
Page 141 and 142:
124 Gwendolyn Brooks baby tears and
Page 143 and 144:
126 Gwendolyn Brooks mother-eye”
Page 145 and 146:
128 Gwendolyn Brooks corner “tave
Page 147 and 148:
130 Gwendolyn Brooks of the aborted
Page 149 and 150:
132 Gwendolyn Brooks Johnson, Barba
Page 151 and 152:
134 Eugene O’Neill Sophocles’ O
Page 153 and 154:
136 Eugene O’Neill are themselves
Page 155 and 156:
138 Eugene O’Neill even extending
Page 157 and 158:
140 Eugene O’Neill to provoke cha
Page 159 and 160:
142 Eugene O’Neill to defeat the
Page 161 and 162:
144 Sophocles the dialogue is a cop
Page 163 and 164:
146 Sophocles in himself. “The sh
Page 165 and 166:
148 Oscar Wilde breaking out it sho
Page 167 and 168:
150 Oscar Wilde Dorian is described
Page 169 and 170:
152 Oscar Wilde death: “So I have
Page 171 and 172:
154 Oscar Wilde disillusionment, an
Page 173 and 174:
156 Oscar Wilde WORKS CITED Behrend
Page 175 and 176:
158 The Poetry and Prose of Sylvia
Page 177 and 178:
Page 179 and 180:
Page 181 and 182: 164 The Poetry and Prose of Sylvia
Page 183 and 184: 166 William Faulkner on the grounds
Page 185 and 186: 168 William Faulkner imprecation an
Page 187 and 188: 170 William Faulkner life-long remi
Page 189 and 190: 172 William Faulkner degree of accu
Page 191 and 192: 174 William Faulkner an equally pha
Page 193 and 194: 176 William Faulkner [It] abounded
Page 195 and 196: 178 Philip Roth and possible death
Page 197 and 198: 180 Philip Roth of one conversation
Page 199 and 200: 182 Philip Roth physically. At one
Page 201 and 202: 184 Philip Roth for many years, see
Page 203 and 204: 186 Philip Roth many ways, the irri
Page 206 and 207: THE SATANIC VERSES (SALMAN RUSHDIE)
Page 208 and 209: The Satanic Verses 191 himself desc
Page 210 and 211: The Satanic Verses 193 a meditation
Page 212 and 213: The Satanic Verses 195 It is easy t
Page 214: The Satanic Verses 197 WORKS CITED
Page 217 and 218: 200 The Poetry of Anne Sexton himse
Page 219 and 220: 202 The Poetry of Anne Sexton proph
Page 221 and 222: 204 The Poetry of Anne Sexton ANNE
Page 223 and 224: 206 The Poetry of Anne Sexton home.
Page 225 and 226: 208 The Poetry of Anne Sexton to be
Page 227 and 228: 210 The Poetry of Anne Sexton The s
Page 229 and 230: 212 The Poetry of Anne Sexton “ad
Page 231: 214 The Poetry of Anne Sexton comin
Page 235 and 236: 218 The Prose Works of Jonathan Swi
Page 244 and 245: TESS OF THE D’URBERVILLES (THOMAS
Page 246 and 247: Tess of the D’Urbervilles 229 had
Page 248 and 249: Tess of the D’Urbervilles 231 Fin
Page 250 and 251: Tess of the D’Urbervilles 233 mer
Page 252 and 253: Tess of the D’Urbervilles 235 the
Page 254 and 255: Tess of the D’Urbervilles 237 Par
Page 256 and 257: Tess of the D’Urbervilles 239 Did
Page 258 and 259: Tess of the D’Urbervilles 241 Suc
Page 260 and 261: Tess of the D’Urbervilles 243 Tes
Page 262 and 263: Tess of the D’Urbervilles 245 cas
Page 264 and 265: Tess of the D’Urbervilles 247 the
Page 266 and 267: Tess of the D’Urbervilles 249 5.
Page 268 and 269: ULYSSES (JAMES JOYCE) ,. “Fetishi
Page 270 and 271: Ulysses 253 wears a blue blouse, a
Page 272 and 273: Ulysses 255 The summer evening had
Page 274 and 275: Ulysses 257 his masturbation. Of co
Page 276 and 277: , Acknowledgments . Baudelaire, Cha
Page 278 and 279: , Index . Characters in literary wo
Page 280 and 281: Index 263 Crossing the Water (Plath
Page 282 and 283:
Index 265 “Please Master,” 43
Page 284 and 285:
Index 267 Clifford Chatterley in, 8
Page 286 and 287:
Index 269 self-absorbed narrator in
Page 288 and 289:
Index 271 Ransom, John Crowe, 45 Ra
Page 290 and 291:
Index 273 Julius Caesar, xv, 51-75
Page 292:
Index 275 “Song of Myself,” 37-
show all

Bloom's Literary Themes - ymerleksi - home

Create successful ePaper yourself

Delete template?

Save as template?