Bloom's Literary Themes - ymerleksi - home
Bloom's Literary Themes - ymerleksi - home
Bloom's Literary Themes - ymerleksi - home
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214<br />
The Poetry of Anne Sexton<br />
coming to terms with them and with their small duplications in her<br />
own life, to reach some kind of catharsis of pity and fear:<br />
Only in this hoarded span will love persevere.<br />
Whether you are pretty or not, I outlive you,<br />
bend down my strange face to yours and forgive you.<br />
If this act of mutual forgiveness with mother and father must be<br />
repeated more than once, this is not a sign of weakness of resolve and<br />
will and heart, but of their strengths and determination. No resolution<br />
is ever quite so permanent as humans might wish. Anne Sexton<br />
could not be utterly and finally freed of her ghosts and her guilt in<br />
this life, and her poetry thus reveals these other “complicated lies:” of<br />
poetry as celebration only, of knowledge as ultimate freedom. “What<br />
forms the essence of our humanity—and of [Oedipus Rex]—is not<br />
our being victims of fate, but our struggle to discover the truth about<br />
ourselves.” 14 What forms the essence of Anne Sexton’s poetic achievement<br />
is not her status as victim, but her struggle to discover the truth<br />
about herself, to turn her blindness into insight. And unless we “turn<br />
away,” like Jocasta, like John Holmes, there ought indeed to be “something<br />
special” in “this kind of hope,” perhaps in private.<br />
my kitchen, your kitchen,<br />
my face, your face.<br />
NOTES<br />
1. Bruno Bettelheim, Freud and Man’s Soul (New York: Alfred A.<br />
Knopf, 1983), pp. 27–31.<br />
2. Anne Sexton, The Complete Poems (Boston: Houghton Mifflin<br />
Company, 1981), p. 34.<br />
3. Juliet Mitchell, Psychoanalysis and Feminism (New York:<br />
Random House, 1974), p. xxi.<br />
4. Bettelheim, pp. 23–24.<br />
5. Bettelheim, p. 22.<br />
6. Bettelheim, p. 23.<br />
7. Bettelheim, p. 24.<br />
8. Bettelheim, pp. 26–27.<br />
9. Bettelheim, p. 27.