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Bloom's Literary Themes - ymerleksi - home

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10<br />

Thomas De Quincey<br />

maladies of the mind—described the sombre and solemn splendours of<br />

Opium? The lover of the luminous Berenice, Egoeus the meta-physician,<br />

speaks of an alteration in his faculties, which constrained him to<br />

give an abnormal, monstrous value to the most simple phenomena.<br />

“To muse for long unwearied hours, with my attention rivetted to<br />

some frivolous device in the margin or in the typography of a book;<br />

to become absorbed, for the better part of a summer day, in a quaint<br />

shadow falling aslant upon the tapestry or upon the floor; to lose<br />

myself, for an entire night, in watching the steady flame of a lamp, or<br />

the embers of the fire; to dream away whole days over the perfume of a<br />

flower; to repeat, monotonously, some common word, until the sound,<br />

by dint of frequent repetitions, ceased to convey any ideas whatever to<br />

the mind: such were a few of the most common and least pernicious<br />

vagaries induced by a condition of the mental faculties, not, indeed,<br />

altogether unparallelled, but certainly bidding defiance to anything<br />

like analysis or explanation.” And the nervous Augustus Bedloe, who,<br />

every morning before he takes his walk, swallows his dose of opium,<br />

assures us that the chief benefit he derives from this daily poisoning,<br />

is to take in all things, even in the most trivial, an exaggerated interest.<br />

“Nevertheless, the opium has produced the usual effect, which is to<br />

give an intensity of interest to the exterior world. In the trembling<br />

of a leaf, in the colour of a blade of grass, in the form of a trefoil, in<br />

the buzz of a bee, in the lustre of a drop of dew, in the wind’s sighing,<br />

in the vague odours that escape from the forest, are created an outer<br />

world of inspirations, of a magnificent and varied procession of disordered<br />

and rhapsodical thoughts.”<br />

So expresses himself, through the mouth of his characters, the<br />

Priest of the Horrible, the Prince of Mystery. These two characteristics<br />

of Opium are perfectly applicable to Haschisch; in one and the other<br />

case, one’s intelligence, before free as the wind, becomes the winds’<br />

slave; but the word rhapsodic, which defines a series of sensations<br />

suggested by the exterior world and the hazard of circumstances, is<br />

veritably truer and more terrible than in the case of Haschisch. Here,<br />

reason is no more than a stray at the mercy of all the currents, and the<br />

train of thoughts is infinitely more accelerated and more rhapsodical.<br />

This is to say, I suppose, in a sufficiently clear manner, that Haschisch<br />

is, in its present effect, much more vehement than Opium, much<br />

more the enemy of one’s regular life; in one word, much more troubling.<br />

I query if ten years of intoxication by Haschisch brings with it

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