Bloom's Literary Themes - ymerleksi - home
Bloom's Literary Themes - ymerleksi - home
Bloom's Literary Themes - ymerleksi - home
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Lady Chatterley’s Lover 79<br />
The change in consciousness which would make Lady Chatterley’s<br />
Lover acceptable as “tenderness” rather than “obscenity” is one that<br />
the book itself desperately advocates, though at the same time taking<br />
it to be impossible without the intervention of the “bad time” that<br />
it announces as on the way. It seems certain that the changes of<br />
consciousness which have in fact occurred to allow the free publication<br />
of the book are not of a kind that Lawrence would have approved;<br />
I expect he would have campaigned against the unrestricted use of a<br />
word such as fuck in books and conversation. They can hardly be said<br />
to have acquired a tender, let alone a numinous quality; acceptable in<br />
common use, whether as expletives or as part of a genuinely sexual<br />
language, they have no doubt also been restored to the bourgeois<br />
bedroom; but they remain part of sex-in-the-head, or as instruments<br />
of the wrong kind of letting go, which Lawrence detested equally,<br />
as a betrayal of the self. Hence Mellors’ use of them, though it may<br />
impress liberal bishops, strikes most people as a bit comic, doctrinaire<br />
almost—at best the language of a lost paradise.<br />
It may be that the whole attempt was misguided. The need, as<br />
Lawrence saw it, was to avoid euphemisms which are in themselves<br />
evidence of the sell-out of the passional to the intellectual; to restore<br />
the words which belong to the old blood-consciousness. But insofar<br />
as these words were secret and sacred, they had value as ritual profanities;<br />
and so they became a part of the culture, proper to the expansive<br />
movements of constricted lives—a fact reflected in the heavy use made<br />
of them by soldiers and sailors, poor men in circumstances of sexual<br />
privation. Perhaps a good society would use them only with great<br />
semantic purity; but the history of our society, as Lawrence knew,<br />
and the history of the words, also, were such that a lexical could not<br />
induce a spiritual purgation. Lawrence must, as he wrote and rewrote<br />
his story, have been partly conscious of this. The vile press reaction to<br />
the book, as represented by the hysteria of his old enemy John Bull,<br />
cannot have surprised him; nor, I suspect, would the knowledge that<br />
for thirty years after publication this innocent work was converted, by<br />
the minds of furtive purchasers, into precisely the pornography that<br />
he so abhorred. More recently we have come, now that it has sold its<br />
paperback millions, to find it tame, a reaction which would certainly<br />
have shocked him just as much.<br />
Lady Chatterley’s Lover is about the need for a re birth of phallic<br />
consciousness, and this is conceived, in a familiar Lawrencian way,