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4 from ritual to theater and back: the efficacy ... - AAAARG.ORG

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268<br />

ethology <strong>and</strong> <strong><strong>the</strong>ater</strong><br />

Nasecompa severed <strong>the</strong> limb <strong>and</strong> threw it <strong>to</strong> one side. A woman<br />

danced forward singing, picked up <strong>the</strong> leg <strong>and</strong> danced away. Still<br />

Kricme cried as Nasecompa cut off <strong>the</strong> o<strong>the</strong>r leg <strong>and</strong> threw it <strong>to</strong> a man<br />

who danced forward, singing, <strong>and</strong> carried it away. The same was done<br />

with one arm, <strong>the</strong>n <strong>the</strong> o<strong>the</strong>r; still Kricme cried, until Nasecompa with<br />

a stroke of his ax severed <strong>the</strong> head, which was caught by a dancing<br />

man <strong>and</strong> carried away. Then <strong>the</strong> trunk was cut up <strong>and</strong> various parts<br />

distributed. When <strong>the</strong> feast was finished <strong>the</strong> bones were tied up in<br />

cro<strong>to</strong>n leaves <strong>and</strong> fastened <strong>to</strong> <strong>the</strong> Moiife s<strong>to</strong>ckade.<br />

(Berndt 1962: 280–1)<br />

Kricme’s fate is uncannily like that of Pen<strong>the</strong>us of Euripides’ The Bacchae.<br />

In a case of adultery – also reminiscent of Greek myth – a Haita man,<br />

Auglimu, found his wife with a lover. He shot <strong>the</strong> man, sliced his flesh<br />

while he was still living, severed both his arms, <strong>and</strong> left him <strong>to</strong> bleed <strong>to</strong><br />

death. Then he <strong>to</strong>ok his wife, <strong>and</strong> her lover’s arms, <strong>back</strong> <strong>to</strong> her house<br />

where <strong>the</strong>y roasted <strong>the</strong> arms, ate a meal of <strong>the</strong>m, <strong>and</strong> slept <strong>to</strong>ge<strong>the</strong>r.<br />

Berndt comments:<br />

Whe<strong>the</strong>r <strong>the</strong> cutting up of a victim while he is still alive is deliberate<br />

cruelty, as in <strong>the</strong> case of <strong>the</strong> husb<strong>and</strong> who killed his wife’s lover, is<br />

difficult <strong>to</strong> say. There is little doubt, however, that <strong>the</strong> people who<br />

participated . . . appear <strong>to</strong> have enjoyed watching <strong>the</strong> man’s suffering<br />

<strong>and</strong> hearing him cry as his limbs were hacked off. A number of men<br />

who <strong>to</strong>ok part in this particular feast [<strong>the</strong> killing of Kricme], including<br />

Nasecompa himself, thought it great fun <strong>and</strong> laughed uproariously<br />

discussing it, with no sign of embarrassment.<br />

(Berndt 1962: 281)<br />

Berndt reports that when warriors came home with a corpse often<br />

“many men <strong>and</strong> women indulge[d] in uncontrolled behavior, assaulting<br />

<strong>the</strong> corpse <strong>and</strong> fighting over <strong>the</strong> best portions of meat” (Berndt 1962:<br />

283). If <strong>the</strong> victim was a young woman, men would copulate with <strong>the</strong><br />

corpse before cutting it up. The men acted openly <strong>and</strong> <strong>the</strong>ir women<br />

far <strong>from</strong> resenting it, apparently enjoyed watching <strong>the</strong>m. It is said that<br />

<strong>the</strong>y <strong>the</strong>mselves often squat over dead men, pretending <strong>to</strong> have coitus

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