Bloom's Literary Themes - ymerleksi - home
Bloom's Literary Themes - ymerleksi - home
Bloom's Literary Themes - ymerleksi - home
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Sabbath’s Theater 179<br />
reeling in an audience with fingers (rather than actual puppets) and<br />
enticing Helen Trumbull, a female audience member, to allow his<br />
finger/puppet to unbutton her blouse. Arrested for this initial moral<br />
transgression, Sabbath goes to court, where his friends Norman<br />
Cowan and Lincoln Gelman help him get off with a fine. He then<br />
becomes director of a very small theater group, again controlling the<br />
actions of others, and marries a young actress, Nikki, who mysteriously<br />
disappears. Sabbath then pursues a second marriage with Roseanna,<br />
with whom he is already having an affair.<br />
They move to Madamaska Falls, a small town in the country,<br />
where Sabbath holds a teaching position at a college. He has affairs<br />
with several female students and is fired when his last affair, with a<br />
student named Kathy Goolsbee, becomes public. The scandal drives<br />
Roseanna into a rehab clinic, which does not improve the marriage.<br />
The main focus of Sabbath’s past 13 years has been his attachment<br />
to Drenka Balich, a Croatian immigrant and the local innkeeper’s<br />
wife. After Drenka, whom he loves and who is clearly more his equal<br />
than any of the other women in his life, dies of cancer toward the<br />
beginning of the novel, Sabbath’s life gets a jolt: Roseanna throws<br />
him out of the house, and Sabbath drives to New York to attend<br />
Lincoln’s funeral. After a visit to Norman, who also throws him out,<br />
Sabbath gets sidetracked into searching for his family’s graves, visits<br />
his ancient cousin Fish, and returns to Madamaska Falls for one<br />
last visit to Drenka’s grave. At the closing of the novel, Sabbath is<br />
still a breaker of taboos, but his reflections and travels seem to have<br />
prompted some internal shifts.<br />
Beginning with his Indecent Theater career, all of Sabbath’s<br />
transgressions are tied in with performances—Sabbath seems to be<br />
particularly pleased when others observe his overstepping of boundaries.<br />
He depends both on an audience (even if it is only the reader of<br />
Sabbath’s Theater) and on other characters. With his career as a theater<br />
director long behind him, unable to manipulate puppets with his now<br />
rheumatic fingers, Sabbath instead pulls the strings of those around<br />
him: his student Kathy Goolsbee, his wife Roseanna, his old friend<br />
Norman, his friend’s wife Michelle, his lover Drenka. Each of them<br />
in turn he challenges to join him in breaking taboos, but in each case<br />
he also loses control over his “puppet.” This is most obvious in the case<br />
of Kathy, with whom he has a brief affair involving phone sex (its own<br />
version of manipulation). Kathy “accidentally” leaves a tape recording