4 from ritual to theater and back: the efficacy ... - AAAARG.ORG

More documents

Recommendations

Info

eferences 377 Laing, R. D. (1960) The Divided Self, Chicago: Quadrangle Books. (1962) The Self and Others, New York: Pantheon. (1969) The Politics of the Family, New York: Pantheon. Laing, R. E. and Esterson, A. (1964) Sanity, Madness, and the Family, New York: Basic Books. Langer, Susanne (1953) Feeling and Form, New York: Scribner’s. Langton, Basil (1973) “Journey to Ka Mountain,” TDR, The Drama Review 17 (2): 48–57. Lannoy, Richard (1971) The Speaking Tree, London: Oxford University Press. Law, Alma (1979) “The Theater on Chekhov Street,” TDR, The Drama Review 23 (4): 27–30. Layton, Robert (1986) Uluru, An Aboriginal History of Ayers Rock, Canberra: Autralian Institute of Aboriginal Studies. Lea, Henry Charles (1967) “The Wager Battle,” in Paul Bohannan (ed.) Law and Warfare, Garden City: Natural History Press. Leach, Edmund (ed.) (1967) The Structural Study of Myth and Totemism, London: Tavistock. Leslie, Charles (ed.) (1960) Anthropology of Folk Religion, New York: Vintage. Lessing, Doris (1981) Shikasta, New York: Vintage. Lévi-Strauss, Claude (1963) Structural Anthropology, New York: Basic Books. (1966) The Savage Mind, Chicago: University of Chicago Press. (1969a) The Elementary Structures of Kinship, Boston: Beacon Press. (1969b) The Raw and the Cooked, New York: Harper & Row. (1972) From Honey to Ashes, New York: Harper & Row. Lewin, Tamar (1984) “Ex-Stewardesses vs United,” New York Times, February 21: D1, D15. Lewis, I. M. (1971) Ecstatic Religion, London: Penguin. Lex, Barbara (1979) “The Neurobiology of Ritual Trance,” in Eugene G. d’Aquili, Charles D. Laughlin, and John McManus, The Spectrum of Ritual, New York: Columbia University Press. Linden, Eugene (1976) Apes, Men, and Language, New York: Penguin. Loizos, Caroline (1969) “Play Behaviour in Higher Primates: A Review,” in Desmond Morris (ed.) Primate Ethology, Garden City: Anchor Books. Lommel, Andreas (1967) Shamanism: The Beginnings of Art, New York: McGraw-Hill. Lorenz, Konrad (1959) “The Role of Aggression in Group Formation,” in
378 references B. Schaffner (ed.) Transactions of the Conference on Group Processes of 1957, New York: The Josiah Macy Jr Foundation. (1961) King Solomon’s Ring, New York: T. Y. Crowell. (1965) Evolution and Modification of Behavior, Chicago: University of Chicago Press. (1967) On Aggression, New York: Bantam Books. Lowen, A. (1967) The Betrayal of the Body, New York: Macmillan. Lowie, R. H. (1936) The Crow Indians, New York: Holt Rinehart. (1948) Primitive Religion, New York: Liveright. McCoy, Philip (1965) “King Lear and Game Theory,” unpublished MS. McNamara, Brooks, Rojo, Jerry, and Schechner, Richard (1975) Theaters, Spaces, Environments: Eighteen Projects, New York: Drama Books Specialists. Malina, Judith and Beck, Julian (1969) “An Interview with the Becks: Containment is the Enemy,” TDR, The Drama Review 13 (3): 24–44. Marcus, George E. and Fischer, Michael M. J. (1986) Anthropology as Cultural Critique, Chicago: University of Chicago Press. Marinis, Marco de (1987) “Dramaturgy of the Spectator, An Unlikely Association,” TDR, The Drama Review 31 (2): 100–14. Marshack, Alexander (1972) The Roots of Civilization, New York: McGraw- Hill. Mauss, Marcel (1925) “Essai sur le don: Forme et raison de l’échange dans les sociétés archaïques,” Annales sociologiques 1: 30–186. Mead, Margaret (1970) “Presenting: The Very Recent Past,” New York Times Sunday Magazine, March 15: 29–32. Montano, Linda (1981) Art in Everyday Life, Los Angeles: Astro Artz. Murray, Gilbert (1912a) The Four Stages of Greek Religion, Oxford: Oxford University Press. (1912b) “Excursus on the Ritual Forms Preserved in Greek Tragedy,” in Jane Ellen Harrison, Themis: A Study of the Social Origins of Greek Religion, Cambridge: Cambridge University Press. (1925) The Five Stages of Greek Religion, Oxford: Oxford University Press. (1961) “Foreword,” to Thespis by Theodor H. Gaster, Garden City: Doubleday Anchor. Nearman, Mark J. (1982) “Kakyo Zeami’s Fundamental Principles of Acting,” Monumenta Nipponica 37 (3): 333–74. Nicoll, Allardyce (1963) Masks, Mimes, and Miracles, New York: Cooper Square. Osinski, Zbigniew (1986) Grotowski and His Laboratory, New York: PAJ Publications.
