Bloom's Literary Themes - ymerleksi - home
Bloom's Literary Themes - ymerleksi - home
Bloom's Literary Themes - ymerleksi - home
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
64<br />
William Shakespeare<br />
sons before assuming positions as repressive fathers. But ultimately<br />
the relationship with the parent enters Freud’s claimed domain of the<br />
symbolic: “Whether one has killed one’s father or has abstained from<br />
doing so is not really the decisive thing. One is bound to feel guilty<br />
in either case, for the sense of guilt is an expression of the conflict<br />
due to ambivalence” (132). Freud’s attribution of guilt to preexisting<br />
ambivalence may produce a circular argument, 16 but at least it accords<br />
with his concept of the dichotomous mind. Internal warfare (“with<br />
himself at war”) is bound to produce repercussions, the dominant side<br />
punishing the weaker. The central movement in the establishment of<br />
this myth, from the nascent consciousness of a primal ancestor to a<br />
shaping historical event, cannot be (and has not been) accounted for<br />
so easily.<br />
Freud’s general task in Totem and Taboo—extending his analysis<br />
of the individual psyche to society and culture—bears a decided<br />
similarity to the attempted analogy between the human mind and<br />
Rome at the start of Civilization and Its Discontents. For although<br />
he aims explicitly to compare the psyche with the physical structure<br />
of Rome—the Palatine, the Temple of Jupiter Capitolinus, the Coliseum,<br />
the Pantheon—these sites have meaning, have history, only<br />
as the record of human group activity; they signify not as isolated<br />
architectural examples, but as imposing remains of a past society. The<br />
necessity of establishing the cultural validity of his work outside its<br />
analytic utility for individuals was a central challenge facing Freud.<br />
What then determines the self-acknowledged success of his “audacious”<br />
attempt to connect the individual with the group in Totem and<br />
Taboo, but his proclaimed failure with the related analogy in Civilization<br />
and Its Discontents? 17 Totem and Taboo exhibits a curious slippage<br />
from the claim of general correspondence between savage and modern<br />
behaviors to establishing the neurotic as the point of contact. Thus,<br />
at the beginning, “we can recognize in [savages’] psychic life a wellpreserved,<br />
early stage of our own development” (3). 18 By late in the<br />
second chapter, however, implicating primitive man as more ambivalent<br />
than “civilised human beings,” Freud requires a principle of differentiation,<br />
and finds it in the stigma of neurosis. It is “neurotics who<br />
are compelled to reproduce this conflict” of ambivalence; they retain<br />
an “atavistic remnant . . . of an archaic constitution” (88). 19 “Neuroses,”<br />
moreover, unlike savage behaviors, are asocial formations; they seek to<br />
accomplish by private means what arose in society through collective