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Bloom's Literary Themes - ymerleksi - home

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14<br />

Thomas De Quincey<br />

I have sufficiently spoken of the monstrous exercise of time and of<br />

space, two ideas always connected, but which the spirit affronts without<br />

sadness or fear. It gazes backward with a certain delirious melancholy<br />

over the vast abyss of time, and sinks audaciously into unseen seas. I<br />

presume that one divines, in what I have said, that this abnormal and<br />

tyrannical increase can be applied equally to all the sentiments and<br />

to all the ideas; in the same sense in regard to benevolence; of this I<br />

have given, if anything, more than enough in the way of example; in<br />

the same sense in regard to Love. The idea of beauty should naturally<br />

seize fast hold on what is vast in a spiritual temperament such as I<br />

have supposed. Harmony, the balancing of lines, rhythm in movements,<br />

seem to the observer as necessities; as duties not only for all the<br />

beings of the Creation, but for himself, the dreamer, who finds himself,<br />

at this period of the crisis, gifted with a marvellous aptitude for<br />

comprehending the immortal and universal rhythm. And if our fanatic<br />

lacks in personal beauty, you must not suppose he suffers from the<br />

confession to which he is constrained, nor that he looks on himself as<br />

a discordant note in the world of harmony and beauty improvised by<br />

his imagination. The sophistications of Haschisch are numerous and<br />

innumerable, only they have a way of leading us to optimism, and the<br />

most efficacious of all the principles is that which transforms desire<br />

into reality. It is the same no doubt in many cases of ordinary life,<br />

but here with how much more of candour and of subtlety? Besides,<br />

how can a being so gifted in its fashion of understanding harmony, a<br />

kind of Priest of the Beautiful, make an exception and a mistake in<br />

his proper theory? Moral beauty and its power, Grace and its seductions,<br />

eloquence and its prowesses, all these ideas present themselves<br />

as correctives of an indiscreet ugliness, then as consolers, finally as the<br />

perfect flatterers of an imaginary sceptre.<br />

As for Love, I have heard many people, animated with an absurd<br />

curiosity, trying to instruct themselves from the mouths of those to<br />

whom Haschisch is familiar. What could be this amorous intoxication<br />

so passionate in its natural state, when it is confined in another form<br />

of intoxication, as a sun in a sun? Such is the question that arises in<br />

a crowd of people that I shall call the jesters of the intellectual world.<br />

So as to respond to a dishonest misunderstanding, to this part of the<br />

question which dares not make itself manifest, I shall send the reader<br />

to Pliny, who has spoken somewhere of the poisoned contents of hemp<br />

seed, in a fashion to dissipate many illusions on this subject. I am

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