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4 from ritual to theater and back: the efficacy ... - AAAARG.ORG

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drama, script, <strong><strong>the</strong>ater</strong>, <strong>and</strong> performance 107<br />

with a captured mouse is “playing” with its prey; it is also completing<br />

<strong>the</strong> hunting process. Chimps will convert play behavior in<strong>to</strong> serious<br />

behavior <strong>and</strong> <strong>back</strong> again, so that a play chase suddenly erupts in<strong>to</strong> a<br />

fight, <strong>the</strong> fight is resolved by gestures of dominance <strong>and</strong> submission,<br />

this “contract” is “ratified” by mutual grooming, <strong>and</strong> soon enough<br />

<strong>the</strong>re is ano<strong>the</strong>r playful chase.<br />

In humans, <strong>the</strong> situation is <strong>the</strong> most complicated. First off, people<br />

hunt o<strong>the</strong>r people with <strong>the</strong> same diligence that most o<strong>the</strong>r species<br />

reserve for interspecies warfare. But if human aggression is nonspecific,<br />

so is human inventiveness. So-called “serious” work in<br />

humans is treated playfully; <strong>and</strong> so-called play can become very serious.<br />

Humans can speak truthfully of “war games” <strong>and</strong> “<strong><strong>the</strong>ater</strong>s of<br />

war,” <strong>and</strong> great issues can be carried on <strong>the</strong> shoulders of athletes or<br />

ac<strong>to</strong>rs who become important politicians. I will not elaborate <strong>the</strong>se<br />

ideas here except <strong>to</strong> insist that Huizinga was wrong when he decried<br />

<strong>the</strong> “deterioration” of play because serious issues get involved in it.<br />

Serious issues are always involved in play; just as, in humans, play is<br />

inextricably involved in all “serious” work. When through industrial<br />

or o<strong>the</strong>r means <strong>the</strong> play elements are taken out of work, work becomes<br />

drudgery <strong>and</strong> less efficient, not more; <strong>and</strong> when <strong>the</strong> seriousness is<br />

taken away <strong>from</strong> play, <strong>the</strong>n playing grows sloppy <strong>and</strong> dull, not fun.<br />

But what is “fun”? Everyone agrees that play is often fun. Certainly<br />

this is so for humans, <strong>and</strong> it appears <strong>to</strong> be so for animals <strong>to</strong>o. But I think<br />

it is wrong <strong>to</strong> say that play is “free,” if Loizos was correct in saying that<br />

play is <strong>the</strong> restructuring of o<strong>the</strong>r behavior. Also, we know that <strong>the</strong><br />

“rules of <strong>the</strong> game,” which order an o<strong>the</strong>rwise chaotic situation, add<br />

<strong>to</strong> <strong>the</strong> fun while taking away <strong>from</strong> freedom. Playful activity constantly<br />

generates rules, <strong>and</strong> although <strong>the</strong>se may change swiftly, <strong>the</strong>re is no play<br />

without <strong>the</strong>m. In o<strong>the</strong>r words, <strong>to</strong> use terms developed earlier, all play is<br />

“scripted.” Thus, “having fun” does not mean being “free <strong>from</strong> rules.”<br />

Fun is something else.<br />

Let me again return <strong>to</strong> <strong>the</strong> hunt. Real hunting – going for <strong>the</strong> kill –<br />

can be fun. Watch a cat “playing with” a mouse or o<strong>the</strong>r small animal.<br />

The cat lets <strong>the</strong> prey go, chases after it, catches it, lets it go again, <strong>and</strong> so<br />

on. Finally, <strong>the</strong> kill is made <strong>and</strong> <strong>the</strong> prey is ei<strong>the</strong>r eaten or carried<br />

around triumphantly. Humans have even more fun hunting, including<br />

hunting o<strong>the</strong>r humans. It’s not nice <strong>to</strong> think of war as a kind of

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