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Oedipus Tyrannus 145 dialectical loosening is so great, that a touch of surpassing cheerfulness is thereby communicated to the entire play, which everywhere blunts the edge of the horrible presuppositions of the procedure. In the “Oedipus at Colonus” we find the same cheerfulness, elevated, however, to an infinite transfiguration: in contrast to the aged king, subjected to an excess of misery, and exposed solely as a sufferer to all that befalls him, we have here a supermundane cheerfulness, which descends from a divine sphere and intimates to us that in his purely passive attitude the hero attains his highest activity, the influence of which extends far beyond his life, while his earlier conscious musing and striving led him only to passivity. Thus, then, the legal knot of the fable of Oedipus, which to mortal eyes appears indissolubly entangled, is slowly unravelled—and the profoundest human joy comes upon us in the presence of this divine counterpart of dialectics. If this explanation does justice to the poet, it may still be asked whether the substance of the myth is thereby exhausted; and here it turns out that the entire conception of the poet is nothing but the lightpicture which healing nature holds up to us after a glance into the abyss. Oedipus, the murderer of his father, the husband of his mother, Oedipus, the interpreter of the riddle of the Sphinx! What does the mysterious triad of these deeds of destiny tell us? There is a primitive popular belief, especially in Persia, that a wise Magian can be born only of incest: which we have forthwith to interpret to ourselves with reference to the riddle-solving and mother-marrying Oedipus, to the effect that when the boundary of the present and future, the rigid law of individuation and, in general, the intrinsic spell of nature, are broken by prophetic and magical powers, an extraordinary counternaturalness—as, in this case, incest—must have preceded as a cause; for how else could one force nature to surrender her secrets but by victoriously opposing her, i.e., by means of the Unnatural? It is this intuition which I see imprinted in the awful triad of the destiny of Oedipus: the very man who solves the riddle of nature—that double-constituted Sphinx—must also, as the murderer of his father and husband of his mother, break the holiest laws of nature. Indeed, it seems as if the myth sought to whisper into our ears that wisdom, especially Dionysian wisdom, is an unnatural abomination, and that whoever, through his knowledge, plunges nature into an abyss of annihilation, must also experience the dissolution of nature
146 Sophocles in himself. “The sharpness of wisdom turns round upon the sage: wisdom is a crime against nature”: such terrible expressions does the myth call out to us: but the Hellenic poet touches like a sunbeam the sublime and formidable Memnonian statue of the myth, so that it suddenly begins to sound in Sophoclean melodies.
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Bloom's Literary Themes f Alienatio
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Bloom’s Literary Themes THE TABOO
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, Contents . Series Introduction by
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Contents ix The Satanic Verses (Sal
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xii Series Introduction by Harold B
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, Volume Introduction by Harold Blo
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Confessions of an English Opium Eat
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24 Bram Stoker published perceive D
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26 Bram Stoker Arthur placed the po
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28 Bram Stoker Van Helsing to Lucy
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30 Bram Stoker how spontaneous and
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32 Bram Stoker they are avoiding se
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34 Bram Stoker of castration to all
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36 Bram Stoker 15. Richardson, p. 4
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38 Allen Ginsberg exuberant tone, l
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40 Allen Ginsberg Most people who c
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42 Allen Ginsberg “negro streets
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44 Allen Ginsberg Loafe with me on
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46 Allen Ginsberg Following the cha
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48 Allen Ginsberg in music and lite
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JULIUS CAESAR (WILLIAM SHAKESPEARE)
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Julius Caesar 53 suggest how his ex
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Julius Caesar 55 not, Cassius; yet
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Julius Caesar 57 Caesar: Thou, too,
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Julius Caesar 59 attach crucial imp
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Julius Caesar 61 called up in our m
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Julius Caesar 63 III Peter Gay note
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Julius Caesar 65 labour” (96). On
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Julius Caesar 67 effect suggestive
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Julius Caesar 69 “the phenomenon
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Julius Caesar 71 NOTES 1. In Moses
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Julius Caesar 73 17. I am suggestin
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Julius Caesar 75 Lacan, Jacques. É
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78 D.H. Lawrence In letters written
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80 D.H. Lawrence as the only means
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82 D.H. Lawrence what is left of th