Page 2 and 3:
Performance Theory “Reading Perfo
Page 4 and 5:
Richard Schechner Performance Theor
Page 6:
To my brothers William Arthur David
Page 10 and 11:
PREFACE TO THE ROUTLEDGE CLASSICS E
Page 12 and 13:
preface to the routledge classics e
Page 14 and 15:
ACKNOWLEDGMENTS Performance Theory
Page 16:
AUTHOR’S NOTE The differences bet
Page 19 and 20:
xviii introduction: the fan and the
Page 22 and 23:
1 APPROACHES THE CAMBRIDGE ANTHROPO
Page 24 and 25:
approaches 3 “Eniautos-Daimon,”
Page 26 and 27:
dithyramb are doubtful; and the con
Page 28 and 29:
approaches 7 Waiting for Godot, The
Page 30 and 31:
approaches 9 KO can end the fight a
Page 32 and 33:
approaches 11 Objects In everyday l
Page 34 and 35:
approaches 13 adjustments are made
Page 36 and 37:
approaches 15 play, games, sports,
Page 38 and 39:
Figure 1.3 Self-assertive “I”:
Page 40 and 41:
King Lear according to the techniqu
Page 42 and 43:
6 Webster, who supports the dithyra
Page 44 and 45:
approaches 23 interest in “primit
Page 46 and 47:
approaches 25 a ritual is a stereot
Page 48 and 49:
actuals 27 harangue of about 20 min
Page 50 and 51:
actuals 29 shape, rhythm and life-s
Page 52 and 53:
people thinks systematically in its
Page 54 and 55:
actuals 33 new theater (and life-st
Page 56 and 57:
actuals 35 The shaman is prized by
Page 58 and 59:
actuals 37 Eliade does not define r
Page 60 and 61:
actuals 39 The night before the eme
Page 62 and 63:
actuals 41 into two, one for either
Page 64 and 65:
actuals 43 Williams tells of many t
Page 66 and 67:
actuals 45 comic overdevelops part
Page 68 and 69:
actuals 47 hand, the associations t
Page 70 and 71:
actuals 49 spectators wisecrack and
Page 72 and 73:
actuals 51 half-dead mice. The floo
Page 74 and 75:
actuals 53 the play has been runnin
Page 76 and 77:
actuals 55 Initiation can be the ke
Page 78 and 79:
actuals 57 ceremony. This ad hoc th
Page 80 and 81:
actuals 59 We are almost unique in
Page 82 and 83:
actuals 61 around seventy-five befo
Page 84 and 85:
a performance condition the perform
Page 86 and 87:
actuals 65 manuscript scenario whic
Page 88 and 89:
drama, script, theater, and perform
Page 90 and 91:
Page 92 and 93:
Figure 3.1
Page 94 and 95:
Page 96 and 97:
Page 98 and 99:
seems to me that the reason someone
Page 100 and 101:
Plate 3.2 The Performance Group’s
Page 102 and 103:
Page 104 and 105:
Page 106 and 107:
Page 108 and 109:
Page 110 and 111:
Page 112 and 113:
Page 114 and 115:
Page 116 and 117:
Page 118 and 119:
Page 120 and 121:
Page 122 and 123:
Page 124 and 125:
Page 126 and 127:
metaphorically. The metabolisms of
Page 128 and 129:
Page 130 and 131:
Page 132 and 133:
Page 134 and 135:
from ritual to theater and back 113
Page 136 and 137:
Page 138 and 139:
Page 140 and 141:
comprised, the small cycle of perfo
Page 142 and 143:
Page 144 and 145:
Page 146 and 147:
Page 148 and 149:
Page 150 and 151:
are next year’s creditors, etc. T
Page 152 and 153:
Page 154 and 155:
Figure 4.5
Page 156 and 157:
Page 158 and 159:
Page 160 and 161:
