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4 from ritual to theater and back: the efficacy ... - AAAARG.ORG

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34<br />

actuals<br />

any attempt <strong>to</strong> compose <strong>the</strong>m. But I learned & memorized those<br />

songs by repeating <strong>the</strong>m.<br />

(Ro<strong>the</strong>nberg 1968: 51–2) 6<br />

Ro<strong>the</strong>nberg (1968: 424) thinks that Tens’ experience is “typical of<br />

1) <strong>the</strong> psychology of shamanism; 2) <strong>the</strong> shaman’s ‘initiation’ through<br />

dream <strong>and</strong> vision, 3) transformation of vision in<strong>to</strong> song.” Eliade <strong>and</strong><br />

Lommel cite similar examples. Eliade (1965: 87) says <strong>the</strong>re are three<br />

ways of becoming a shaman: as Tens did through <strong>the</strong> “call”; by inheritance;<br />

<strong>and</strong> by personal ambition or <strong>the</strong> will of <strong>the</strong> tribe. A shaman is<br />

au<strong>the</strong>nticated only after having received two kinds of instruction. The<br />

first is ecstatic (for example, dreams, visions, trances); <strong>the</strong> second is<br />

traditional (for example, shamanic techniques, names <strong>and</strong> functions of<br />

<strong>the</strong> spirits, mythology <strong>and</strong> genealogy of <strong>the</strong> clan, secret language). The<br />

instruction of <strong>the</strong> fledgling shaman first by older shamans <strong>and</strong> <strong>the</strong>n by<br />

<strong>the</strong> spirits is a universal aspect of shamanism. Its structure is much like<br />

Dante’s travels with Virgil through <strong>the</strong> Christian o<strong>the</strong>r worlds. Lommel<br />

describes an Australian shamanic instruction.<br />

At sunset <strong>the</strong> shaman’s soul meets somewhere <strong>the</strong> shadow of a dead<br />

ances<strong>to</strong>r. The shadow asks <strong>the</strong> soul whe<strong>the</strong>r it shall go with it. The<br />

shaman’s soul answers yes. . . . Then <strong>the</strong>y go on <strong>to</strong>ge<strong>the</strong>r, ei<strong>the</strong>r at<br />

once in<strong>to</strong> <strong>the</strong> kingdom of <strong>the</strong> dead or <strong>to</strong> a place in this world at which<br />

<strong>the</strong> spirits of <strong>the</strong> dead have ga<strong>the</strong>red. . . . The spirits begin <strong>to</strong> sing <strong>and</strong><br />

dance. . . . When <strong>the</strong> dance is over <strong>the</strong> spirits release <strong>the</strong> shaman’s<br />

soul <strong>and</strong> his helping spirit brings it <strong>back</strong> <strong>to</strong> his body. When <strong>the</strong><br />

shaman wakes, his experiences with <strong>the</strong> spirits seem <strong>to</strong> him like a<br />

dream. From now on he thinks of nothing but <strong>the</strong> dances which he has<br />

seen <strong>and</strong> his soul keeps on going <strong>back</strong> <strong>to</strong> <strong>the</strong> spirits <strong>to</strong> learn more<br />

<strong>and</strong> more about <strong>the</strong> dances. . . . Then he will first explain <strong>the</strong> dances <strong>to</strong><br />

his wife <strong>and</strong> sing <strong>the</strong>m <strong>to</strong> her, <strong>and</strong> after that he will teach <strong>the</strong>m <strong>to</strong><br />

everyone else.<br />

(Lommel 1967: 138–9)<br />

The shaman’s journeys are nei<strong>the</strong>r gratui<strong>to</strong>us nor for private use. He<br />

goes <strong>to</strong> get something <strong>and</strong> he must deliver what he gets <strong>back</strong> <strong>to</strong> his<br />

people – he must teach <strong>the</strong>m what he learns. His work is social work.

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