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Bloom's Literary Themes - ymerleksi - home

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86<br />

D.H. Lawrence<br />

the oppressive Sir William Joynson-Hicks was Home Secretary. A<br />

Propos of Lady Chatterley’s Lover, an expansion of My Skirmish with<br />

Jolly Roger (1929), was published in the last year of Lawrence’s life.<br />

It’s importance is that Lawrence must here, in the process of justifying<br />

his unconventional novel, express his sense of cultural and sexual crisis,<br />

and his recommendations as to conduct, with little aid from myth<br />

or metaphysic. His “honest, healthy book” (Phoenix II, 489)—so he<br />

describes Lady Chatterley—is a contribution to that evolved culture in<br />

which taboo and superstition, obscurity and violence, will have been<br />

eliminated from our thinking about sex. Not, he says, that we should<br />

necessarily increase sexual activity; but there must be clear thinking<br />

about it, even by those whose role is to abstain. And this calls for<br />

improvements in sexual education, for the benefit not only of those<br />

tragically ignorant of sex, but also of “the advanced youth” who “go<br />

to the other extreme and treat it as a sort of toy to be played with, a<br />

slightly nasty toy” (491). The “perversion of smart licentiousness” is no<br />

better than the perversion of Puritanism” (492). We live in a world<br />

of fake sexual emotion; only true sex can change it. “When a ‘serious’<br />

young man said to me the other day: ‘I can’t believe in the regeneration<br />

of England by sex, you know,’ I could only say, ‘I’m sure you can’t.’ He<br />

had no sex anyhow. . . . And he didn’t know what it meant, to have any”<br />

(496). To such young people sex is at best the “trimmings,” thrills and<br />

fumbling. Real sex seems to them barbaric.<br />

Lawrence believes in fidelity as essential to good sex, and therefore<br />

in indissoluble marriage; the sacramentality of marriage is the greatest<br />

boon of the Church, a recognition of a balance and a rhythm which is<br />

reflected in the liturgy and binds sex to the seasons. But the marriage<br />

has to be phallic, the column of blood in the valley of blood, the<br />

remaking of Paradise. It is not to be a union of “personalities,” a nervous<br />

indulgence, “frictional and destructive” (Phoenix II, 507). Such sex will<br />

certainly not regenerate England. What is required is not a logos, a<br />

Word, but rather a Deed, “the Deed of life” (510). Only thus may we<br />

be restored to a healthy relation with the cosmos. Buddha, Plato, Jesus<br />

cut us off from life; we have to get back to ancient forms, Apollo,<br />

Attis, Demeter, Persephone; to the threefold relationship of man and<br />

universe, man and woman, man and man. The isolation of “personality”<br />

(typified by Clifford Chatterley) “the death of the great humanity of<br />

the world” (513) is what must end; the restoration of a phallic language<br />

was the means chosen in Lawrence’s last novel to bring this about.

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