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Bloom's Literary Themes - ymerleksi - home

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48<br />

Allen Ginsberg<br />

in music and literature. Feeling the pressure, the F.C.C. ruled that<br />

“indecent” material could only be broadcast on the radio between<br />

midnight and 6 a.m. Broadcasters then had to decide whether material<br />

was offensive to the community or not. In January 1988, “Howl”<br />

was scheduled to be read on several radio stations as part of a weeklong<br />

series on censorship. The broadcasters at five Pacifica stations<br />

backed off. No one could fight the censorship, since there was no<br />

law to challenge. Meanwhile, the F.C.C. fined several other stations<br />

around the country for broadcasting movies and other materials that<br />

the commission deemed “indecent” (Morgan). For the time being,<br />

Ginsberg’s opposition triumphed, returning the nation to the idea<br />

that had prevailed in the U.S. prior to 1957, i.e. that all art should be<br />

suitable for children.<br />

Howl mirrored the changes Ginsberg saw and heard around him<br />

in America. It also advanced those changes. In the 1970s, in the hippie<br />

counterculture he had helped to create, Ginsberg promised to rewrite<br />

Howl to reflect the euphoria of the hippies. The new Howl would<br />

be positive and redemptive, he said, and would begin with the line,<br />

“I have seen the best minds of my generation turned on by music.”<br />

But the poem was never written, perhaps for the good reason that it<br />

could not have been transformative; it could not have presented the<br />

unknown, the unimagined. It would have been part of the furniture of<br />

that era, rather than a living howl in the teeth of the world.<br />

NOTES<br />

1. Throughout this article, “Howl” indicates the title of the poem<br />

rather than the book Howl and Other Poems.<br />

2. All quotations from “Howl,” unless otherwise indicated, will be<br />

from the 1956 Howl and Other Poems.<br />

3. AGHO indicates Howl: Original Draft Facsimile, Transcript and<br />

Variant Versions, Fully Annotated by Author, with Contemporary<br />

Correspondence, Account of First Public Reading, Legal Skirmishes,<br />

Precursor Texts & Bibliography.<br />

4. In the original, the line read “starving, mystical, naked . . .”<br />

5. Kerouac’s The Town and the City was published in 1950 but was<br />

unsuccessful. On the Road would not be published until 1957.<br />

6. The original line was “dragging themselves through the angry<br />

streets at dawn looking for a negro fix. . . .” Ginsberg switched

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