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Bloom's Literary Themes - ymerleksi - home

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64<br />

William Shakespeare<br />

sons before assuming positions as repressive fathers. But ultimately<br />

the relationship with the parent enters Freud’s claimed domain of the<br />

symbolic: “Whether one has killed one’s father or has abstained from<br />

doing so is not really the decisive thing. One is bound to feel guilty<br />

in either case, for the sense of guilt is an expression of the conflict<br />

due to ambivalence” (132). Freud’s attribution of guilt to preexisting<br />

ambivalence may produce a circular argument, 16 but at least it accords<br />

with his concept of the dichotomous mind. Internal warfare (“with<br />

himself at war”) is bound to produce repercussions, the dominant side<br />

punishing the weaker. The central movement in the establishment of<br />

this myth, from the nascent consciousness of a primal ancestor to a<br />

shaping historical event, cannot be (and has not been) accounted for<br />

so easily.<br />

Freud’s general task in Totem and Taboo—extending his analysis<br />

of the individual psyche to society and culture—bears a decided<br />

similarity to the attempted analogy between the human mind and<br />

Rome at the start of Civilization and Its Discontents. For although<br />

he aims explicitly to compare the psyche with the physical structure<br />

of Rome—the Palatine, the Temple of Jupiter Capitolinus, the Coliseum,<br />

the Pantheon—these sites have meaning, have history, only<br />

as the record of human group activity; they signify not as isolated<br />

architectural examples, but as imposing remains of a past society. The<br />

necessity of establishing the cultural validity of his work outside its<br />

analytic utility for individuals was a central challenge facing Freud.<br />

What then determines the self-acknowledged success of his “audacious”<br />

attempt to connect the individual with the group in Totem and<br />

Taboo, but his proclaimed failure with the related analogy in Civilization<br />

and Its Discontents? 17 Totem and Taboo exhibits a curious slippage<br />

from the claim of general correspondence between savage and modern<br />

behaviors to establishing the neurotic as the point of contact. Thus,<br />

at the beginning, “we can recognize in [savages’] psychic life a wellpreserved,<br />

early stage of our own development” (3). 18 By late in the<br />

second chapter, however, implicating primitive man as more ambivalent<br />

than “civilised human beings,” Freud requires a principle of differentiation,<br />

and finds it in the stigma of neurosis. It is “neurotics who<br />

are compelled to reproduce this conflict” of ambivalence; they retain<br />

an “atavistic remnant . . . of an archaic constitution” (88). 19 “Neuroses,”<br />

moreover, unlike savage behaviors, are asocial formations; they seek to<br />

accomplish by private means what arose in society through collective

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