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4 from ritual to theater and back: the efficacy ... - AAAARG.ORG

4 from ritual to theater and back: the efficacy ... - AAAARG.ORG

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approaches 25<br />

a <strong>ritual</strong> is a stereotyped series of simple complementary transactions programmed<br />

by external social forces. . . . The form of a <strong>ritual</strong> is parentally<br />

determined by tradition. . . . Some formal <strong>ritual</strong>s of special his<strong>to</strong>rical or<br />

anthropological interest have two phases: 1) a phase in which transactions<br />

are carried on under rigid parental strictures, 2) a phase of parental license<br />

in which <strong>the</strong> child is allowed more or less complete transactional freedom,<br />

resulting in an orgy.<br />

This fits neatly with my contention that <strong>ritual</strong> <strong>and</strong> play join in crucial ways.<br />

24 Kaprow’s works often extend in time <strong>and</strong> space, but still <strong>the</strong>re are boundaries.<br />

Lowry Burgess is working on a piece, Quiet Axis, that extends <strong>from</strong> Earth <strong>to</strong><br />

<strong>the</strong> far side of <strong>the</strong> Moon <strong>and</strong> on <strong>to</strong> <strong>the</strong> Large Cloud of Magellan. As of 2002,<br />

Burgess – by <strong>the</strong>n sixty-two years old <strong>and</strong> a Professor of Art at Carnegie-Mellon<br />

University – was still working on his decades-long piece.

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