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Bloom's Literary Themes - ymerleksi - home

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Ulysses 257<br />

his masturbation. Of course, as we later learn in the novel, Bloom<br />

does indeed engage in debased sadomasochistic fantasies, delighting<br />

in a woman of the night who treats him as an insolent pig, riding<br />

him and putting out a cigarette in his ear. These fantasies, a Joycean<br />

parody of Freud’s ideas about repression and sexuality, are also the<br />

focus of Joyce’s A Portrait of the Artist as a Young Man, where Joyce<br />

indicts Irish religion and culture.<br />

Repression is a fitting topic for Joyce to discuss and especially<br />

to think about in terms of “Nausicaa’s” taboo subject matter. For,<br />

while the chapter presents repressions and repressive mechanisms in<br />

a comic light, “Nausicaa,” originally published in The Little Review<br />

( July-August 1920 issue), was seized by the U.S. Postal Service, one<br />

of the many times Joyce’s works fell victim to a censor who deemed<br />

them immoral. While the U.S. Postal Service had a definite sense<br />

of moral turpitude in mind, such grandiose moralizing is just the<br />

sort of thing that Joyce satirizes in the chapter. “Nausicaa” is both<br />

a representation of our humanity and also a jarring text, one where<br />

the religious and sexual collide—both presenting fetishized taboos.<br />

While such a collision gives us a humanistic chapter, this weaving<br />

of the sacred and the illicit was, and still is, too jarring for many.<br />

Joyce will not allow the reader to accept a comforting view of the<br />

world. Rather, Joyce presents the ideals we believe in and juxtaposes<br />

them with flaws that mar our utopian ideals, making our moralizing<br />

polemical hypocrisy at best. In doing so he reminds us that imagining<br />

the world to be one way does not change what it actually is.<br />

Rather than a debased portrait of what is illicit, Joyce presents our<br />

desires and our fantasies, the stuff of the taboo, as sacramental. In<br />

that sense, Joyce ruins the sacred truths, leaving us with a portrait<br />

of our humanity with all of our foibles intact, presenting our taboos<br />

for the fetishes we make them to be.<br />

WORKS CITED AND CONSULTED<br />

Devlin, Kimberly. “The Romance Heroine Exposed: ‘Nausicaa’ and The<br />

Lamplighter.” James Joyce Quarterly Vol. 22, No. 4 (Summer 1985):<br />

383–96.<br />

Foucault, Michel. “The History of Sexuality, Volume One.” The Norton<br />

Anthology of Theory and Criticism. Ed. Vincent B Leitch. New York:<br />

W.W. Norton & Company, 2001. 1648–59.

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