Index 267 Clifford Chatterley in, 80–85 Constance Chatterley in, 80–85 critique of society, 77–79 Michaelis in, 81–82 Oliver Mellors in, 81–85 Puritanism in, 80, 86, 89 rebirth of phallus in, 79, 82, 84–86 sex in, 77–89 vulgar language in, 77, 79, 82 “Lady Lazarus” (Plath) anger and bitterness in, 161–162 Langella, Frank, 92 Lawrence, D.H., 227–228 censorship, 42 Fantasia of the Unconscious, 239 Lady Chatterley’s Lover, 38, 77–90 The Lost Girl, 89 on love ethic, 234–235, 240, 244–245 The Plumed Serpent, 80 Propos of Lady Chatterley’s Lover, Pornography and Obscenity, 85–89 The Virgin and the Gypsy, 82 “When I Went to the Film,” 89 The White Peacock, 80–81 Women in Love, 83–84, 231 Leaves of Grass (Whitman) banning of, 37 Lecky, W.E.H. on Jonathan Swift, 217–225 Les Fleurs de mal. See Flowers of Evil “Les Paradis Artificiels” (Baudelaire) drug use in, 1–21 narrative, 2 Lessing, Doris The Golden Notebook, 159 “Letter to a Member of Parliament concerning the Sacramental Test” (Swift), 218–219 “Lines Written in Early Spring” (Wordsworth), 232 Live or Die (Sexton), 163, 209 Lolita (Nabokov) Charlotte Haze in, 91–92, 95–96 Clare Quilty in, 91–92 Dolores Haze in, 91–97 Humbert Humbert in, 91–97 movie versions, 92 murder in, 91–92 narrative, 92, 94–95 pedophile affair in, 91–98 solipsism in, 95–97 Long Day’s Journey Into Night (O’Neill), 137 Lord of the Flies (Golding) amorality of childhood in, 100–104 Bill in, 105 Freudian theory in, 99–101, 106, 108–109 good vs. evil in, 100–101, 105, 107, 110 Jack in, 100–102, 104–107, 109–110 the kill in, 104–110 Maurice in, 105 narrative, 100, 108 Piggy in, 101–103, 106–111 Ralph in, 100–102, 104–107, 109–110 Simon in, 107–109, 111 Lost Girl, The (Lawrence), 89 “Love Song of J. Alfred Prufock, The” (Eliot), 125, 130 Lowell, Robert, 38–39, 158 Lydon, Susan, 240 Lyne, Adrian, 92 Lyon, Sue, 92 Lyotard, Jean-Francois, 190 M MacGillwray, Royce on Dracula, 24, 27 madness taboo in Howl, 39–42
268 Index in “A Rose for Emily,” 174 in Sabbath’s Theater, 181–182 “Maenad” (Plath), 162 “Magi” (Plath) anger and bitterness in, 161 magical realism in The Satanic Verses, 190, 192–193 Mailer, Norman An American Dream, 161 Maltese Falcon, The (Hammett), 38 “Many Loves” (Ginsberg), 42–43 Marcuse, Herbert, 241 Marett, R.R., 63 Marlow, Christopher “Ignato,” 38 Marshall, Cynthia on Julius Caesar, 51–75 Martin, Wendy on Sylvia Plath, 157–164 Marx, Karl, 40 Mason, James, 92 matricide in Dracula, 33 in Mourning Becomes Electra, 133 in The Oresteia, 135 Maurice (Forster), 82 McCarthy, Joe, 38 McCarthy, Mary The Company She Keeps, 159 McDonald, Edward D., 234 Mead, Margaret, 237 Melhem, D.H., 124–125 Mellard, James M. “Death, Mourning, and Besse’s Ghost,” 184 Melville, Herman Moby Dick, 173–174 Merrill, James The Essential Gwendolyn Brooks, 125 Middlebrook, Diane, 204–206 Midnight’s Children (Rushdie), 189 Midsummer-Night’s Dream, A (Shakespeare), 95 Miller, Arthur, 38 Miller, Henry censorship, 42 The Tropic of Cancer, 38 “Miller’s Tale, The” (Chaucer) Absolon in, 119–122 Alison in, 116–121 Christian teachings in, 114–122 the Clerk in, 121 flood imagery in, 120 the Host in, 115–116 John the carpenter in, 116–122 the Knight in, 116, 121 the Miller in, 114–116, 121–122 the Monk in, 115–116 narrative, 114 Nicholas in, 116–122 the Reeve in, 121 religious taboos in, 114–122 sex in, 116–119 taboo behavior and speech in, 113–116 Milton, John, 85, 254 Paradise Lost, 93 “Mister Jones” (Dylan), 42 Mitchell, Juliet, 236 Psychoanalysis and Feminism, 201 Montherlant, Henry de, 238 Moby Dick (Melville), 173–174 Moor’s Last Sigh, The (Rushdie), 189 Moorton, Richard F. Jr., 137 Morrison, Toni Beloved, 126 Moses and Monotheism (Freud) patricide in, xvi, 63 “mother, the” (Brooks) abortion taboo in, 123–132 imagery in, 126 imagined lives of children in, 123, 125, 127–130
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Bloom’s Literary Themes THE TABOO
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, Contents . Series Introduction by
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Contents ix The Satanic Verses (Sal
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xii Series Introduction by Harold B
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, Volume Introduction by Harold Blo
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Confessions of an English Opium Eat
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Confessions of an English Opium Eat
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Confessions of an English Opium Eat
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Confessions of an English Opium Eat
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Confessions of an English Opium Eat
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Confessions of an English Opium Eat
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24 Bram Stoker published perceive D
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26 Bram Stoker Arthur placed the po
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28 Bram Stoker Van Helsing to Lucy
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30 Bram Stoker how spontaneous and
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32 Bram Stoker they are avoiding se
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34 Bram Stoker of castration to all
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36 Bram Stoker 15. Richardson, p. 4
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38 Allen Ginsberg exuberant tone, l
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40 Allen Ginsberg Most people who c
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42 Allen Ginsberg “negro streets
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44 Allen Ginsberg Loafe with me on
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46 Allen Ginsberg Following the cha
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48 Allen Ginsberg in music and lite
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JULIUS CAESAR (WILLIAM SHAKESPEARE)
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Julius Caesar 53 suggest how his ex
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Julius Caesar 55 not, Cassius; yet
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Julius Caesar 57 Caesar: Thou, too,
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Julius Caesar 59 attach crucial imp
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Julius Caesar 61 called up in our m
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Julius Caesar 63 III Peter Gay note
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Julius Caesar 65 labour” (96). On
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Julius Caesar 67 effect suggestive