Page 162 and 163:
Page 164 and 165:
Page 166 and 167:
trip to central Asia and China. Acc
Page 168 and 169:
Page 170 and 171:
Page 172 and 173:
Page 174 and 175:
Page 176 and 177:
Page 178 and 179:
ing into a special place a transcen
Page 180 and 181:
Page 182 and 183:
Page 184 and 185:
ehavior (what I call “restored be
Page 186 and 187:
Page 188 and 189:
Page 190 and 191:
Page 192 and 193:
toward a poetics of performance 171
Page 194 and 195:
Page 196 and 197:
must be cautious when assuming an a
Page 198 and 199:
Page 200 and 201:
Page 202 and 203:
Figure 5.5 The proscenium theater N
Page 204 and 205:
Page 206 and 207:
Page 208 and 209:
Page 210 and 211:
Page 212 and 213:
Page 214 and 215:
Page 216 and 217:
Page 218 and 219:
Page 220 and 221:
Page 222 and 223:
Page 224 and 225:
spectators. In expanding our knowle
Page 226 and 227:
Page 228 and 229:
Page 230 and 231:
Page 232 and 233:
6 SELECTIVE INATTENTION RELATIONSHI
Page 234 and 235:
something big in itself but a “st
Page 236 and 237:
Figure 6.2 selective inattention 21
Page 238 and 239:
selective inattention 217 To return
Page 240 and 241:
selective inattention 219 aesthetic
Page 242 and 243:
Integral-Aesthetic Accidental-aesth
Page 244 and 245:
selective inattention 223 those who
Page 246 and 247:
selective inattention 225 they’re
Page 248 and 249:
selective inattention 227 Schechner
Page 250 and 251:
selective inattention 229 “myself
Page 252 and 253:
selective inattention 231 construct
Page 254 and 255:
selective inattention 233 star qual
Page 256 and 257:
7 ETHOLOGY AND THEATER ANIMAL-HUMAN
Page 258 and 259:
ethology and theater 237 or on over
Page 260 and 261:
ethology and theater 239 This is th
Page 262 and 263:
ethology and theater 241 when he be
Page 264 and 265:
ethology and theater 243 all human
Page 266 and 267:
to accompany performances or was ex
Page 268 and 269:
ethology and theater 247 feelings
Page 270 and 271:
ethology and theater 249 Wilson’s
Page 272 and 273:
ethology and theater 251 the call c
Page 274 and 275:
ethology and theater 253 agons of p
Page 276 and 277:
ethology and theater 255 musical pe
Page 278 and 279:
Hindsight discredits Hoffman as a p
Page 280 and 281:
ethology and theater 259 the value
Page 282 and 283:
ethology and theater 261 of evoluti
Page 284 and 285:
ethology and theater 263 cave. As I
Page 286 and 287:
Figure 7.3 ethology and theater 265
Page 288 and 289:
ethology and theater 267 Papua New
Page 290 and 291:
ethology and theater 269 with them
Page 292 and 293:
ethology and theater 271 Among the
Page 294 and 295:
ethology and theater 273 wealth; th
Page 296 and 297:
ethology and theater 275 within”
Page 298 and 299:
Torgindi had won the case, but that
Page 300 and 301:
ethology and theater 279 dialogic a
Page 302 and 303:
Figure 7.4 ethology and theater 281
Page 304 and 305:
weapons. On March 20, 1968, Colonel
Page 306 and 307:
ethology and theater 285 premises i
Page 308 and 309:
shuns the actors who play Oedipus o
Page 310 and 311:
ethology and theater 289 practice.
