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84<br />

D.H. Lawrence<br />

Chapter XVI of Lady Chatterley’s Lover contains what has become<br />

the most controversial passage in all of Lawrence’s novels. The fact<br />

that it describes anal inter course was long ignored; nobody mentioned<br />

it at the 1960 trial. The question has now been argued at length, 3 and<br />

the discussion need not be repeated here. As in Women in Love, the<br />

climactic sexual act is an act of buggery, conceived as a burning out of<br />

shame. The invasion of the genital by the excremental, the contamination<br />

of joy by shame and life by death, was a strategy for the overthrow<br />

of the last enemy. We have seen that Lawrence had earlier thought of<br />

these polarities as reconcilable only by a third force, his Holy Ghost;<br />

the phallus, its representative, will bridge the flows of dissolution and<br />

creation, which, coming together in the genitalia, also come together<br />

in history, at this moment. The metaphysic is very complicated,<br />

not least because Lawrence is less candid at such moments than in<br />

describing more ordinary sexual activity; but he is again fighting the<br />

woman-inspired pudeur which has blanched sex consciousness, made<br />

women “fribbles” and emasculated men.<br />

In Women in Love he tried to distinguish between buggery which<br />

was wholly dissolute and buggery that was initiatory, the symbolic<br />

death before rebirth, the cracking of the insect carapace. Culturally,<br />

the parallel is this: we have to get to the point where nothing is left of<br />

our mistaken civilization, and the Holy Ghost can institute the third<br />

Joachite epoch. The forbidden acts of Gerald and Gudrun, or Birkin<br />

and Hermione, or Mellors and Bertha, are merely corruption within<br />

the rind; the same acts committed by Birkin and Ursula, Connie<br />

and Mellors, are the acts of healthy human beings. When “no dark<br />

shameful things are denied her” Ursula is “free” (Women in Love, XXX).<br />

The next step for Gudrun is death. For Connie it is a ritual death, with<br />

the phallus as psychopomp. She experiences what is “necessary, forever<br />

necessary, to burn out false shames” (XVI). No need ever to do it again;<br />

now there can be tenderness, and even chastity.<br />

This is the climactic sexual encounter, for the last, described in<br />

Chapter XVIII, is a kind of marital epilogue and belongs to initiated<br />

tenderness, not to the harsh intiatory experience we are talking about.<br />

To Chatterley, Mellors’ reputation (there is talk of his buggering his<br />

wife) was merely an illustration of man’s “strange avidity for unusual<br />

sexual postures” (XVII); but Lawrence wasn’t as a rule of Chatterley’s<br />

opinion, and clearly does not want us to be.

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