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Bloom's Literary Themes - ymerleksi - home

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72<br />

William Shakespeare<br />

quotations from Totem and Taboo, her analysis does not<br />

concern Freud as author and hence differs substantially from<br />

my own.<br />

7. Garber also discusses this dream (64–65), and although she<br />

reaches somewhat different conclusions about it, her sense<br />

of what the dream reveals about “the status of the revenant”<br />

has influenced my argument. Garber writes that the dream<br />

shows that “it is intrinsically the idea of such a person, in<br />

contradistinction to his palpable or historical reality, that<br />

exercises so powerful an effect upon the memory” (65). Whereas<br />

she seems to retain a connection between the ghost and at least<br />

“the idea of ” the nephew John, I see John as a screen for Freud’s<br />

father.<br />

8. Strachey’s footnote identifies the enacted scene as the “lyric in<br />

dialogue form recited by Karl Moor in Act IV, Scene 5, of the<br />

earlier version of Schiller’s play Die Räuber” (460).<br />

9. Jones comments on “the pronouncedly parricidal content” of Die<br />

Räuber, and on Freud’s own failure to mention it (Life 23n).<br />

10. Presumably in Plutarch’s text, since Charles von Moor mentions<br />

Plutarch in his first speech in the play. In Plutarch, of course,<br />

reference to the rumor that Caesar was Brutus’ biological father<br />

raises the Oedipal theme from a symbolic level to that of<br />

possible actuality.<br />

11. Freud’s nephew John receives important reference in this essay<br />

as well.<br />

12. The best example of this would be Freud’s dream of a marble<br />

tablet commemorating his discovery of dream theory (letter to<br />

Fliess, June 12, 1900; qtd. in Willbern 108).<br />

13. Possibly paralleling the suspicion that Brutus was Caesar’s<br />

illegitimate son.<br />

14. Norman Holland observes that the allusion to Prince Hal<br />

confirms the parricidal wish within Freud’s identification with<br />

Brutus (64).<br />

15. The conclusion of the note—“except in so far as the ‘matriarchy’<br />

calls for a qualification of this assertion”—opens important<br />

issues beyond the scope of this paper. Feminist critics are<br />

currently challenging Freud’s effacement of matriarchy.<br />

16. So Lévi-Strauss found it: “a vicious circle deriving the social<br />

state from events which presuppose it” (491).

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