Page 312 and 313:
magnitudes of performance 291 and s
Page 314 and 315:
Days Months or more Election of pop
Page 316 and 317:
magnitudes of performance 295 9 In
Page 318 and 319:
magnitudes of performance 297 could
Page 320 and 321:
magnitudes of performance 299 is co
Page 322 and 323:
ewilderment in front of and for who
Page 324 and 325:
magnitudes of performance 303 unles
Page 326 and 327:
magnitudes of performance 305 ritua
Page 331 and 332:
310 magnitudes of performance bodil
Page 333 and 334:
312 magnitudes of performance must
Page 335 and 336:
314 magnitudes of performance her/h
Page 337 and 338:
316 magnitudes of performance confi
Page 339 and 340:
318 magnitudes of performance BRAIN
Page 341 and 342:
320 magnitudes of performance of er
Page 343 and 344:
322 magnitudes of performance edite
Page 345 and 346:
324 magnitudes of performance looki
Page 347 and 348: 326 magnitudes of performance 7 Mac
Page 349 and 350: 328 magnitudes of performance socie
Page 351 and 352: 330 magnitudes of performance and m
Page 353 and 354: 332 magnitudes of performance from
Page 355 and 356: 334 rasaesthetics sharing of bodily
Page 357 and 358: 336 rasaesthetics been, and remains
Page 359 and 360: 338 rasaesthetics “say” (Shiple
Page 361 and 362: 340 rasaesthetics favorite flavors
Page 363 and 364: 342 rasaesthetics feelings, but wha
Page 365 and 366: 344 rasaesthetics infused with inte
Page 367 and 368: 346 rasaesthetics conducted by Mich
Page 369 and 370: 348 rasaesthetics or preempt the br
Page 371 and 372: 350 rasaesthetics breath and impetu
Page 373 and 374: 352 rasaesthetics progression from
Page 375 and 376: 354 rasaesthetics come to mind. A b
Page 377 and 378: 356 rasaesthetics RASAESTHETICS IN
Page 379 and 380: 358 rasaesthetics early performance
Page 381 and 382: 360 rasaesthetics greed or killing.
Page 383 and 384: 362 rasaesthetics is to move from o
Page 385 and 386: 364 rasaesthetics with them, to ans
Page 387 and 388: 366 rasaesthetics Experience Rasabo
Page 389 and 390: REFERENCES Aldena, Guillerno E. (19
Page 391 and 392: 370 references (1996) The Natyasast
Page 393 and 394: 372 references Edwards, Christine (
Page 395 and 396: 374 references Goffman, Erving (195
Page 397: 376 references Kaprow, Allan (1965)
Page 401 and 402: 380 references (1973) Environmental
Page 403 and 404: 382 references (1986) “The Afterm
Page 405 and 406: 384 index 321-4, 351-5, 361-7. See
Page 407 and 408: 386 index barong (Bali) 141 barter
Page 409 and 410: 388 index communitas 128, 156. See
Page 411 and 412: 390 index Dreamtime (Australian nat
Page 413 and 414: 392 index Gahuku people of Papua Ne
Page 415 and 416: 394 index Jonas 240 Jones, Amelia 3
Page 417 and 418: 396 index Mbuti people (equatorial
Page 419 and 420: 398 index parties 172 Partridge, Er
Page 421 and 422: 400 index primitive peoples 30-4, 3
Page 423 and 424: 402 index Rosenfeld, Andree 208 n.
Page 425 and 426: 404 index street theater 32, 48, 13
Page 427 and 428: 406 index programs 275; effects 12-
show all

4 from ritual to theater and back: the efficacy ... - AAAARG.ORG

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?