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4 from ritual to theater and back: the efficacy ... - AAAARG.ORG

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neural crest 346<br />

New Orleans Group x<br />

new <strong><strong>the</strong>ater</strong> 32–3<br />

news <strong><strong>the</strong>ater</strong> 165 n. 13<br />

New York Times, The 217, 346<br />

New York University x, xiii;<br />

Department of Performance<br />

Studies x, xiii<br />

New Zeal<strong>and</strong> 51<br />

Niaux cave 263<br />

Nigeria 237, 275–6<br />

Nitsch, Hermann 358<br />

Nixon, Richard 211–12, 233<br />

noh (Japan) 230–1, 233, 266, 295,<br />

343, 350<br />

noise, movements 203–4<br />

non-productivity 8, 11–19<br />

non-verbal communications. See<br />

body language<br />

Notre Dame ca<strong>the</strong>dral, Paris<br />

205<br />

objects 8, 11<br />

Oceania 144, 164 n. 6<br />

Odin Teatret 146, 148–9. See also<br />

Barba<br />

Odyssey, The (Homer) 204<br />

Oedipus (Sophocles) 10, 29, 35,<br />

48, 214, 262, 283, 285, 287,<br />

335–6<br />

official stars 232–3<br />

Oida, Yoshi 159–60<br />

Olivier, Laurence 316–17, 320, 322<br />

Olympic Games 18, 292–5, 327<br />

O’Neill, Eugene 187, 192<br />

Open Theater 218, 227<br />

open-air performances 184–5<br />

Oppenheim, David xiii<br />

oral pleasures, rasaes<strong>the</strong>tics<br />

343–8<br />

index 397<br />

organic growth 28–9, 31–2, 46,<br />

56–63<br />

Orghast (Hughes) 253<br />

origins of <strong><strong>the</strong>ater</strong> <strong>and</strong> performance<br />

1–7, 109–10, 170–9, 235–8,<br />

240–3, 286–7. See also paleolithic<br />

cave performances<br />

Orphic ceremonies 103<br />

Orthodox <strong><strong>the</strong>ater</strong> 53–9, 70, 94,<br />

130–6, 162, 179–83, 222–5,<br />

292–5, 345, 356–8<br />

Ortiz, Ralph 49–52, 64–5 n.12<br />

Osiris 2<br />

O<strong>the</strong>llo (Shakespeare) 316–17, 322<br />

Ouspenskaya, Maria 330, n. 17<br />

out-groups 283–6, 296–301<br />

Over There! (Broadway musical) 221<br />

pageant plays 73, 134<br />

paintings 28, 67–8, 122, 344–5<br />

Paleolithic cave art/performances<br />

ix–x, 66–9, 94–6, 105–6, 110,<br />

154–5, 170–5, 208 n. 2, 244–5,<br />

262–3, 344–5. See also origins of<br />

<strong><strong>the</strong>ater</strong> <strong>and</strong> performance<br />

Paleosiberian shamanism 95–6,<br />

162<br />

Papua New Guinea 88–9, 94,<br />

112–13, 115–16, 120–9, 138–42,<br />

147–8, 158–9, 164 n. 9, 171, 191,<br />

206, 237, 252, 255–6, 266–7.<br />

See also West Irian.<br />

Paradise Now (Living Theater)<br />

48–9, 59, 144, 161, 219. See also<br />

Living Theater, The<br />

para<strong><strong>the</strong>ater</strong> 132–4, 160, 169 n. 29.<br />

See also Gro<strong>to</strong>wski, Polish<br />

Labora<strong>to</strong>ry Theater<br />

parodies 282<br />

participation at Ajanta caves 344–5

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