Bloom's Literary Themes - ymerleksi - home
Bloom's Literary Themes - ymerleksi - home
Bloom's Literary Themes - ymerleksi - home
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Dracula 35<br />
5. Bram Stoker, Dracula (New York: Dell, 1974), 103–104. All<br />
subsequent references will be to this edition and will appear<br />
parenthetically.<br />
6. While it is not my concern in this paper to deal biographically<br />
with Dracula, the Harry Ludlam biography (a book which<br />
is admittedly anti-psychological in orientation despite its<br />
provocative title, A Biography of Dracula: The Life Story of<br />
Bram Stoker) includes some suggestive comments about Bram<br />
Stoker’s relationship with his mother. Ludlam remarks an<br />
ambivalence toward women on the part of Charlotte Stoker<br />
who, on the one hand, decried the situation of poor Irish girls<br />
in the workhouse which was “the very hot-bed of vice” and<br />
advocated respectability through emigration for the girls and,<br />
on the other, “declared often that she ‘did not care tuppence’<br />
for her daughters.” Too, Charlotte told her son Irish folk tales<br />
of banshee horrors and a true story of “the horrors she had<br />
suffered as a child in Sligo during the great cholera outbreak<br />
that claimed many thousands of victims in Ireland alone, and<br />
which provoked the most dreadful cruelties” (New York: The<br />
Fireside Press, 1962, p. 14). I cannot help but wonder how old<br />
Stoker was when his mother discussed these matters with him.<br />
Certainly, they made a vivid impression, for later, Charlotte<br />
wrote her story down and Bram based his own “The Invisible<br />
Giant” on his mother’s tale of the cholera epidemic in Sligo.<br />
7. Richardson, p. 419.<br />
8. C. F. Bentley, “The Monster in the Bedroom: Sexual Symbolism<br />
in Bram Stoker’s Dracula,” Literature and Psychology, XXII, 1<br />
(1972), 29.<br />
9. Joseph S. Bierman, “Dracula: Prolonged Childhood Illness and<br />
the Oral Triad,” American Imago, XXIX, 194.<br />
10. Bentley, p. 270.<br />
11. See Tsvetan Todorov, The Fantastic, trans, Richard Howard<br />
(Cleveland: Case Western Reserve, 1973), pp. 136–39.<br />
12. Richardson, p. 427.<br />
13. MacGillwray, p. 522.<br />
14. Richardson, p. 428. The Oedipal fantasy of the destruction of<br />
the father is reinforced by a number of additional, and actually<br />
gratuitous, paternal deaths in the novel. See also MacGillwray,<br />
p. 523.