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The Picture of Dorian Gray 155 and Henry, he becomes fascinated first with his own beauty but then with a growing ugliness that he recognizes as also himself ” (503). 5. Jeff Nunokawa and Amy Sickels in their biography of Oscar Wilde point out the parallels between Dorian Gray and the author himself: The novel’s protagonist and the men who surround him are covered in the codes of homosexuality through which Wilde and men like him communicated with one another. Dorian Gray is constantly likened to homosexuals of other times such as Antinous, the emperor Hadrian’s lover, or to various other famous and infamous homosexuals from history. Dorian Gray’s portrait allows the original to lead a double life, such as the one that Wilde and his friends knew (57). These biographers also point out that with the publication of this novel where he “invited inevitable comparisons between himself and the characters that he created, Wilde courted the danger of blowing the door off his own closet”. They go on to say, the novel “would supply ammunition to his persecutors and prosecutors and thus help bring on the disaster that cost Wilde all but his life” (59). 6. Ellie Ragland-Sullivan in the essay, “The Phenomenon of Aging” takes a different approach in analyzing Wilde’s failure to understand or accept the need for secrecy and conformity in his private life: “ When the Marquess of Queensberry accused Wilde of sodomy, Wilde insisted, against advice, on prosecuting the Marquess for criminal libel. After his release from prison Wilde, seeking refuge in a Catholic retreat, was refused this courtesy. He was also shunned by friends, wife, and children. Yet despite his own guilty torments, one senses that Wilde could never comprehend how such dire consequences could follow from his pursuit of sensual pleasures and his practice of a kind of love shared by great artists of the past. In Lacanian terms one might say that he never understood that his real crime was to have elevated Desire above Law” (480). One could argue that Basil seems to be having this conversation with Dorian who fails to understand the priority of moral law over desire.
156 Oscar Wilde WORKS CITED Behrendt, Patricia Flanagan. Oscar Wilde: Eros and Aesthetics. New York: St. Martin’s Press, 1991. Campbell, Joseph. The Hero with a Thousand Faces. Bollingen Series XVII. Princeton: Princeton UP, 1949. Liebman, Sheldon W. “Character Design in The Picture of Dorian Gray.” Studies in the Novel 31.3 (Fall 1999). Reproduced by Norton Critical Edition. 43–454. Nunokawa, Jeff, and Amy Sickels. Oscar Wilde. Gay and Lesbian Writers. Ed. Leslea Newman. Philadelphia: Chelsea House Publishers, 2005. Ragland-Sullivan, Ellie. “The Phenomenon of Aging in Oscar Wilde’s Picture of Dorian Gray: A Lacanian View.” Memory and Desire: Aging— Literature—Psychoanalysis. Eds. Kathleen M. Woodward and Murray M. Schwartz. Bloomington: Indiana UP, 1986: 114–33. Reproduced in Norton Critical Edition. Oscar Wilde, 470–90. Wilde, Oscar. The Picture of Dorian Gray. A Norton Critical Edition. Ed. Michael Patrick Gillespie. New York: W.W. Norton & Company, 2007.
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Bloom's Literary Themes f Alienatio
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Bloom’s Literary Themes THE TABOO
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, Contents . Series Introduction by
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Contents ix The Satanic Verses (Sal
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xii Series Introduction by Harold B
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, Volume Introduction by Harold Blo
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Confessions of an English Opium Eat
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24 Bram Stoker published perceive D
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26 Bram Stoker Arthur placed the po
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28 Bram Stoker Van Helsing to Lucy
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30 Bram Stoker how spontaneous and
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32 Bram Stoker they are avoiding se
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34 Bram Stoker of castration to all
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36 Bram Stoker 15. Richardson, p. 4
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38 Allen Ginsberg exuberant tone, l
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40 Allen Ginsberg Most people who c
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42 Allen Ginsberg “negro streets
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44 Allen Ginsberg Loafe with me on
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46 Allen Ginsberg Following the cha
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48 Allen Ginsberg in music and lite
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JULIUS CAESAR (WILLIAM SHAKESPEARE)
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Julius Caesar 53 suggest how his ex
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Julius Caesar 55 not, Cassius; yet
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Julius Caesar 57 Caesar: Thou, too,
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Julius Caesar 59 attach crucial imp
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Julius Caesar 61 called up in our m
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Julius Caesar 63 III Peter Gay note
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Julius Caesar 65 labour” (96). On
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Julius Caesar 67 effect suggestive
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Julius Caesar 69 “the phenomenon
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Julius Caesar 71 NOTES 1. In Moses
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Julius Caesar 73 17. I am suggestin
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Julius Caesar 75 Lacan, Jacques. É
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78 D.H. Lawrence In letters written
