Bloom's Literary Themes - ymerleksi - home
Bloom's Literary Themes - ymerleksi - home
Bloom's Literary Themes - ymerleksi - home
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Ulysses 253<br />
wears a blue blouse, a hat with a blue ribbon under the brim, blue<br />
garters, blue stockings, and blue underwear, which she wears “for luck”<br />
(13:179). Blessed with the Virgin Mary’s disposition, Gerty is sensitive<br />
and pure: “from everything in the least indelicate her finebred<br />
nature instinctively recoiled” (13:660–61). With a childlike innocence,<br />
she daydreams about fairytale romances. She also thinks with disdain<br />
about prostitutes and promiscuous women: “she loathed that sort of<br />
person” (13: 61). While Bloom watches her, she fantasizes about being<br />
his wife in an asexual marriage, a platonic romance in which she and<br />
Bloom would be best friends rather than lovers. In her reverie, Gerty<br />
thinks Bloom is probably a nice man and they could be “good friends<br />
like a brother and sister without all that other” (13:665–66). This<br />
childish romance plays out in her mind while Bloom lusts after her,<br />
“eying her as a snake eyes its prey” (13:517). Here, Joyce compares<br />
romantic, childish fantasies with a more realistic portrayal of human<br />
sexuality, one where the desire for physical gratification is natural.<br />
Rather than an ideal of social purity and sexual naiveté, Gerty<br />
is a mockery of that ideal and is described as being “womanly wise”<br />
(13:223). She believes she knows what men want from a woman, and<br />
she knows how to attract the male gaze. This knowledge has been<br />
gained from women’s magazines and from gossiping with her friends.<br />
Yet she is not merely a social construct or an object to be consumed by<br />
men. From one perspective, the narrative frames Gerty as a tantalizing<br />
seductress who reveals her body to Bloom. Gerty, in turn, derives<br />
erotic pleasure of her own from the realization that she is arousing<br />
Bloom’s libido. On one level, she is the erotic voyeur, one who, like a<br />
man, gazes at pornography.<br />
More than a seductress, however, Joyce presents her as a compassionate<br />
Mary figure. Gerty is not angry or insulted by the fact that<br />
Bloom is masturbating while he stares at her. Instead, she demonstrates<br />
compassion for him as she notices that he is dressed in mourning and<br />
wonders for whom he mourns (Bloom has attended a burial service<br />
for his friend Paddy Dignam earlier in the day). Like Mary, Gerty is<br />
a “comfortress of the afflicted” and a “refuge of sinners” (13:442). She<br />
wants to understand Bloom and comfort him and distract him from<br />
his mourning, yet she does so in a much more profane sense. Gerty is<br />
a seductive Virgin Mary, one who comforts her followers, easing them<br />
in times of sexual distress. In terms of her compassion and symbolic<br />
connections to Mary, Joyce establishes Gerty as a goddess-like