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Bloom's Literary Themes - ymerleksi - home

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“the mother” 131<br />

It’s worth noting that the Comstock laws, which prevented the sale<br />

of any birth control and the dissemination of information about birth<br />

control, were only invalidated in 1938. Birth control methods, when<br />

available, were still very much unreliable, compounding and frustrating<br />

women’s bids for reproductive control.<br />

Abortion remains a perpetually controversial taboo. Later poems<br />

such as Sexton’s and Jan Beatty’s “An Abortion Attempt by My<br />

Mother” (1995) are more blatant, graphic, and personal than Brooks’<br />

earlier poem. Yet Brooks’ work supplies a hard-hitting, taboo-breaking<br />

exposure of the same issues that plague women today and remains a<br />

testament to her bravery and uncompromising poetic resolve. When<br />

Studs Terkel asked Brooks in 1961 if Richard Wright might, “in<br />

later years,” have reconsidered his position on omitting “the mother”<br />

from Brooks’ collection, she replied, “I’d rather think he might have<br />

changed later” (5).<br />

WORKS CITED<br />

Aurthur, Kate. “Television’s Most Persistent Taboo.” New York Times July 18,<br />

2004, sec. 2: 27.<br />

Beatty, Jan. “An Abortion Attempt by My Mother.” Mad River. Pittsburgh:<br />

University of Pittsburgh Press, 1995. 29.<br />

Bloom, Harold, ed. Gwendolyn Brooks. Philadelphia: Chelsea House, 2000.<br />

Brooks, Gwendolyn. The Essential Gwendolyn Brooks. ed. Elizabeth Alexander.<br />

New York: Library of America, 2005.<br />

. The World of Gwendolyn Brooks. New York: Harper & Row, 1971.<br />

. Report from Part One. Detroit: Broadside Press, 1972.<br />

. “The Mama and the Papa.” Reading “the mother.” Poetry Off the Shelf:<br />

Online Journal and Podcast. (9/16/08). http://www.poetryfoundation.org/<br />

journal/audioitem.html?id=577<br />

Flynn, Richard. “ ‘The Kindergarten of New Consciousness’: Gwendolyn<br />

Brooks and the Social Construction of Childhood.” African American<br />

Review Vol. 34 (Fall 2000): 483–99.<br />

Gery, John. “Subversive Parody in the Early Poems of Gwendolyn Brooks.”<br />

South Central Review 16.1 (Spring 1999): 44–56.<br />

Guy-Sheftall, Beverly. “The Women of Bronzeville.” Sturdy Black Bridges:<br />

Visions of Black Women in Literature. Ed. Roseann P. Bell, Bettye J. Parker,<br />

and Beverly Guy-Sheftall. Garden City, NY: Anchor Books. 1979.<br />

157–70.

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