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Dracula 35<br />

5. Bram Stoker, Dracula (New York: Dell, 1974), 103–104. All<br />

subsequent references will be to this edition and will appear<br />

parenthetically.<br />

6. While it is not my concern in this paper to deal biographically<br />

with Dracula, the Harry Ludlam biography (a book which<br />

is admittedly anti-psychological in orientation despite its<br />

provocative title, A Biography of Dracula: The Life Story of<br />

Bram Stoker) includes some suggestive comments about Bram<br />

Stoker’s relationship with his mother. Ludlam remarks an<br />

ambivalence toward women on the part of Charlotte Stoker<br />

who, on the one hand, decried the situation of poor Irish girls<br />

in the workhouse which was “the very hot-bed of vice” and<br />

advocated respectability through emigration for the girls and,<br />

on the other, “declared often that she ‘did not care tuppence’<br />

for her daughters.” Too, Charlotte told her son Irish folk tales<br />

of banshee horrors and a true story of “the horrors she had<br />

suffered as a child in Sligo during the great cholera outbreak<br />

that claimed many thousands of victims in Ireland alone, and<br />

which provoked the most dreadful cruelties” (New York: The<br />

Fireside Press, 1962, p. 14). I cannot help but wonder how old<br />

Stoker was when his mother discussed these matters with him.<br />

Certainly, they made a vivid impression, for later, Charlotte<br />

wrote her story down and Bram based his own “The Invisible<br />

Giant” on his mother’s tale of the cholera epidemic in Sligo.<br />

7. Richardson, p. 419.<br />

8. C. F. Bentley, “The Monster in the Bedroom: Sexual Symbolism<br />

in Bram Stoker’s Dracula,” Literature and Psychology, XXII, 1<br />

(1972), 29.<br />

9. Joseph S. Bierman, “Dracula: Prolonged Childhood Illness and<br />

the Oral Triad,” American Imago, XXIX, 194.<br />

10. Bentley, p. 270.<br />

11. See Tsvetan Todorov, The Fantastic, trans, Richard Howard<br />

(Cleveland: Case Western Reserve, 1973), pp. 136–39.<br />

12. Richardson, p. 427.<br />

13. MacGillwray, p. 522.<br />

14. Richardson, p. 428. The Oedipal fantasy of the destruction of<br />

the father is reinforced by a number of additional, and actually<br />

gratuitous, paternal deaths in the novel. See also MacGillwray,<br />

p. 523.

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