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80 D.H. Lawrence as the only means
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82 D.H. Lawrence what is left of th
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84 D.H. Lawrence Chapter XVI of Lad
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86 D.H. Lawrence the oppressive Sir
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88 D.H. Lawrence grew increasingly
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90 D.H. Lawrence Ford, Kermode, Cla
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92 Vladimir Nabokov upon subject ma
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94 Vladimir Nabokov and discrete wh
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96 Vladimir Nabokov imagination. Wh
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98 Vladimir Nabokov that the point
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100 William Golding show how an aut
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102 William Golding wavers between
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Page 123 and 124: 106 William Golding Already he has
Page 125 and 126: 108 William Golding or intuition of
Page 127 and 128: 110 William Golding Jack keeps his
Page 129 and 130: 112 William Golding 3. Ibid. 4. Joh
Page 131 and 132: 114 Geoffrey Chaucer Chaucer himsel
Page 133 and 134: 116 Geoffrey Chaucer is indeed a
Page 135 and 136: 118 Geoffrey Chaucer [B&G 510]. The
Page 137 and 138: 120 Geoffrey Chaucer fashionable dr
Page 139 and 140: 122 Geoffrey Chaucer the three male
Page 141 and 142: 124 Gwendolyn Brooks baby tears and
Page 143 and 144: 126 Gwendolyn Brooks mother-eye”
Page 145 and 146: 128 Gwendolyn Brooks corner “tave
Page 147 and 148: 130 Gwendolyn Brooks of the aborted
Page 149 and 150: 132 Gwendolyn Brooks Johnson, Barba
Page 151 and 152: 134 Eugene O’Neill Sophocles’ O
Page 153 and 154: 136 Eugene O’Neill are themselves
Page 155 and 156: 138 Eugene O’Neill even extending
Page 157 and 158: 140 Eugene O’Neill to provoke cha
Page 159 and 160: 142 Eugene O’Neill to defeat the
Page 161 and 162: 144 Sophocles the dialogue is a cop
Page 163 and 164: 146 Sophocles in himself. “The sh
Page 165 and 166: 148 Oscar Wilde breaking out it sho
Page 167 and 168: 150 Oscar Wilde Dorian is described
Page 169 and 170: 152 Oscar Wilde death: “So I have
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Page 175 and 176: 158 The Poetry and Prose of Sylvia
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Page 185 and 186: 168 William Faulkner imprecation an
Page 187 and 188: 170 William Faulkner life-long remi
Page 189 and 190: 172 William Faulkner degree of accu
Page 191 and 192: 174 William Faulkner an equally pha
Page 193 and 194: 176 William Faulkner [It] abounded
Page 195 and 196: 178 Philip Roth and possible death
Page 197 and 198: 180 Philip Roth of one conversation
Page 199 and 200: 182 Philip Roth physically. At one
Page 201 and 202: 184 Philip Roth for many years, see
Page 203 and 204: 186 Philip Roth many ways, the irri
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Page 214: The Satanic Verses 197 WORKS CITED
Page 217 and 218: 200 The Poetry of Anne Sexton himse
Page 219 and 220: 202 The Poetry of Anne Sexton proph
Page 221 and 222: 204 The Poetry of Anne Sexton ANNE
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206 The Poetry of Anne Sexton home.
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208 The Poetry of Anne Sexton to be
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210 The Poetry of Anne Sexton The s
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212 The Poetry of Anne Sexton “ad
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214 The Poetry of Anne Sexton comin
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THE PROSE WORKS OF JONATHAN SWIFT ,
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The Prose Works of Jonathan Swift 2
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228 Thomas Hardy ‘Woman is truly
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230 Thomas Hardy Appearing in 1895,
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232 Thomas Hardy all, ‘quite a Ma
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234 Thomas Hardy * * * Tess, then,
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236 Thomas Hardy Tess Durbeyfield g
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238 Thomas Hardy the ground, the mo
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240 Thomas Hardy not only intensity
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242 Thomas Hardy which the matrons
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244 Thomas Hardy the marriage consu
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246 Thomas Hardy translation of two
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248 Thomas Hardy true lovers of thi
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250 Thomas Hardy 24. Viola Klein, T
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252 James Joyce adores the Most Ble
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254 James Joyce character. However,
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256 James Joyce The idea that Irish
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258 James Joyce Gibbons, Luke. “
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260 Acknowledgments Wagner, Geoffre
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262 Index Beauvoir, Simone de, 227
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264 Index Evans, Robert C. on “Th
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266 Index Huizinga, Johan Homo Lude
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268 Index in “A Rose for Emily,
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270 Index patricide and Freud, xvi,
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272 Index Norman Cowan in, 179-180,
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274 Index Angel Clare in, 228-231,
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