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4 from ritual to theater and back: the efficacy ... - AAAARG.ORG

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318<br />

magnitudes of performance<br />

BRAIN LATERALIZATION AND PERFORMANCE<br />

But how can one specify <strong>the</strong> differences between performances that are<br />

so only contextually <strong>and</strong> those that <strong>the</strong> performer is conscious of<br />

manufacturing? Could <strong>the</strong> difference be in how <strong>the</strong> brain is used?<br />

D’Aquili <strong>and</strong> his colleagues (1979) note that <strong>the</strong> left side of <strong>the</strong> brain is<br />

ergotropic <strong>and</strong> <strong>the</strong> right side trophotropic. They say that<br />

<strong>the</strong>re is something about <strong>the</strong> repetitive or rhythmic emanation of signals<br />

<strong>from</strong> a conspecific that generates a high degree of limbic arousal.<br />

. . . There is something about repetitive rhythmic stimuli that may,<br />

under proper conditions, bring about <strong>the</strong> unusual neural state of simultaneous<br />

high discharge of both [<strong>the</strong> sympa<strong>the</strong>tic <strong>and</strong> parasympa<strong>the</strong>tic]<br />

au<strong>to</strong>nomic subsystems. . . . [The excited ANS] supersaturates<br />

<strong>the</strong> ergotropic or energy-expending system . . . <strong>to</strong> <strong>the</strong> point that <strong>the</strong><br />

trophotropic system not only is simultaneously excited by a kind of<br />

spillover but also on rare occasions may be maximally stimulated, so<br />

that, briefly at least, both systems are intensely stimulated.<br />

(d’Aquili, Laughlin, <strong>and</strong> McManus 1979: 157, 175)<br />

Such maximal stimulation gives that feeling of <strong>the</strong> inexpressible which<br />

sometimes accompanies not only religious <strong>ritual</strong> <strong>and</strong> solitary meditation<br />

but large <strong>and</strong> small ga<strong>the</strong>rings of many different kinds – <strong>from</strong><br />

football games <strong>to</strong> Samuel Beckett’s plays, <strong>from</strong> Nazi rallies <strong>to</strong> <strong>the</strong> soft<br />

rhythmic panting-chanting I teach as part of a <strong><strong>the</strong>ater</strong> workshop.<br />

In 1971 Rol<strong>and</strong> Fischer devised what he called “a car<strong>to</strong>graphy of <strong>the</strong><br />

ecstatic <strong>and</strong> meditative states” (figure 8.4), wherein <strong>the</strong> spectrum of<br />

arousal is outlined <strong>from</strong> trophotropic (hypoaroused) states such as<br />

Yogic samadhi <strong>and</strong> Zen meditation through <strong>the</strong> normal “I” states of daily<br />

routine, on <strong>to</strong> ergotropic (hyperaroused) states such as schizophrenia<br />

<strong>and</strong> mystical ecstasy. Fischer, like d’Aquili, speaks of a “rebound” <strong>from</strong><br />

one extreme <strong>to</strong> ano<strong>the</strong>r.<br />

In spite of <strong>the</strong> mutually exclusive relation between <strong>the</strong> ergotropic <strong>and</strong><br />

trophotropic systems, however, <strong>the</strong>re is a phenomenon called<br />

“rebound <strong>to</strong> superactivity” or trophotropic rebound, which occurs in<br />

response <strong>to</strong> intense sympa<strong>the</strong>tic excitation, that is, at ecstasy, <strong>the</strong> peak

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