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84 D.H. Lawrence Chapter XVI of Lad
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86 D.H. Lawrence the oppressive Sir
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88 D.H. Lawrence grew increasingly
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90 D.H. Lawrence Ford, Kermode, Cla
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92 Vladimir Nabokov upon subject ma
Page 111 and 112: 94 Vladimir Nabokov and discrete wh
Page 113 and 114: 96 Vladimir Nabokov imagination. Wh
Page 115 and 116: 98 Vladimir Nabokov that the point
Page 117 and 118: 100 William Golding show how an aut
Page 119 and 120: 102 William Golding wavers between
Page 121 and 122: 104 William Golding was the protect
Page 123 and 124: 106 William Golding Already he has
Page 125 and 126: 108 William Golding or intuition of
Page 127 and 128: 110 William Golding Jack keeps his
Page 129 and 130: 112 William Golding 3. Ibid. 4. Joh
Page 131 and 132: 114 Geoffrey Chaucer Chaucer himsel
Page 133 and 134: 116 Geoffrey Chaucer is indeed a
Page 135 and 136: 118 Geoffrey Chaucer [B&G 510]. The
Page 137 and 138: 120 Geoffrey Chaucer fashionable dr
Page 139 and 140: 122 Geoffrey Chaucer the three male
Page 141 and 142: 124 Gwendolyn Brooks baby tears and
Page 143 and 144: 126 Gwendolyn Brooks mother-eye”
Page 145 and 146: 128 Gwendolyn Brooks corner “tave
Page 147 and 148: 130 Gwendolyn Brooks of the aborted
Page 149 and 150: 132 Gwendolyn Brooks Johnson, Barba
Page 151 and 152: 134 Eugene O’Neill Sophocles’ O
Page 153 and 154: 136 Eugene O’Neill are themselves
Page 155 and 156: 138 Eugene O’Neill even extending
Page 157 and 158: 140 Eugene O’Neill to provoke cha
Page 159 and 160: 142 Eugene O’Neill to defeat the
Page 161: 144 Sophocles the dialogue is a cop
Page 165 and 166: 148 Oscar Wilde breaking out it sho
Page 167 and 168: 150 Oscar Wilde Dorian is described
Page 169 and 170: 152 Oscar Wilde death: “So I have
Page 171 and 172: 154 Oscar Wilde disillusionment, an
Page 173 and 174: 156 Oscar Wilde WORKS CITED Behrend
Page 175 and 176: 158 The Poetry and Prose of Sylvia
Page 183 and 184: 166 William Faulkner on the grounds
Page 185 and 186: 168 William Faulkner imprecation an
Page 187 and 188: 170 William Faulkner life-long remi
Page 189 and 190: 172 William Faulkner degree of accu
Page 191 and 192: 174 William Faulkner an equally pha
Page 193 and 194: 176 William Faulkner [It] abounded
Page 195 and 196: 178 Philip Roth and possible death
Page 197 and 198: 180 Philip Roth of one conversation
Page 199 and 200: 182 Philip Roth physically. At one
Page 201 and 202: 184 Philip Roth for many years, see
Page 203 and 204: 186 Philip Roth many ways, the irri
Page 206 and 207: THE SATANIC VERSES (SALMAN RUSHDIE)
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Page 210 and 211: The Satanic Verses 193 a meditation
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The Satanic Verses 195 It is easy t
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The Satanic Verses 197 WORKS CITED
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200 The Poetry of Anne Sexton himse
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202 The Poetry of Anne Sexton proph
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204 The Poetry of Anne Sexton ANNE
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206 The Poetry of Anne Sexton home.
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208 The Poetry of Anne Sexton to be
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210 The Poetry of Anne Sexton The s
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212 The Poetry of Anne Sexton “ad
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214 The Poetry of Anne Sexton comin
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THE PROSE WORKS OF JONATHAN SWIFT ,
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The Prose Works of Jonathan Swift 2
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228 Thomas Hardy ‘Woman is truly
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230 Thomas Hardy Appearing in 1895,
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232 Thomas Hardy all, ‘quite a Ma
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234 Thomas Hardy * * * Tess, then,
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236 Thomas Hardy Tess Durbeyfield g
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238 Thomas Hardy the ground, the mo
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240 Thomas Hardy not only intensity
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242 Thomas Hardy which the matrons
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244 Thomas Hardy the marriage consu
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246 Thomas Hardy translation of two
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248 Thomas Hardy true lovers of thi
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250 Thomas Hardy 24. Viola Klein, T
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252 James Joyce adores the Most Ble
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254 James Joyce character. However,
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256 James Joyce The idea that Irish
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258 James Joyce Gibbons, Luke. “
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260 Acknowledgments Wagner, Geoffre
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262 Index Beauvoir, Simone de, 227
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264 Index Evans, Robert C. on “Th
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266 Index Huizinga, Johan Homo Lude
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268 Index in “A Rose for Emily,
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270 Index patricide and Freud, xvi,
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272 Index Norman Cowan in, 179-180,
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274 Index Angel Clare in, 228-231,
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