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Bloom's Literary Themes - ymerleksi - home

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272<br />

Index<br />

Norman Cowan in, 179–180,<br />

182–183, 185<br />

Roseanna Sabbath in, 178–179,<br />

181, 183, 186<br />

sexual taboos in, 177–187<br />

suicide in, 177, 182–183, 185<br />

Sanyal, Arundhati<br />

The Picture of Dorian Gray, 147–<br />

156<br />

Satanic Verses, The (Rushdie)<br />

attack on Islam in, 190–192,<br />

194–196<br />

divided selves in, 193<br />

dreams in, 194, 196<br />

Gibreel Farishta in, 192–194<br />

Hal Valance in, 195<br />

magical realism in, 190, 192–193<br />

“Mahound” in, 194, 196<br />

Margaret Thatcher’s racism in,<br />

190, 192, 195<br />

mongrelization in, 191, 194<br />

narrator, 191, 193, 195<br />

political taboos in, 189–197<br />

religious taboos in, 189–197<br />

“Return to Jahilia” in, 194<br />

Saladin Chamcha in, 192–194<br />

Saunders, Frances Stonor<br />

The Cultural Cold War: The CIA and<br />

the World of Arts and Letters, 39<br />

Schanzer, Ernest<br />

on Julius Caesar, 54<br />

Schiller, Friedrich<br />

depiction of Caesar, 55–58, 69<br />

Schopenhauer, Arthur, 204, 245<br />

Schorer, Mark, 37<br />

Schuman, Samuel<br />

on Lolita, 91–98<br />

Second Sex, The (Beauvoir), 234,<br />

238–239, 242<br />

Sellers, Peter, 92<br />

“Sentiments of a Church of England<br />

Man” (Swift), 218<br />

Sexton, Ann, 158<br />

45 Mercy Street, 209, 211<br />

“The Abortion,” 130–131<br />

“All My Pretty Ones,” 209, 213–<br />

214<br />

compared to Plath, 203, 205<br />

death, 213<br />

“The Division of Parts,” 207<br />

“Divorce, Thy Name is Woman,”<br />

209, 211–213<br />

“The Doubled Image,” 207–211<br />

“Dreaming the Breasts,” 213<br />

“Eating the Leftovers,” 211<br />

“For John, Who Begs Me Not to<br />

Enquire Further,” 200, 204–207<br />

Live or Die, 163, 209<br />

poetry of, 199–215<br />

“Those Times...,” 209–211<br />

To Bedlam and Part Way Back, 200,<br />

204, 207, 209, 213<br />

sexual taboos, 1<br />

in The Bell Jar, 157<br />

female sexuality in Dracula, 23–27,<br />

29–30, 32–33<br />

in Howl, 37–39, 42<br />

in Lady Chatterley’s Lover, 77–89<br />

in Lolita, 91–98<br />

in “The Miller’s Tale,” 116–119<br />

in “the mother,” 124, 127<br />

in Mourning Becomes Electra, 134,<br />

138–139, 141–142<br />

in On the Road, 43<br />

in The Picture of Dorian Gray, 152<br />

in “A Rose for Emily,” 165, 173<br />

in Sabbath’s Theater, 177–183, 186<br />

in “Song of Myself,” 37–38, 43–45<br />

in Tess of the D’Urbervilles, 227–<br />

250<br />

in Ulysses, 251–257<br />

Shakespeare, William, 87<br />

Hamlet, xv, 53–54, 61, 94, 134, 173<br />

Henry IV, 54

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