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Julius Caesar 69 “the phenomenon
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Julius Caesar 71 NOTES 1. In Moses
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Julius Caesar 73 17. I am suggestin
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Julius Caesar 75 Lacan, Jacques. É
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78 D.H. Lawrence In letters written
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80 D.H. Lawrence as the only means
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82 D.H. Lawrence what is left of th
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84 D.H. Lawrence Chapter XVI of Lad
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86 D.H. Lawrence the oppressive Sir
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88 D.H. Lawrence grew increasingly
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90 D.H. Lawrence Ford, Kermode, Cla
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92 Vladimir Nabokov upon subject ma
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94 Vladimir Nabokov and discrete wh
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96 Vladimir Nabokov imagination. Wh
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98 Vladimir Nabokov that the point
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100 William Golding show how an aut
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102 William Golding wavers between
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104 William Golding was the protect
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106 William Golding Already he has
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108 William Golding or intuition of
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110 William Golding Jack keeps his
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112 William Golding 3. Ibid. 4. Joh
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114 Geoffrey Chaucer Chaucer himsel
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116 Geoffrey Chaucer is indeed a
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118 Geoffrey Chaucer [B&G 510]. The
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120 Geoffrey Chaucer fashionable dr
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122 Geoffrey Chaucer the three male
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124 Gwendolyn Brooks baby tears and
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126 Gwendolyn Brooks mother-eye”
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128 Gwendolyn Brooks corner “tave
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130 Gwendolyn Brooks of the aborted
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132 Gwendolyn Brooks Johnson, Barba
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134 Eugene O’Neill Sophocles’ O
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136 Eugene O’Neill are themselves
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138 Eugene O’Neill even extending
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140 Eugene O’Neill to provoke cha
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142 Eugene O’Neill to defeat the
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144 Sophocles the dialogue is a cop
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146 Sophocles in himself. “The sh
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148 Oscar Wilde breaking out it sho
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150 Oscar Wilde Dorian is described
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152 Oscar Wilde death: “So I have
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154 Oscar Wilde disillusionment, an
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156 Oscar Wilde WORKS CITED Behrend
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158 The Poetry and Prose of Sylvia
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160 The Poetry and Prose of Sylvia
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162 The Poetry and Prose of Sylvia
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164 The Poetry and Prose of Sylvia
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166 William Faulkner on the grounds
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168 William Faulkner imprecation an
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170 William Faulkner life-long remi
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172 William Faulkner degree of accu
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174 William Faulkner an equally pha
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176 William Faulkner [It] abounded
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178 Philip Roth and possible death
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180 Philip Roth of one conversation
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182 Philip Roth physically. At one
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184 Philip Roth for many years, see
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186 Philip Roth many ways, the irri
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THE SATANIC VERSES (SALMAN RUSHDIE)
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The Satanic Verses 191 himself desc
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The Satanic Verses 193 a meditation
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The Satanic Verses 195 It is easy t
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The Satanic Verses 197 WORKS CITED
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200 The Poetry of Anne Sexton himse
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202 The Poetry of Anne Sexton proph
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204 The Poetry of Anne Sexton ANNE
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206 The Poetry of Anne Sexton home.
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208 The Poetry of Anne Sexton to be
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210 The Poetry of Anne Sexton The s
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212 The Poetry of Anne Sexton “ad
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214 The Poetry of Anne Sexton comin
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- Page 277 and 278: 260 Acknowledgments Wagner, Geoffre
- Page 279 and 280: 262 Index Beauvoir, Simone de, 227
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- Page 289 and 290: 272 Index Norman Cowan in, 179-180,
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